Drawing: Related Content

Ann Pibal’s widely recognized and highly acclaimed paintings have been exhibited extensively, in the United States, Europe, and Asia.

Camille Hoffman's current work is a mixed-media meditation on Manifest Destiny and its representation in the romantic American landscape. Reflecting on the embedded and latent meanings around light, nature, the frontier, borders, race, gender and power in influential American landscape paintings of the 19th century, she uses materials collected from her everyday life, including holiday-themed tablecloths, discarded medical records, nature calendars, plastic bags and paint, to craft imaginary landscapes that are grounded in accumulation, personal narrative and historical critique.

Beverly Acha is a New York-based visual artist working in painting, printmaking, and drawing. Her work is informed by the visual and spatial languages of landscape, architecture, and diagrams. Through a process-based practice that embraces formal and material experimentation, color theory, and symbolism, Acha explores the poetic, shifting spaces of perception and memory.

J Blackwell '95's recent works are called Neveruses (never•uses). Neveruses are lumpish, androgynous painting-objects comprised of scavenged plastic bags and colored fibers such as wool yarn and silk thread. These hybrid devices are neither useful nor redundant, although both are implied.

Colin Brant’s luxurious, color-drenched, paintings and drawings present an inquiry that is both reverent and skeptical, offering examinations of landscape as personal, politicized, and perpetually evolving historical space.

Mary Lum’s paintings, collages, and wall works, which have been praised by critics and exhibited widely, draw attention to the overlooked but subliminally powerful architecture of modern life.