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Term
Time & Day Offered
Level
Credits
Course Duration

Philosophical Reasoning — PHI2109.01

Instructor: Paul Voice
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

What is the difference between belief and knowledge? What is truth? What is the good? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three

Philosophical Reasoning — PHI2109.01

Instructor: Paul Voice
Credits: 4
What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

Philosophical Reasoning — PHI2109.01

Instructor: Paul Voice
Credits: 4
What is the difference between belief and knowledge? What is truth? What is the good? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge, metaphysics and meaning in

Philosophical Reasoning — PHI2109.01

Instructor: paul voice
Days & Time: TBA
Credits: 4
What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

Philosophical Reasoning — PHI2109.01

Instructor: Paul Voice
Credits: 4
What is the difference between belief and knowledge? What is truth? What is the mind? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge,

Philosophical Reasoning — PHI2109.01

Instructor: Paul Voice
Credits: 4
What is the difference between belief and knowledge? What is truth? What is the good? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge,

Philosophical Reasoning — PHI2109.01

Instructor: Paul Voice
Days & Time: TBA
Credits: 4
What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

Philosophical Reasoning — PHI2109.01

Instructor: Karen Gover
Days & Time: TBA
Credits: 4
What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

Philosophical Reasoning — PHI2109.01

Instructor: Catherine McKeen
Credits: 4
What is the difference between belief and knowledge? What is truth? What is the good? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge, metaphysics, and meaning in

Philosophical Zombies and Super-intelligent Robots — PHI2106.01

Instructor: Catherine McKeen
Credits: 2
There is a 3 lb. grayish-white, fatty organ inhabiting your skull. All of your thoughts, dreams, hopes, beliefs, and memories originate, in some way, in this organ. But how does this meat in your head think? How is your brain capable of having conscious experiences? How does your brain allow you to taste a strawberry or hear more cowbell? And, don’t look now, but the

Philosophical Zombies and Super-Intelligent Robots — PHI2106.01) (day/time updated as of 10/6/2023

Instructor: Catherine McKeen
Credits: 2
There is a 3 lb. grayish-white, fatty organ inhabiting your skull. All of your thoughts, dreams, hopes, beliefs, and memories originate, in some way, in this organ. But how does this meat in your head think? How is your brain capable of having conscious experiences? How does your brain allow you to taste a strawberry or hear more cowbell? And, don’t look now, but the

Philosophies and Formal Elements of Animation and the Moving Image — MA4104.01

Instructor: Robby Gilbert
Credits: 4
Zoetropes, phenakistascopes, pepper’s ghosts, puppets, VR, film, projection, games, music, dance, and animation are just a few examples of ways to explore the elements of movement in time-based media. In this course, we delve into the formal elements of the illusion of motion and apply these concepts to the creation of kinetic works in a variety of formats. Emphasis will be

Philosophies and Formal Elements of Animation and the Moving Image — MA4104.02) (canceled

Instructor: Sue Rees
Credits: 4
Zoetropes, phenakistascopes, pepper’s ghosts, puppets, VR, film, projection, games, music, dance, and animation are just a few examples of ways to explore the elements of movement in time-based media. In this course, we delve into the formal elements of the illusion of motion and apply these concepts to the creation of kinetic works in a variety of formats. Emphasis will be

Philosophy Biography: Wittgenstein — PHI4105.01

Instructor: Paul Voice
Credits: 4
Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters. In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations. We will arrive at a detailed understanding of Wittgenstein's philosophy, its themes, arguments and

Philosophy Biography: Wittgenstein — PHI4105.01

Instructor: Paul Voice
Days & Time: TBA
Credits: 4
Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters. In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations. We will arrive at a detailed understanding of Wittgenstein's philosophy, its themes, arguments and

Philosophy and Biography: Wittgenstein — PHI4105.01

Instructor: Paul Voice
Credits: 4
Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters.  In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations.  We will arrive at a detailed understanding of Wittgenstein's philosophy, its themes, arguments

Philosophy and Biography: Wittgenstein — PHI4247.01

Instructor: Paul Voice
Days & Time: WE 2:10pm-5:50pm
Credits: 4

Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters.  In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations.  We will arrive at a detailed understanding of

Philosophy of Art and Language — PHI4215.01

Instructor: Theresa Morris
Days & Time: TBA
Credits: 4
This course in aesthetics begins with the Ancient Greeks and then follows a predominantly Continental trajectory to contemporary philosophers of aesthetics.  While we will investigate thinkers writing on art, music, and drama, our eventual focus will be the philosophy of language and literature, beginning with Plato’s Phaedrus and including selections from Heidegger,

Philosophy of Love and Friendship — PHI2123.01

Instructor: Paul Voice
Credits: 4
Arthur C. Danto remarks, "How incorrigibly stiff philosophy is when it undertakes to lay its icy fingers on the frilled and beating wings of the butterfly of love." There is something both true and false in this remark. The philosopher cannot, as the poet can, convey the particularities of a love lived, suffered and enjoyed, but romantic love and friendship are an aspect of our

Philosophy of Mind — PHI4170.01

Instructor: Eileen Scully
Credits: 4
What could we possibly know better than our own mind? It turns out to be a pretty complicated question.  What is the nature of mind? Is it fundamentally non-physical? Is it just the brain?  If not, how can it make a difference in the world? If it is, can we account for the richness of conscious experience? We’ll talk about these questions along with issues such as the

Philosophy of Science — PHI2130.01

Instructor: Kimberly Van Orman
Credits: 4
Science provides a particular way of knowing about our world. In this course we will examine the benefits, pitfalls and limits of this knowledge.  Topics will include the nature of scientific explanation, causation, and how those ideas can help us distinguish science from pseudoscience.  We will discuss questions such as whether science is objective and whether it’s

Philosophy of the Performing Arts — PHI2131.01

Instructor: karen gover
Days & Time: TBA
Credits: 2
Philosophers of art and aesthetics tend to focus on visual art at the expense of other art forms. In this course we will look at the philosophical puzzles and particularities of the performing arts: dance, music, theater, and "performance art." What is the difference between unique and repeatable artworks? What kind of object is a symphony? Are dancers artists, or just highly

Philosophy Senior Seminar — PHI4401.01

Instructor: karen gover, paul voice
Days & Time: TBA
Credits: 4
This course requires students to develop and research a substantial piece of philosophical work based on a previous essay they have written. In addition, students will read a selection of important articles and texts in the analytical and continental philosophical traditions.

Photo Documentation for Artists — PHO2203.01

Instructor: Jon Barber
Credits: 1
his course is intended for upper level VA students who work primarily in non-photographic media. No previous experience with photographic technique is required. The course will demonstrate and provide practice in techniques used in effective documentation of art pieces using digital still photography. Students will have access to camera equipment and our lighting studio,