MFA in Dance: Related Content
Bennington College is pleased to announce the 2019-20 candidates for its two-year Master of Fine Arts in Dance degree.
Bennington teaching technician and sculptor John Umphlett MFA '99 was interviewed by visual arts faculty member Jon Isherwood for the September issue of Sculpture magazine.
Elena Demyanenko was a member of Trisha Brown and Stephen Petronio Dance Companies, which premiered original choreography at Baryshnikov Arts Center, New York Live Arts, and other venues. She is the recipient of New York Live Arts and EMPAC Dance Movies commissions and a Jerome Robbins Fellowship.
Michael Giannitti has extensive professional experience as a lighting designer and educator. He has designed lighting at many of the most prestigious venues around the country and has taught abroad as a two-time Fulbright Specialist Grant recipient.
Choreographer, dancer, and visual artist Dana Reitz weaves movement and light scores that continually shift perception of time and space. Often performed in silence, they reveal musical nuance. She has collaborated with Jennifer Tipton, created works for Mikhail Baryshnikov, and toured extensively.
Mina Nishimura is a Tokyo-born dance artist whose works focus on ever-changing relationships between internal landscapes and external forms. Buddhism-influenced philosophies and butoh-based principles are reflected across her somatic, performance and choreographic practices. Nishimura is a 2019 recipient of Foundation of Contemporary Arts Grants to Artists award.
Charles Schoonmaker is an Emmy Award-winning costume designer for theatre, dance, opera, and television.
Susan Sgorbati, the director of the Elizabeth Coleman Center for the Advancement of Public Action, is a professional mediator and educator whose creative research has led to collaboration across disciplines ranging from dance improvisation to biology to visual arts, as both an artist and a driver of social change.
Originally from Malvern, Ohio, Maura Gahan is a Northern Vermont based dancer, puppeteer, and improviser. Her practice is derived from the technical forms and philosophies of Material for the Spine (Steve Paxton), Tuning Scores (Lisa Nelson) and the Bread and Puppet Theater (Peter Schumann) and is influenced by the movement of objects, plants, and other species.
Terry Creach directs Creach/Company, which tours throughout the United States and Europe, and his work as a choreographer has been supported by the National Endowment for the Arts, the New York State Foundation for the Arts, and the Foundation for Contemporary Performance Arts.