Drama

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Term
Time & Day Offered
Level
Credits
Course Duration

Layers Upon Layers - Animated Collages — MA4326.01

Instructor: Sue Rees
Credits: 4
The class will include a mixture of creating assemblages in a variety of means and materials. Objects will be cut out with scissors or the laser cutter, animated with pins or digital pins in software (After Effects), layers will be used to create depth in three dimensions, a multiplane or using the Z axis. Movement will be animated using software or an animation track and

Light! — DRA2376.02

Instructor: Michael Giannitti
Credits: 1
Many people recognize the beauty of a magnificent sunset or the power of a strobe light, yet few develop the acuity to make choices about controlling light in their everyday environments, or regularly consider the impact of light on their artistic practices. In this course we will work on increasing awareness of the power of light and lighting, and develop basic tools for

Listening: Acting as Crafting the Visual and Listening with Intention — DRA4128.01

Instructor: Gian-Murray Gianino
Credits: 4
This class gives theater artists the time and space to further develop their understanding of listening as a fundamental tenet of acting and necessary tool. Through exercises and prepared studies of scenes, students will explore listening as defined as absorbing and responding to the truth, moment by moment. Stanislavski's Active Analysis and its relationship to the Viewpoints

Little Theater, Big Ideas. A studio course for collaborators — DRA4350.01

Instructor: Jean Randich
Days & Time: M 7:00PM-10:00PM, W 2:10PM-5:50PM
Credits: 4

This new course centers the development and performance of smaller scale original student work in a repertory theater ensemble environment. It is open to those interested in plays, but also screenplays, pilots, solo pieces, devised pieces, clown shows, even songwriting or short form videos. It is especially valuable to anyone who wishes to

Live Sound Technology — MSR2124.01

Instructor: Curt Wells
Credits: 2
This will be a hands-on, bare-bones, system-focused class on audio electronics. We will explore the smallest inputs to the largest outputs that are used in artistic performance. The class will focus on the technical applications of microphones, mixers, speakers and software for live productions such as plays, concerts, Dance performances and installations. Students will use

Mad Props: Theatrical Property Design and Construction — DRA2312.01

Instructor: Seancolin Hankins
Days & Time: FR 2:10pm-4:00pm
Credits: 2

An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer’s perspective. Starting with a script, we will uncover the questions you didn’t know needed answering in order to comprehensively produce or curate

Mad Props: Theatrical Property Design and Production — DRA2312.01

Instructor: Seancolin Hankins
Credits: 2
An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer’s perspective. Starting with a script, we will uncover the questions you didn’t know needed answering in order to comprehensively produce or curate

Mad Props: Theatrical Property Design and Production — DRA2312.01

Instructor: Seancolin Hankins
Credits: 2
An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer’s perspective. Starting with a script, we will uncover the questions you didn’t know needed answering in order to comprehensively produce or curate

Mad Props: Theatrical Property Design and Production — DRA2312.01

Instructor: Michael Giannitti
Credits: 2
An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer’s perspective. Starting with a script, we will uncover the questions you didn’t know needed answering in order to comprehensively produce or curate

Making Technical Theatre with Advanced Design Collaboration — DRA2383.02

Instructor: Tilly Grimes
Credits: 2
Working in conjunction with Advanced Design and Collaboration, students will be invited to join the process of bringing the shows to life. When theater starts with a script, visuals tend to follow the narrative. But what happens when bold visuals lead the way? Students will explore each discipline of technical theatre and participate in collaborating to create each of the

Making Yesterday New — DRA4189.01

Instructor: Charles Schoonmaker; Richard MacPike
Credits: 4
Ever had an interest in vintage clothing? Have you ever contemplated the fashion trends of decades past? Ever see a vintage dress that you thought you'd love to reproduce? In this course students will explore and research the fashions of 3 iconic decades; the 1920's, 1930's and 1940's. Students will then design a dress which fits into the silhouette of the period and construct

Manipulating the Projected Image — Canceled

Instructor: Joshua Higgason
Credits: 2
***This course has been combined with Motion Capture: Interactivity (DRA4208.01).*** This workshop for faculty and students is concerned with investigating the interaction of projected manipulated imagery with performers, motion, and space using Pandoras Box and Widget Designer. Investigation will center on how projections alter the reality of what they are projected on

Masks — DRA4135.01

Instructor: Janis Young
Credits: 4
Masks is dedicated to the opening of individual and group physical and vocal expression. To further that goal, this performance class works with several groups of masks. Beginning with Jacques Lecoq's neutral mask exercises involving physical economy of effort, Mexican mask improvisations and group exercises, the work extends to vocal development and verse expression. Using

Masks — DRA4331.01

Instructor: Janis Young
Credits: 4
Masks' is dedicated to the opening up of physical and vocal expression. To further that goal, this advanced performance class works with several groups of masks. In general masks can be used to hide and reveal, to disguise and transform, to attract, arouse and fire the imagination. Beginning with Jacques Lecoq's neutral mask exercises involving economy of effort and Mexican

Meisner Technique — DRA4268.01

Instructor: Jenny Rohn
Credits: 4
"If you are really doing it, you don't have time to watch yourself doing it." Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a Master Teacher of Acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. The class focuses on developing an actor

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Credits: 4
“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on developing an actor

Meisner Technique — DRA4268.01

Instructor: Jenny Rohn
Days & Time: TBA
Credits: 4
“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on developing an actor

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Credits: 4
“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on developing an actor

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Credits: 4
“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on developing an actor

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Credits: 4
“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on developing an actor

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Credits: 4
“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on developing an actor

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on

Meisner Technique — DRA4268.01

Instructor: Jennifer Rohn
Credits: 4
“If you are really doing it, you don’t have time to watch yourself doing it.” Sanford Meisner was an actor and founding member of the Group Theater. He went on to become a master teacher of acting who sought to give students an organized approach to the creation of truthful behavior on stage within the imaginary circumstances of a play. This class focuses on developing an actor