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OPEN TO THE PUBLIC | The MoMA presents Judson Dance Theater: "The Work Is Never Done" exhibition. The show looks at the formative moment in the 1960s when a group of choreographers, visual artists, composers, and filmmakers gathered in Judson Memorial Church, NYC, for a series of workshops that ultimately redefined what counted as dance.
OPEN TO THE PUBLIC | Though working in multiple mediums, Torkwase Dyson (b. Chicago) describes herself as a painter who uses distilled geometric abstraction to create an idiosyncratic language both expressive and diagrammatic.
OPEN TO THE PUBLIC | The exhibition "The San Quentin Project: Nigel Poor and the Men of San Quentin State Prison," is on view at the Milwaukee Art Museum
OPEN TO THE PUBLIC | SUNY Oneonta will present “Continuous Flow,” paintings and photographs by Leslie Parke, in the Martin-Mullen Art Gallery.
OPEN TO THE PUBLIC | "The Spinner’s Dream: Three Collections in Dialogue," an exhibition by DD Dorvillier ’89, is at the Museum Fabre.
OPEN TO THE PUBLIC | "Downstairs," a family drama starring Tim Daly '79 and his sister Tyne, is onstage at the Cherry Lane Theater.
OPEN TO THE PUBLIC | Victoria Munroe Fine Art, NYC, is presenting "Paintings and Works on Paper," an exhibition featuring former faculty Pat Adams.
OPEN TO THE PUBLIC | "Sally Mann: A Thousand Crossings," the first major survey of work by Sally Mann ’73 to travel internationally, is on display at the J. Paul Getty Museum.
OPEN TO THE PUBLIC | Bennington piano students present their end-of-term recital.
OPEN TO THE PUBLIC | The Frost Stone House Museum will welcome Williams College scholar and professor Neil Roberts to give a talk about Frederick Douglass, during the 200th anniversary of Douglass' birth. Free and open to the public, cash bar open starting at 5:30, Seating first come, first served.
OPEN TO THE PUBLIC | Concert begins in VAPA Newman Court and moves to Dance Studio E303.
OPEN TO THE PUBLIC | Two a cappella quartets and a quintet perform original compositions. Angelic and monastic with a slap from doo-wop and a sprinkling of extended technique.