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Title
Term
Day/Time
No. of Credits
Course Level

Sénémali 1 – Drumming, and Dancing

Term: Fall 2026
Day & Time: TU,FR 8:30am-10:20am
Credits: 4
Level: 2000
Kaolack Ndiaye
Michael Wimberly

This course provides a vibrant introduction to the traditional West African rhythms and movements of the Mandingo and Wolof communities. Students will embark on a journey through both drumming and dancing disciplines, mastering intricate rhythms that will expand their musical vocabulary and enhance their dance techniques.

Becoming Educated in Vermont

Term: Fall 2026
Day & Time: FR 2:10pm-5:50pm
Credits: 4
Level: 2000
Brian Campion

Taught by a former State Senator who Chaired the Senate Education Committee from 2020-2024, and is a current member of the Vermont State Board of Education, this course focuses on developing state and local policies to improve educational outcomes across the Pre-K through the grade 12 system. The class will ground its work in the 2026 Vermont State Report Card, issued by the Agency of Education. Classes will mirror the legislative committee process, providing opportunities to engage with policy makers, students, teachers and other stakeholders.

CUPS: Mold Making and Slip Casting

Term: Fall 2026
Day & Time: WE 2:10pm-5:50pm
Credits: 4
Level: 2000
Yoko Inoue

This is an introductory course of basic mold making and slip casting techniques for producing components to create a series of functional ware. This course focuses on the development of design concepts through exploration of slip casting methods, application of alteration and assemblage techniques and experimentation of prototype makings to produce ceramic multiples (cups).

Form and Process: Introduction to Painting

Term: Fall 2026
Day & Time: MO 1:40pm-5:20pm
Credits: 4
Level: 2000
Ann Pibal

This course introduces a variety of materials, techniques and approaches to working with oil paint. Emphasis is placed on developing and understanding of color, form and space as well as individual research and conceptual concerns. The daily experience of seeing, along with examples from art history and contemporary art, provide a base from which investigations are made. Formal, poetic, and social implications within paintings both from class and from a wide-ranging selection of practicing artists are examined and discussed. Students complete work weekly.

Herbs in Practice at the Purple Carrot Farm

Term: Fall 2026
Day & Time: TH 10:00am-11:50am
Credits: 1
Level: 2000
Kelie Bowman

This hands-on course explores the harvesting, drying, and processing of medicinal herbs grown in a no-till organic garden at Purple Carrot Farm. Students will learn to apply regenerative growing practices and identify optimal harvest times for roots, leaves, and flowers to maximize potency and quality. Along the way, students will become familiar with the medicinal properties of the herbs cultivated on the farm.

How to Restore a Forest

Term: Fall 2026
Day & Time: TU,FR 10:30am-12:20pm
Credits: 4
Level: 2000
Caitlin McDonough MacKenzie

Bennington’s campus supports beautiful examples of temperate deciduous mixed hardwood forests. Our forests are also impacted by legacies of past land-use and introduced plant species that affect biodiversity and ecological function. This class is a hands-on exploration of ecological restoration and invasive species removal in our own back yard. Students will explore the local forest community composition, structure, and function and learn how land managers and conservation practitioners decide when and how to remove introduced plants as part of forest restoration efforts.

Introduction to Local Sustainable Agriculture

Term: Fall 2026
Day & Time: TH 1:40pm-5:20pm
Credits: 2
Level: 2000
Kelie Bowman

This course explores the broad field of sustainable agriculture. This class consists of a series of field trips, meeting with a cross-section of local producers ranging from organic vegetable farms, mushroom cultivation, livestock, flower farms.

Kalón and Chaos: The Secret History and its References

Term: Fall 2026
Day & Time: TU 2:10pm-5:50pm
Credits: 4
Level: 2000
Benjamin Anastas

"Live forever!" is the chosen mantra of the louche, monied and relentlessly insular group of Classics students at the center of Donna Tartt's now classic literary suspense novel The Secret History. Under the influence of their classics professor Julian Morrow--a "divine" with special status on the campus of Hampden College, a dark mirror-image of our own campus--they undertake experiments in ancient Dionysian religious rites that that culminate in two murders.

Language as System and Social Behavior

Term: Fall 2026
Day & Time: TU,FR 10:30am-12:20pm
Credits: 4
Level: 2000
Tom Leddy-Cecere

In this course, students will examine the building blocks which make up the interlocking systems of language and observe how those systems are enacted and granted layers of meaning through social practice.

Mandolin

Term: Fall 2026
Day & Time: W 2:00PM-2:50PM
Credits: 2
Level: 2000
John Kirk

Beginning, intermediate and advanced group lessons on the mandolin will be offered. Students will learn classical technique on the mandolin and start to develop a repertoire of classical and traditional folk pieces. Simple song sheets with chords, tablature, and standard notation, chord theory, and scale work will all be used to further skills. History of the Italian origins of mandolin and its introduction to the western world will be discussed as well as past and present practices.

Meditation Among Us

Term: Fall 2026
Day & Time: TH 10:00am-11:50am
Credits: 2
Level: 2000
Dor Ben-Amotz

In this class we will explore the practice of meditation as a physical and mental training exercise and reality check.

Pedagogies: Theory and Practice

Term: Fall 2025
Day & Time: MO,TH 3:40pm-5:30pm
Credits: 4
Level: 2000
Jonathan Pitcher

This course will focus on teaching methods. While applicable to college, they’ll mostly be of the K-12 variety. Proleptically, it should always already recognize the false dichotomy rather too neatly encapsulated in its subtitle.

Pedagogies: Theory and Practice

Term: Fall 2026
Day & Time: MO,TH 3:40pm-5:30pm
Credits: 4
Level: 2000
Jonathan Pitcher

This course will focus on teaching methods. While applicable to college, they’ll mostly be of the K-12 variety. Proleptically, it should always already recognize the false dichotomy rather too neatly encapsulated in its subtitle.

Photographs as Narratives

Term: Spring 2026
Day & Time: WE 2:10pm-5:50pm
Credits: 4
Level: 2000
Terry Boddie

How do we read photographs? What are the stories contained within their borders? How does two, three, or a sequence of images convey a narrative? In this intermediate course, students are guided through a series of assignments that explore the photograph as a narrative pictorial space using analog and digital processes. Structurally the assignments may take a traditional documentary format or a creative thematic narrative format. Image editing and sequencing to strengthen narrative structure will be a key goal of the course.

Propaganda

Term: Fall 2025
Day & Time: TU 2:10pm-5:50pm
Credits: 4
Level: 2000
Mariam Ghani

Since its inception, film has been used for propaganda - disseminating information with a particular slant, whether subtle or obvious - by regimes and independent players across the political spectrum. As the means of production and circuits of distribution become ever more accessible to individuals, we have moved from an era of focused agitprop into a new era of diffused disinformation.

Reading and Knitting the Forested Landscape

Term: Spring 2026
Day & Time: MO,TH 1:40pm-3:30pm
Credits: 4
Level: 2000
Caitlin McDonough MacKenzie

Why would a forest ecology course include an assignment to knit a wool hat? In this class we will explore the lasting impact of sheep on the Vermont landscape, from the earliest settler-colonizers through today’s small batch fiber mills and second growth forests studded with stone walls. Sheep, and especially a 19th century boom in merino sheep, radically altered Vermont’s forests and inspired early writing on conservation and sustainable land management.

Shakespeare: The Tragedies

Term: Spring 2026
Day & Time: M/Th 8:00AM-9:50AM
Credits: 4
Level: 2000
Michael Dumanis

We will spend the term immersed in in-depth reading and analysis of the plot, structure, and language, and cultural context of six Shakespeare tragedies: Titus Andronicus, Julius Caesar, Romeo and Juliet, Hamlet, King Lear, and Othello. We will focus on the themes of power, corruption, betrayal, revenge, despair, and madness, among others. We will also spend considerable time discussing representations of gender, race, and old age in Shakespeare.

Song for Ireland and Celtic Connections

Term: Spring 2026
Day & Time: TU,FR 10:30am-12:20pm
Credits: 4
Level: 2000
John Kirk
Rachel Clemente

Celtic history and music from Ireland, Scotland, Bretagne, Galatia, and Cape Breton will be experienced, studied, and performed using instruments and voices. We’ll find and cross the musical bridges between regions–from the ballads of Ireland, Scotland and Wales to the Alalas of Spain, through the Scottish Gaelic speaking Highland and Islands to the dance tunes of Brittany. An end-of-term presentation will be prepared drawing on inspiration from traditional forms.

Spiraling around, Movement Practice

Term: Spring 2026
Day & Time: MO,TH 1:40pm-3:30pm
Credits: 2
Level: 2000
Martin Lanz

In this course we will explore spiraling in and out of the floor.

Stars and Galaxies

Term: Spring 2026
Day & Time: MO,TH 10:00am-11:50am
Credits: 4
Level: 2000
Hugh Crowl

All but a handful of the objects you see in the night sky are stars in our Galaxy, the Milky Way. Although we know about these stars only from studying their light, we know today that they are not just points of light, but large, gravitationally‐bound balls of plasma governed by the laws of physics. Stars, together with dust, gas, and dark matter, are found in larger structures – galaxies. In turn, galaxies, are located in even larger structures called galaxy groups and galaxy clusters.

Sustainable Agriculture: Advanced Projects

Term: Spring 2026
Day & Time: TH 8:30am-12:10pm
Credits: 4
Level: 4000
Kelie Bowman

This course is for students who are doing advanced work in Sustainable Agriculture or community engagement work. Students will create an individual project developing project management skills that include planning, research, development, and implementation. The students will have the opportunity to collaborate with a community partner and will present their completed project at the end of term. A small project budget will be provided supported by The Bennington Fair Food Initiative grant.

Tai-Chi 37 Forms

Term: Fall 2025
Day & Time: WE 4:10pm-6:00pm
Credits: 2
Level: 2000
Ginger Lin

Tai-Chi (Taiji) is a Chinese martial art and meditation system. The symbol of Tai-Chi is the famous Chinese Yin and Yang symbol also called Taiji.

Teaching Languages and Cultures

Term: Fall 2025
Day & Time: MO,TH 10:00am-11:50am
Credits: 4
Level: 2000
Noëlle Rouxel-Cubberly
Ikuko Yoshida

The study of foreign languages and cultures is a crucial asset. For some, it is a life-saving necessity. For others it represents a powerful tool in a toolkit for antiracism, social justice, and intercultural understanding. In this course, students will gain a basic understanding of language and culture teaching to young children and adults. Discussions with local teachers and language acquisition experts will provide a professional perspective on the course content.

The Hand as Tool

Term: Fall 2025
Day & Time: TU 8:30am-12:10pm
Credits: 4
Level: 2000
Anina Major

Clay responds directly to touch, retains memory and is forced through the dynamic process of firing to fix a point in time. This class will introduce students to a variety of hand-building techniques to construct sculptural and/or utilitarian forms. Students will develop their skills by practicing techniques demonstrated in class. Through making, students’ skills will increase, granting more confidence, and allowing more control over the objects they wish to realize.

Toward a Rigorous Art History

Term: Fall 2025
Day & Time: TU,FR 10:30am-12:20pm
Credits: 4
Level: 2000
Vanessa Lyon

A “rigorous study of art” became the goal of Philosopher and Cultural Critic Walter Benjamin (1892-1940) when his growing distaste for the outlook and methods of his art history professor—the famous and foundational Heinrich Wölfflin—caused him to consider publishing an account of “the most disastrous activity I have ever encountered at a German university.”