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This course is for students who have already taken an audio mixing course at Bennington. We explore the art and science of mixing and producing audio for both emergent immersive formats and traditional legacy platforms.
Through critical listening,
We will be looking at the microphone, cables, processing, and speakers that we use in the making of music and performance. There will be sonic drills to identify frequencies and processing. There will be memorization of cables and their uses. There will be memorization of microphones and their uses. If you are planning to work in the industry, the knowledge will help you
This class will focus on historical methods of electronic music composition through a contemporary lens. We will study synthesis in depth, and the development of early analog synthesizers, while learning how these techniques have influenced contemporary software design. While the class will focus
In this introductory course, we will read, examine, discuss, and design in conversation with a selected literature of recorded audio, sound design practice, and history. This course will provide the foundational technical, historical, and contextual/cultural support to your knowledge of working in music and sound design in music, theater,
This seminar course investigates the cultural, philosophical, and aesthetic dimensions of sound through critical readings, listening exercises, and discussions. Drawing from fields such as sound studies, media theory, musicology, literature, and art, Readings in
Pioneering artist Maryanne Amacher kept her innovative sonic compositions in just two suitcases. Wherever she went to set up her "Sound Joined Rooms" exhibitions, she brought with her these two suitcases to probe and test the architecture with sound.
