Melody and Rhythm Across the Mediterranean

MET2241.01
Course System Home Terms Spring 2027 Melody and Rhythm Across the Mediterranean

Course Description

Summary

This course will be an introduction to music practices of the Mediterranean, encompassing Southern Europe, West Asia, and North Africa. Our central aim will be to develop familiarity with a range of music traditions—folk, religious, popular, and classical—by studying their underlying melodic, harmonic, and rhythmic principles. We will also examine the function of these traditions in cultural life. Most importantly, we will learn how music makers in these regions have understood their musical actions and communicated musical knowledge on their own terms. Our work will investigate local approaches to pedagogy, instrumental and vocal performance practice, rhythm and meter, lyrics, ornamentation, and improvisation. At the same time, we will observe how histories of imperialism, colonization, nationalism, and westernization projects have impacted musics across this region. We will cover the modal musics and rhythms of Turkey and the Eastern Mediterranean Arab World; pentatonicism and natural scales in the mountains of Northwestern Greece; rhyming couplets and dance music on the island of Crete; polyphonic singing of Albania, Sardinia, and Corsica; al-Andalus music of southern Spain and North Africa; Byzantine and Jewish chant, and more. Our daily classwork and assignments will focus on listening, analysis, readings, discussion, ear training exercises, and hands-on music making. A final assignment will allow students to pursue a relevant topic of their choice in the form of a research essay or creative project. No prior experience with music notation is required to be successful in this course. We will build a relevant and extensive music vocabulary as we go. 

Learning Outcomes

  • Become familiar with several styles of Mediterranean music
  • Analyze the cultural context of music from the region
  • Study different aspects of musical expression in the region, including its stylistic context and harmonic, melodic, and rhythmic components
  • Synthesize important Mediterranean musical styles, musicians, instruments, forms, compositional techniques, and performance practices
  • Engage with a variety of Mediterranean musics in group classroom performance and other creative opportunities like composition.

Corequisites

Occasional attendance at Music Workshop, Tuesday evenings at 6:30 PM in the DCB.
Attendance at certain required concerts and other events relevant to the class.

Cross List

  • Anthropology
  • Music History
  • Music Theory
  • Society, Culture, & Thought

Instructor

  • Joseph Alpar

Day and Time

MO,TH 10:00am-11:50am

Delivery Method

Fully in-person

Length of Course

Full Term

Academic Term

Spring 2027

Credits

4

Course Level

2000

Maximum Enrollment

18

Course Frequency

One time only