Music

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Term
Time & Day Offered
Level
Credits
Course Duration

Interstellar Outness — MPF4259.01

Instructor: Michael Wimberly
Days & Time: MO 7:00pm-8:50pm
Credits: 2

Interstellar is defined as a vast region within galaxies and between stars. How do we as musicians connect to this interstellar region metaphorically, spiritually, or sonically through our music? Many musicians, such as John Coltrane, David Bowie, Sun Ra, Pink Floyd, Kraft Work, Miles Davis, Jimi Hendrix,

Intro to Max — MCO2116.01

Instructor: Nicholas Brooke
Days & Time: TH 3:40pm-5:30pm
Credits: 2

This course will look at the versatile program of Max/MSP/Jitter, a high-level programming platform for sound and visuals. Our focus will be on the sonic capabilities of the program, though we will dip occasionally into visuals, video, and sensing technologies. Students will develop research and projects based on their interests and abilities and must

Intro to Modular Synthesis — MSR4378.01

Instructor: Sergei Tcherepnin
Days & Time: TU 2:10pm-5:50pm
Credits: 4

This class will focus on historical methods of electronic music composition through a contemporary lens. We will study synthesis in depth, and the development of early analog synthesizers, while learning how these techniques have influenced contemporary software design. While the class will focus

Introduction to Audio and Sound Design — MSR4371.01

Instructor: Cristian Amigo
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

In this introductory course, we will read, examine, discuss, and design in conversation with a selected literature of recorded audio, sound design practice, and history. This course will provide the foundational technical, historical, and contextual/cultural support to your knowledge of working in music and sound design in music, theater,

Introduction to Viola — MIN2262.01

Instructor: Ariel Rudiakov
Days & Time: TBA
Credits: 1

This course is designed for students with no prior string instrument experience. Admission is on a first come, first served basis. Classes will be one on one, individual lessons.

Daily practice  of 10 to 15 minutes is expected, in order for students to become familiar and comfortable with the basic mechanics of playing viola.

Experience with reading

Javanese Gamelan — MPF2201.01

Instructor: Nicholas Brooke
Days & Time: TU 4:10pm-6:00pm
Credits: 2

A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama

Mallet Percussion Ensemble — MPF4106.01

Instructor: Michael Wimberly
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

Mallet Percussion Ensemble offers an environment for students to explore several mallet keyboard instruments, including the marimba, xylophone, glockenspiel, vibraphone, and African balafon. MPE's coursework is designed to link music theory, improvisation, and composition through the bi-weekly practice of playing scales, arpeggios, modes, and chord progressions while

Mandolin — MIN2229.01

Instructor: John Kirk
Days & Time: W 2:00PM-2:50PM
Credits: 2

Beginning, intermediate and advanced group lessons on the mandolin will be offered. Students will learn classical technique on the mandolin and start to develop a repertoire of classical and traditional folk pieces. Simple song sheets with chords, tablature, and standard notation, chord theory, and scale work will all be used to further skills. History of the Italian origins

Minimalism — MTH4210.01

Instructor: Nicholas Brooke
Days & Time: WE 4:10pm-6:00pm
Credits: 2

A seminar in analyzing the diverse streams of musical minimalism. We'll look at minimalism's conceptual roots in the 1960s, and trace influences from the visual arts, as well as early works of Steve Reich, Philip Glass, Fluxus, Cage, and the UK's Scratch Orchestra. The seminar will combine on-the-score and aural analysis, contrasting open score,

Music Lecture Series — MHI2000.01

Instructor: Nicholas Brooke
Days & Time: MO 7:00pm-8:50pm
Credits: 2

The class will meet weekly for 12 lectures, workshops, and performances on a wide range of musical topics, given by faculty and visiting speakers on a rotating basis. The course will provide snapshots into musical performance and scholarship, across genres, cultures, and histories. Classes will consist of active participation, even performance, in

Music Theory 1 - Applied Fundamentals — MTH2274.01

Instructor: John Kirk
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

An introduction to music theory course. Music theory fundamentals will be taught utilizing voice (singing) and an instrument in hand. Knowledge of the piano keyboard will be learned and utilized. Curriculum will span the harmonic series, circle of 5ths, scales and chords to ear training, harmonic and rhythmic dictation, and beginning composition. Score reading, listening,

Piano - Private Instruction — MIN4419.01

Instructor: Christopher Lewis
Days & Time: TBA
Credits: 2

Individual private lessons for advanced students, with focus on the classical repertoire. Students will meet with the instructor weekly on scheduled class days, at times to be arranged with the instructor. Two excused absences permitted, with every effort made for make-up lessons. Daily practice is expected, and participation in Tuesday evening music workshop and performance

Piano Lab: Chords to Sing By — MIN2360.01

Instructor: Chris Rose
Days & Time: TU 4:10pm-6:00pm
Credits: 2

Learn how to find and play piano chords to your favorite songs. Learn about major and minor chords, seventh chords, common chord progressions, harmonic rhythm, and how to accompany yourself while you sing. This class will focus on how to interpret chord symbols from lead sheets and chord charts and will not focus on reading sheet music.

Sage City Symphony — MPF4100.01

Instructor: Nicholas Brooke
Days & Time: Su 2:45PM-5:30PM
Credits: 1

Sage City Symphony is a community orchestra that invites student participation. The Symphony is noted for their policy of commissioning new works by major composers as well as playing the classics. There are always openings in the string sections and occasionally by audition for solo winds and percussion. There will be 1-2 concerts each term.

Please note: this class

Song Cycle — MCO4805.01

Instructor: Nicholas Brooke
Days & Time: WE 10:00am-11:50am
Credits: 2

What makes a group of songs a “cycle”? Is it a theme, lyric, or simple proximity?  Isn’t a song cycle just a concept album? In this course we’ll play through and recompose the literature about song cycles, from Schubert to Joanna Newsom’s Ys to many others. We’ll start by radically recomposing a

Songs in the Key of Wonder — MTH4148.01

Instructor: Michael Wimberly
Days & Time: WE 10:00am-11:50am
Credits: 2

This seminar is based on the 1973 songwriting classics, “Innervisions” , and the 1976 “Songs in the Key of Life”, both released on Tamala Records, a subsidiary of Motown Records. Students will examine melodic and harmonic chord progressions using 18th century tonal harmony, and 20th century jazz substitutions, chromaticism, and quartal harmony that Stevie Wonder used in

Sound Joined Rooms — MSR2244.01

Instructor: Sergei Tcherepnin
Days & Time: WE 10:00am-11:50am
Credits: 2

Pioneering sound artist Maryanne Amacher created architectural sonic environments that were at once mystical, ethereal, and intensely physical. In her body of work, which she called, “Music for Sound Joined Rooms,” she would probe and test architecture with the equipment kept in just two suitcases. In this course, students with little or no previous knowledge of electronic

Taiwan Today: Society, Media, and Trends — CHI4513.01

Instructor: Ginger Lin
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

In this course, students will explore contemporary Taiwanese society, one of Asia’s safest, happiest, and most progressive, through audio, video, and print media. They will examine everyday life, social trends, and Taiwan’s political landscape, including women’s 42% representation in the legislature, the rise of single women keeping pets, and Taiwan as the first Asian

Traditional Music Ensemble — MPF4221.01

Instructor: John Kirk
Days & Time: W 10:00AM-10:50AM
Credits: 2

We will study and perform from the string band traditions of rural America. Nova Scotia, Quebecois, Irish, New England, Scandinavian, African-American dance and ballad traditions. In addition, these will be experienced with listening, practice (weekly group rehearsals outside of class), and performing components. Emphasis on ensemble intuition, playing by ear, and lifetime

Viola — MIN4241.01

Instructor: Ariel Rudiakov
Days & Time: TBA
Credits: 2

This course is for students who have prior experience with the instrument. Students are expected to practice daily for a minimum of 30 minutes per day. End of semester performance required.

Violin — MIN4345.01

Instructor: Joana Genova
Days & Time: TBA
Credits: 2

The course is for intermediate to advanced students.
Students are expected to practice daily (minimum of 45 minutes). End-of-semester performance is required.

Voice Performance Intensive — MVO4404.01

Instructor: Virginia Kelsey
Days & Time: TU 2:10pm-4:00pm
Credits: 4

The Voice Performance Intensive is an advanced voice technique course designed for experienced singers looking to elevate their vocal craft and take their performances to the next level. We will explore a diverse range of singing styles, including classical, contemporary, and other genres, enabling students to develop a versatile