Visual Arts: Related Content
Since the start of social distancing, students working with Anne Thompson, Visual Arts faculty member and Usdan Gallery Director and Curator, have been making mail art, a time-honored practice in which artists use the postal service to subvert institutional structures and restrictive conditions.
The Center for Advancement of Public Action (CAPA) at Bennington College has received its second commission from the U.S. State Department's Office of Art in Embassies for the art collection at the new U.S. Consulate in Chiang Mai, Thailand.
Bennington College trustee Matthew Clarke has been appointed the new Executive Director of the Design Trust for Public Space.
Technical Instructor in Costume Production Richard MacPike is constructing face masks for Bennington students remaining on campus. Learn how to make your own.
Bennington College’s 3D printers are usually a staple of the College's Visual Arts programming. However, as Southern Vermont grapples with the COVID-19 pandemic, the College’s 3D printing equipment and materials have been put to a now-critical use.
This Field Work Term, Kayly Hernandez Panameno ’22 and James Walkergoutal ’20 worked as Production Fellows at XTR, a nonfiction film and television studio founded by Bryn Mooser '01.
FLoW—Bennington’s community of first-generation, low-income, and working-class students—held a pop-up gallery to highlight and celebrate the work that FLoW students are creating on campus.
From January 10 - February 8, Cynthia-Reeves Gallery, located on the campus of MASS MoCA, is featuring works by Bennington and Williams College students as part of the Bennington-Williams Student Exhibition.
Art New England featured Queer Paranormal (an exhibition concerning Shirley Jackson and The Haunting of Hill House), which was on display at Usdan Gallery and across Bennington's campus from October 29 to December 7, 2019.
Five students from Bennington College have been selected as Frankenthaler Fellows for the 2020 Museum Fellows Term, a study-away program that provides participants with practical, professional art world internship experience working at a major cultural institution in New York City for five months.
On Sunday, November 17, the southern Vermont community will come together at Mount Anthony Union Middle School for the 2019 Bennington Empty Bowls Supper.
Flash Art Italia’s November “Art and Feminism” roundup of international shows featured Queer Paranormal (an exhibition concerning Shirley Jackson and The Haunting of Hill House), which was on display at Usdan Gallery and across Bennington's campus from October 29 to December 7, 2019.
When Brian Vu ’16 was a student at Bennington, he studied Dance and Ceramics, two complementary fields that appealed to him in physical and tangible ways.
For Audrey Shulman ’09, the process behind creating Love, Fall & Order, a Hallmark Channel Original Movie, was “professional screenwriting bootcamp.”
At the start of Fall term, Bennington College students celebrated with Student Works, an annual showcase of projects done across disciplines—from poetry and play readings, to musical performances, genetics research, oral histories, and more.
Plastic bags and recycled fabric scraps—that’s what Coastal Caps are made of.
Cubby, a “quirky queer coming-of-age comedy” co-directed by Ben Mankoff ’11, has been making the rounds of the international queer film festival circuit since its release earlier this year. The film was included in Italy’s 2019 Torino LGBTQI International Film Festival and has since been part of festivals in Barcelona, Toronto, San Francisco, Ireland, and Los Angeles.
Marie Lorenz, the immersive artist featured in the exhibition Marie Lorez: Waterways at the Usdan Gallery from April 6 - May 9, 2019, spoke to New England Newspapers Landscapes correspondent Elodie Reed about her work.
“In higher education, ceramics is often taught with a community-oriented spirit,” said Joshua Green ’81. “Students work together in a common space and in front of one another. They’ll put their works together in a kiln load that’s then fired collaboratively. Ceramics tends to draw in students who value community.”
Earlier this year, Design and Planning Coordinator Erin McKenny and faculty member Jon Isherwood were approached by the organizers of the annual North Bennington Outdoor Sculpture Show (NBOSS) to explore how Bennington students could engage with the Village School of North Bennington (VSNB) and participate in the outdoor sculpture show.
As the Robert Frost Stone House Museum opens for its second season under Bennington College’s stewardship, visitors to the property will be invited to reimagine Frost and his surrounding environment with (Im)Possibilities of Landscape, a senior curatorial work presented by Sophia Gasparro ’19.
“In the world, it’s often the case that a Deaf person is expected to read lips, have the accommodations they need, to do the work to hold a conversation, when really it’s hearing people who should be making the effort,” said Madeline Poultridge ’20.
Bennington College connections abound in the Bennington Museum's exhibition Works on Paper: A Decade of Collecting, which highlights a disparate body of works, from historic to contemporary and self-taught works, to creations by Bennington Modernists. The exhibition is on view through May 5.
The launch of Bennington College’s new Art for Access initiative has yielded more than $3.1 million to establish the College’s inaugural Art for Access scholarship fund, which will provide financial aid for talented students who otherwise would not be able to afford a Bennington education.