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Projects in E-Music: The Acousmatic Experience
F05, S06, F06
Randall Neal
The term acousmatic describes a musical performance in which both performer and instrument are absent. The audience has no visual cues, all mental imagery results from the sounds alone, and access to the composer’s work is mediated solely through loudspeakers controlled by a sound projectionist. Close examination of this listening environment reveals that it provides a composer with unique opportunities for exploring the listener’s musical perception. Students will create original sounds and compositions in the electronic music studio. Students are expected to complete short readings, to participate in discussions, and to present their creative work on a regular basis in class sessions. An intermediate to advanced level tutorial.

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Taking up fiddles, flutes, and more to play the music of Ireland and beyond
Composer/rock musician traces the roots of medieval music
Jacob Wolf ’07 talks about bands at Bennington and the booking agency he launched
Music by current Bennington students and recent alumni
An interview with Spinto Band members Thomas Hughes '06 and Sam Hughes '08