Reading & Writing Fiction: Spies, Lies & Private Eyes
Course Description
Summary
By digging into the works of contemporary crime, spy, and thriller novelists, we will explore notions of narrative tension, good mystery versus bad mystery, red herrings, unreliable narrators, complex plots, anti-heroes, slick villains, the falsely accused and the downtrodden, not to mention the dark alleyways and the hidden compartments of fiction.
How do these authors manipulate the tropes of the genre, how do they subvert them? As readers, how do we become drawn into these twisted, wicked worlds? We’ll then apply what we learn to our own work through in-class writing exercises and see what can be made of these tropes and tools when applied to our own fictions. Over the term, we will read and discuss a number of contemporary novels. Students will also be responsible for reading and discussing student-submitted work.
Learning Outcomes
- Explore notions of narrative tension, good mystery vs bad mystery
- Explore ways to manipulate the tropes of the genre, means of subverting them
- Apply methods of the genres to their own work through in-class writing exercises in order to explore tropes and tools when applied to student fiction
Prerequisites
Permission of faculty.
Please contact the faculty member : manuelgonzales@bennington.edu
Corequisites
All students in 4000 level literature classes are required to attend regular Wednesday night literature and Poetry at Bennington events.