The Best of the Best

The work of our faculty is among the best creative work being published today. But don’t take our word for it. Each year, Houghton Mifflin Harcourt releases its “Best American Series," showcasing the finest short stories, poems, and essays published in North America from the previous year. Many of our core faculty members have been included in (or guest edited) this prestigious anthology and others. Here’s a sampling.

Top of the List

In its 2007 fiction issue, The Atlantic published a guide to the nation's best graduate programs in creative writing: The Bennington Writing Seminars was distinguished as one of the top five low-residency MFA programs.

Writers at Bennington

Writers who have taught at Bennington include, among others, Bernard Malamud, W.H. Auden, Stanley Kunitz, Theodore Roethke, Kenneth Burke, John Gardner, Jamaica Kincaid, Howard Nemerov, Edward Hoagland, and Mary Oliver. For more than 20 years prior to the formation of the Seminars, Bennington hosted the Bennington Summer Writing Workshops, where more than 250 writers, such as John Cheever, John Ashbery, Grace Paley, Donald Barthelme, John Irving, and many others formed part of the long tradition of writers and literature at Bennington.

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Skip Navigation LinksMFA in Writing

Victoria Clausi
Associate Director
615-794-2203
vclausi@bennington.edu

Dawn Dayton
Program Coordinator
802-440-4452
writing@bennington.edu

Application Deadlines

  • June residency, March 1
  • January residency, Sept. 1

Read one hundred books. Write one.

The Bennington Writing Seminars is the closest thing I have found to a literary home. I have been living among writers and students for decades now, but only at Bennington, among these writers and these students, have I felt with full intensity how the solitary craft connects with the larger culture—and how badly that culture needs what the writer has to offer.

Our founder Liam Rector’s six-word description (above) is in fact a two-year epic exploration. Writing and reading are the inner life engaged, on alert; they create like nothing else the conditions of mattering. The process can be consuming, no question. But if the inner life crowds up too hard at times, there is also relief: the mountains to look at in every direction, the paths going off from the road into the woods. Solitude is one part of the writing life, and exchange is the other. Bennington is a place of kindred spirits and close connections. Students work intensively with designated faculty members, continuing the conversation about the work through the semester’s correspondence. Justly honored and distinguished, our faculty writers are in it for the long run—their passion for their craft informs their passion for teaching.

The strands of the web, then, are strong, and what they carry is electricity —from instructor to student, from student to student, and from individual writer to group in workshops, lectures and readings. The movement of energy creates a community that perpetuates itself far beyond the 10-day residencies. Hemingway spoke of his years in Paris as “a moveable feast,” and the expression fits here, too. The true experiences are the ones that live in the heart.

—Sven Birkerts, Director