Gancher Receives Dorset Theatre Festival Commission
Embodying Structure: Construction of the Corset
Resisting the Stitch
History of Theater II
Artist's Portfolio: Parts I (the verbal) Part II (the visual)
An Actor's Technique: Nuts and Bolts
Actor's Instrument
Beat by Beat: Script Interpretation for Theatre Makers and Their Friends
Sensory Exploration/Scene Study
Out of the Ordinary: Costume Design for Fantasy
Fascinating Rhythm: Costume Design for Musicals
Stage Management Process
Take On, Take Off: from Inspiration to Travesty
Actor's Instrument
Directing II
The Art of Stage Design
Choice and Consequence - Alternative History
The Magical Object
Time, Memory, and Meaning Making
Theater Games and Improvisation
Spatial Narratives
The Body Acoustic: Toward a Sense of Place
Queens Girl: Black in the Green Mountains: Essential Conversation
Coming of Age: Gender and Genre
Tom Stoppard
Shakespeare: The History Plays
Style in Motion: Costume Design for Dance
Science, Drama and the Power of the Inquisitive Mind
Faculty Performance Production: Gloria by Branden Jacobs-Jenkins
Student Workshop on Race and Theatre Pedagogy Led by Kaja Dunn
Actor's Instrument
Directing I: The Director's Vision
Projection _ Mapping _ Design
Embodying Text
Viewpoints Groundwork
Meisner Technique
Scene Painting
Faculty Performance Production: “H G, a great and terrible story,” by Anna Maria Hong, Jean Randich, Sue Rees, and Allen Shawn
Finding Form: Dance
Drama At Bennington Curriculum For Fall 2021
"Welcome To Chechnya" Screening
Salt Off A Bird's Tail
“The Chechens” by Phillip Christian Smith, directed by Jean Randich
“The Chechens” by Phillip Christian Smith, directed by Jean Randich
Joshua Goldberg | Senior Concert Preview 2021
Andha Yug: A Staged Reading
Solo Performance
Announcing the 2021 Lucille Lortel Theatre Foundation Fellowships
Artist's Portfolio
History of Theater II
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