MFA in Dance Faculty
Terry Creach directs Creach/Company, which tours throughout the United States and Europe, and his work as a choreographer has been supported by the National Endowment for the Arts, the New York State Foundation for the Arts, and the Foundation for Contemporary Performance Arts.
Elena Demyanenko was a member of Trisha Brown and Stephen Petronio Dance Companies, which premiered original choreography at Baryshnikov Arts Center, New York Live Arts, and other venues. She is the recipient of New York Live Arts and EMPAC Dance Movies commissions and a Jerome Robbins Fellowship.
Michael Giannitti has extensive professional experience as a lighting designer and educator. He has designed lighting at many of the most prestigious venues around the country and has taught abroad as a two-time Fulbright Specialist Grant recipient.
Mina Nishimura is a Tokyo-born dance artist whose works focus on ever-changing relationships between internal landscapes and external forms. Buddhism-influenced philosophies and butoh-based principles are reflected across her somatic, performance and choreographic practices. Nishimura is a 2019 recipient of Foundation of Contemporary Arts Grants to Artists award.
Choreographer, dancer, and visual artist Dana Reitz weaves movement and light scores that continually shift perception of time and space. Often performed in silence, they reveal musical nuance. She has collaborated with Jennifer Tipton, created works for Mikhail Baryshnikov, and toured extensively.
Charles Schoonmaker is an Emmy Award-winning costume designer for theatre, dance, opera, and television.
Susan Sgorbati, the director of the Elizabeth Coleman Center for the Advancement of Public Action, is a professional mediator and educator whose creative research has led to collaboration across disciplines ranging from dance improvisation to biology to visual arts, as both an artist and a driver of social change.
Born in Niigata, Japan, Kota Yamazaki was first introduced to butoh under the teaching of Akira Kasai, then graduated from Bunka Fashion College (Tokyo) with BA in Fashion Design. He is a recipient of Bessie Award 2007, FCA Award 2013, NYFA Fellowship 2016, and Guggenheim Fellowship 2018.
Dale Doucette has been a touring lighting designer/director and production manager for over 40 years. He has traveled the world over with a variety of musical performers. He has also worked in set and lighting design for film, television and theatre production.
Originally from Malvern, Ohio, Maura Gahan is a Northern Vermont based dancer, puppeteer, and improviser. Her practice is derived from the technical forms and philosophies of Material for the Spine (Steve Paxton), Tuning Scores (Lisa Nelson) and the Bread and Puppet Theater (Peter Schumann) and is influenced by the movement of objects, plants, and other species.
Richard MacPike brings his experience working on Broadway shows such as The Lion King and companies like the Santa Fe Opera and Glimmerglass to his work as costume shop manager at Bennington.
Tal Shibi is a native Jerusalem choreographer, improvisor, performer, and teacher of dance, CI, and somatic awareness. He is continuously curious in exploring collaborations between different art forms, and widening the perceptions of performance and dance.