Visual Arts: Related Content
Ayodamola (Ayo) Tanimowo Okunseinde is an artist and time-traveler living and working in New York. His works range from speculative design to wearable technology, and explorations of Afrofuturism / Reclamation.
Fern Silva uses moving image to produce a sonic and cinematographic language for the hybrid mythologies of globalism. His films consider methods of narrative, ethnographic, and documentary filmmaking as the starting point for structural experimentation.
Pioneer of color field painting and one of the most influential artists of the past half-century
AI Now Institute Art Fellow whose biotechnology art project, Lovesick, envisions love spread like a virus.
Poet, art critic, former senior editor at Art in America, and recipient of the Chevalier in the Order of Arts and Letters by the French government
Ann Pibal’s widely recognized and highly acclaimed paintings have been exhibited extensively, in the United States, Europe, and Asia.
Nancy Nowacek is an artist, designer, and education who works in the realms of socially-engaged art, visual design, design strategy, and education.
Baseera Khan is a New York-based artist who sees bodies as constantly subject to volatile social environments globally and most notably within capitalist-driven societies such as the United States. Volatility creates a need for Khan to self-censor and develop secretive environments. Living between surveilled and othered, she can find exile anywhere and kinship by its side. These life lessons transform into motives of obscurity that lead her to a careful deployment of material and linguistic shifts. The use of fashion, photography, textiles and music, sculpture and performance manifest Khan's native femme Muslim American experience, a legacy for her aesthetic concealment.
Founder and artistic director of Prospect New Orleans, senior curator at the New Museum in New York from 1995 to 2006, and an independent curator whose work has brought to the spotlight some of the most inventive contemporary artists of the 1990s and 2000s
Sara Mangenheimer's work blends sound, video, performance, sculpture, and other forms, and has been shown at venues ranging from the Brooklyn Academy of Music and the New York Film Festival, to MoMA PS1 and White Columns.