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Ilana Harris-Babou uses music videos, cooking shows and home improvement television as material in an abject exploration of the American Dream. She works primarily in ceramic sculpture and video installation and frames messy scenes with studio lighting and HD video in order to ask questions about intimacy, violence and consumption.
In her work as a documentary filmmaker and film editor, Kate Purdie focuses on finding and portraying insights into the human experience by delving into lives and ideas that speak to themes of work, family, and community.
Jonathan Schwartz makes short films that earned him a place on Film Comment's list of 25 Filmmakers for the 21st century.
Jen Liu is a New York-based visual artist working in video, performance, and painting, on topics of national identity, economy, and the re-motivating of archival artifacts. She is a 2017 recipient of the Guggenheim Fellowship in Film/Video, as well as the NYSCA/NYFA Fellowship in Digital/Electronic Art.
Beatriz Santiago Muñoz is an artist whose expanded moving image work is entangled with Boalian theater, expanded cinema and feminist practices. She tends to work with non-actors, and incorporates improvisation into her process. Her recent work is on the sensorial unconscious of anti-colonial movements and feminist experiments with language and narrative.
Artist whose work in sculpture and moving image argues for an ethics of taste
Mariam Ghani is an artist, writer, and filmmaker. Her work looks at places, spaces and moments where social, political and cultural structures take on visible forms, and spans video, sound, installation, photography, performance, text and data.
Sahraa Karimi is a film director and screenwriter from Afghanistan. Despite facing numerous obstacles, she has become a leading figure in the Afghan film industry and has won numerous international awards for her work.
Fern Silva uses moving image to produce a sonic and cinematographic language for the hybrid mythologies of globalism. His films consider methods of narrative, ethnographic, and documentary filmmaking as the starting point for structural experimentation.