Melody and Rhythm Across the Mediterranean
Course Description
Summary
This course will be an introduction to music practices of the Mediterranean, encompassing Southern Europe, West Asia, and North Africa. Our central aim will be to develop familiarity with a range of music traditions—folk, religious, popular, and classical—by studying their underlying melodic, harmonic, and rhythmic principles. We will also examine the function of these traditions in cultural life. Most importantly, we will learn how music makers in these regions have understood their musical actions and communicated musical knowledge on their own terms. Our work will investigate local approaches to pedagogy, instrumental and vocal performance practice, rhythm and meter, lyrics, ornamentation, and improvisation. At the same time, we will observe how histories of imperialism, colonization, nationalism, and westernization projects have impacted music across this region. We will cover the modal musics and rhythms of Turkey and the Eastern Mediterranean Arab World; pentatonicism and natural scales in the mountains of Northwestern Greece; rhyming couplets and dance music on the island of Crete; polyphonic singing of Albania, Sardinia, and Corsica; al-Andalus music of southern Spain and North Africa; Byzantine and Jewish chant, and more. Our daily classwork and assignments will focus on hands-on music making, listening, analysis, readings, discussion, ear training exercises, and some composition. Students will pursue a final creative project of their choice that incorporates topics covered in the course.
Learning Outcomes
- Become familiar with several styles of Mediterranean music, musicians, instruments, compositional forms, techniques, and performance practices.
- Study the cultural context of music from the region
- Analyze and engage with different aspects of musical expression in the region, including style, harmony, melody and rhythm
- Engage with a variety of Mediterranean musics in group classroom performance and other creative opportunities like composition
Prerequisites
Permission of the instructor. Previous work with performance, notation, or theory.
Please contact the faculty member : josephalpar@bennington.edu
Corequisites
Occasional attendance at Music Workshop, Tuesday evenings at 6:30 PM in the DCB.
Attendance at certain required concerts and other events relevant to the class.
Cross List
- Anthropology
- Ethnomusicology
- Music History
- Society, Culture, & Thought