Magazine: Related Content
WHAT DIDN’T EXIST BEFORE YOU MADE IT?
The next issue of the Bennington magazine will be authored by alumni submissions that respond to the question: What didn’t exist before you made it? From your responses, we will publish a ranging and vivid portfolio of alumni work.
Bennington’s cultural collaborations create a hotbed for arts in the community by Heather DiLeo
Alumni making a life and running a business in and around Bennington by Heather DiLeo
When residents in nearby Hoosick Falls, NY and North Bennington, VT discovered their wells and water contaminated, the College stepped in to study, train, and educate students and citizens
Originally from Whittier, California, “the birthplace of lowrider trucks and Richard Nixon,” Bill Scully ’94 knew as a freshman he wanted to settle in Bennington by Heather DiLeo
Inspired classes and assignments that take the town as a class and the class into town
What Amy Blomquist Buckley ’83 started as a “niche” place to go for great coffee and homemade food in 2012 quickly blossomed into what many locals—and tourists—consider an essential Bennington hangout spot by Heather DiLeo
Nina Hardt Lentzner ’91 and Joel Lentzner ’91 opened contemporary craft and fine art gallery Fiddlehead “the last day before Y2K” in the grand neoclassical marble building that housed their bank when they were Bennington students by Heather DiLeo
Making a Difference in Detroit: Entrepreneurship, Activism, and Art with Ben Hall '04
The collaborative approach to revitalizing Bennington’s downtown by Heather DiLeo
A student-led community partnership that weaves advocacy, activism, academics, and community partnership to make a safer, less isolated environment for Vermont’s 3,000 undocumented migrant workers
Bennington Potters began as Cooperative Design, the studio of the late David Gil and first wife Gloria Goldfarb ’52, and two others, in 1948 by Heather DiLeo
A brief look at the College’s economic and cultural impact on the Bennington region
The Friends of Robert Frost has generously gifted The Robert Frost Stone House Museum to Bennington College.
The Bennington Museum represents the largest collection of art and history from Southern Vermont and the historically associated areas of New York, Massachusetts, and New Hampshire by Heather DiLeo
Dorset Festival, now in its 40th year, mounts four main stage productions a year from June to September, drawing some of the country’s most talented playwrights, actors, and directors by Heather DiLeo
Bennington’s cultural collaborations create a hotbed for arts in the community by Heather DiLeo
Making art available to everyone, the 23-year-old Vermont Arts Exchange (VAE) provides locals with arts education, performance, and exhibition opportunities by Heather DiLeo
Leaders of local organizations on the impact of student work and volunteerism throughout Bennington by Alex Dery Snider
Three Bennington alumni and one staff member are shaping Vermont policy and Vermont futures. An inside view of how bills become law in Vermont, the issues driving these policymakers back to the table, and their take on legislative legacies by Shay Totten ’91, P’21
MASS MoCA is the nation’s largest contemporary art museum and one of the most influential by Heather DiLeo
Retiring faculty member Doug Bauer on teaching and time at Bennington by Keegan Ead and Madeline Cole ’16
More and more employers are looking for internships on students’ resumes, and more and more colleges are requiring them as part of an education. But with so many internships unpaid, can students afford to do them? By Michael Blanding
Two classes, one big assignment: exhibit, catalogue, and archive black lives at Bennington in a multimedia performance exhibition in Usdan Gallery by Briee Della Rocca.