Dance: Related Content
Bennington College this summer became the first American school to participate in the European Schools Festival at the National Center of Contemporary Dance in France.
Dance faculty member and professional mediator Susan Sgorbati has been awarded a six-week Creative Research residency at Rensselaer Polytechnic Institute's Experimental Media and Performing Arts Center (EMPAC).
Choreographer and performer Susan Rethorst '74 is one of five artists to receive the 2010 Alpert Award in the Arts, a $75,000 prize to support her ongoing work in contemporary dance.
A real-time video performance by alumni Madeline Best '08 and Brian Rogers '95 was "radical in that word's primary sense," raved New York Times dance critic Alastair Macaulay.
Dance faculty member Dana Reitz and dancer/choreographer Sara Rudner MFA '99 garnered rave reviews for their recent reprisal of their 1994 show Necessary Weather at the Baryshnikov Arts Center in New York.
"Be enthusiastic about your work, but always stay humble," filmmaker Mitchell Lichtenstein '78 told a room full of Bennington students as part of the "Beyond Bennington" speaker series, which invites alumni to campus to discuss their careers with current students.
The Bennington College community mourns the loss of friend and pioneering dance choreographer Merce Cunningham, who died on Sunday, July 26, at the age of 90 years old.
The Yard, an artists' colony for choreographers on Martha's Vineyard, kicked off its 2009 season on Friday, June 26, with a weekend event dedicated to its late founder Patricia N. Nanon '44.
The Yard, an artists' colony for choreographers on Martha's Vineyard, kicks off its 2009 season on June 26th with a weekend event dedicated to Yard founder and Bennington alumna Patricia N. Nanon '44.
Fans of the best-selling Twilight book series are sinking their teeth into Melissa Rosenberg '86's highly anticipated film adaptation, which hit 5,500 screens starting with a midnight viewing on November 21.
Dancer who has performed with the Trisha Brown Dance Company, choreographed for her own company and independently, taught at universities and arts centers, and written reviews, features, and essays on dance for a variety of publications
Hilary Clark is a dancer, teacher and choreographer, performing in pivotal experimental dance and theater based work, touring nationally and internationally.
Director of the Brooklyn Academy of Music and founder of the Next Wave Festival, which gave artists like Merce Cunningham and Twyla Tharp audiences long before they became American icons
Souleymane ‘Solo’ Badolo is a Brooklyn-based choreographer and dancer born in Ouagadougou, Burkina Faso. In 1993, he founded his own Burkina Faso-based troupe, Kongo Ba Téria, which fuses traditional African dances with western contemporary dance and continues to tour internationally.
Levi Gonzalez is a dance artist whose work highlights the porous boundaries between audience and performer, and employs a queer corporeal logic to resist narrow definitions of knowledge and experience.
New York Foundation for the Arts Fellow in Choreography and Bessie Award winning Performer for Sustained Achievement known for her longstanding work with some of the leading names in modern and contemporary dance, whose choreography has been staged at venues including Center for Performance Research, Dance Theater Workshop, La Ma Ma, Movement Research at the Judson Church, Museum of Arts and Design, and New York Live Arts
mayfield brooks (they/them) is a movement-based performance artist, vocalist, urban farmer, writer, and wanderer based in Lenapehoking also known as Brooklyn, New York.
Dana Reitz, choreographer, dancer, and visual artist, often uses silence as a means to reveal the musical nuance of movement itself. On her own and in her collaborations with lighting artists, she has pioneered the use of light as a physical partner. Her woven movement and light scores—essential, spare, and fleeting—create a continually shifting perception of time and space. She performed her recent solo work, current, meant to “happen in a mutable light stream, somewhere in a current of time” at Roulette Intermedium, Brooklyn, in October 2023.
Pape Ibrahima Ndiaye (Kaolack) was born and raised in Senegal by his grandmother. As a dancer/choreographer, his work is entirely focused on pushing boundaries off space and time, liveness, and fully being in the spaces we inhabit and claim as our own, while making space for spirit to be present.
With his background in engineering, woodworking, and sawmilling, Michael Rancourt has created everything from a parasol that bursts into flames to a totally silent stage elevator for Bennington College productions.
luciana achugar is a dance maker and teacher whose work blurs the lines between theater and healing; and between dancing and ritual. She makes dances as a way of growing an uncivilized, decolonized, utopian body with a practice of being in pleasure.
Choreographer, performer, teacher, and recipient of the national Jacob K. Javits Fellowship in Dance, having trained and performed under the direction of American Ballet Theater principal ballerina Karena Brock Carlyle
Davison Scandrett is a production manager and lighting designer specializing in experimental performance collaborations across dance, architecture, visual art, poetry, music, information science, criticism, theater, and responsive media.
Choreographer and MacArthur “Genius Grant” recipient with commissions from many prestigious institutions
Winner of the Guggenheim and Doris Duke Artist Awards for her innovative dance performance and choreography
Originally from Malvern, Ohio, Maura Gahan MFA '22 is a Northern Vermont based dancer, puppeteer, and improviser. Her practice is derived from the technical forms and philosophies of Material for the Spine (Steve Paxton), Tuning Scores (Lisa Nelson) and the Bread and Puppet Theater (Peter Schumann) and is influenced by the movement of objects, plants, and other species.
Member of the Merce Cunningham Dance Company, performing a vast repertory, originating several roles, and appearing in several of Cunningham’s works for camera including Charles Atlas’s film Merce Cunningham: A Lifetime in Dance
Circle-making in dance is a way to kinesthetically experience and to embody inclusion, connectivity, and collectivity. Parijat Desai’s current work involves retooling Gujarati circle dance ritual, within community and performance practice. She also asks how individual expression remains alive within collective. Her ongoing research happens through choreography and storytelling with hybrid movement and theatrical vocabularies.
Susan Sgorbati is a professional mediator and educator whose creative research has led to collaboration across disciplines and borders as both an artist and a driver of social change.