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Term
Time & Day Offered
Level
Credits
Course Duration

Salts of Silver, Salts of Iron — PHO4123.01

Instructor: Jonathan Kline
Credits: 4
This class will be centered on making light sensitive emulsions on paper and glass, re-creating some of the earliest photographic processes from the 19th century. We will also be researching the scientific journals and notebooks of William Henry Fox Talbot, Sir John Herschel, Gustave LeGray, in addition to reading Geoffrey Batchen's recent book, "Burning With Desire/The

Sampling — MHI2102.01

Instructor: Nick Brooke
Credits: 2
This class will look at the aesthetic and social aspects of sonic reappropriation throughout the last century, and how literal musical reproduction can question the idea of musical subjectivity, originality, and cultural identity. Topics will include the machine-age music of the 1920s, soundscape composition, the sampling/fair use movement of the 1980/1990s, turntablism,

Samurai and Art — JPN4301.01

Instructor: Ikuko Yoshida
Credits: 4
What is the relationship between samurai warriors and art? It is hard to imagine the two words – warriors and art - in one sentence. However, many of samurai warriors practiced and enjoyed various types of arts. For example, the powerful feudal samurai warriors, Nobunaga Oda and Hideyoshi Toyotomi, practiced closely with a tea master, Sen No Rikyu, and enjoyed tea ceremony.

Samurai and Art — JPN4301.01

Instructor: Ikuko Yoshida
Credits: 4
What is the relationship between samurai warriors and art?  It is hard to imagine the two words – warriors and art - in one sentence.  However, many of samurai warriors practiced and enjoyed various types of arts.  For example, the powerful feudal samurai warriors, Nobunaga Oda and Hideyoshi Toyotomi, practiced closely with a tea master, Sen No Rikyu, and enjoyed

Samurai and Art — JPN4301.01

Instructor: Ikuko Yoshida
Credits: 4
What is the relationship between samurai warriors and art? It is hard to imagine the two words – warriors and art - in one sentence. However, many of samurai warriors practiced and enjoyed various types of arts. For example, the powerful feudal samurai warriors, Nobunaga Oda and Hideyoshi Toyotomi, practiced closely with a tea master, Sen No Rikyu, and enjoyed tea ceremony. In

Samurai and Art — JPN4301.01

Instructor: Ikuko Yoshida
Credits: 4
What is the relationship between samurai warriors and art?  It is hard to imagine the two words—warriors and art—in one sentence.  However, many of samurai warriors practiced and enjoyed various types of arts.  For example, the powerful feudal samurai warriors Nobunaga Oda and Hideyoshi Toyotomi practiced closely with a tea master, Sen No Rikyu, and enjoyed tea

Sankofa & memoria: Archiving - Finding your history in order to go forward — DAN4381.01

Instructor: Kaolack Ndiaye
Days & Time: WE 10:00am-11:50am & WE 2:10pm-4:00pm
Credits: 4

In this course, we will be uncovering, re-positioning, and affirming historical legacies and traditions that stand the risk of being lost forever, and explore how to use them to fight discrimination, racism and hate today. We will do so using Sankofa, a quest for knowledge through critical examination, patient investigation, and learning

Sankofa: Archiving - Finding your history in order to go forward — DAN2412.01

Instructor: Carly Rudzinski
Credits: 4
In this course, we will be uncovering, re-positioning, and affirming historical legacies and traditions that stand the risk of being lost forever.  We will explore the history and the effects of colonization in select regions of the world, i.e. Sénégal, Gambia, and other countries in West Africa. We will focus on how specific dance practices intersect with systems of race,

Saving Democracy Together — APA2026.01

Instructor: Eileen Scully
Credits: 2
Almost a century ago, Franklin D. Roosevelt alerted Americans to the impending global conflict pitting democracies founded on individual liberty against rising fascist dictatorships pursuing “final solutions.” Drawing inspiration from John Dewey’s progressive philosophy, FDR emphasized, "In this conflict the part which education plays in each ideology is crucial. Democracy

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisites: participation in Music Workshop (T 6:30-8pm)

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisites: Students will be requested to perform at Music Workshop during the term (Tuesday, 6:30 - 8 pm).

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisite: Must participate in Music Workshop (T 4:30pm-6:00pm)

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Days & Time: TBA
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Co-requisite: Must participate in Music Workshop (Tuesdays, 6:30-8pm).

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisite: Must participate in Music Workshop (Tuesdays, 6:30-8pm)

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisite: Participation in Music Workshop (T 6:30pm – 8:00pm).

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisite: Must participate in Music Workshop (T 6:30pm-8:00pm)

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisite: Must participate in Music Workshop (Tuesdays, 6:30pm - 8:00pm). Auditions will take place on Tuesday, May 16 from 4:30pm - 6:30pm in Jennings 335A.

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Days & Time: TBA
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisites: Must also participate in Music Workshop (Tuesdays, 6:30 - 8pm).

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisites: Must participate in Music Workshop (T 4:30pm-6:00pm)

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only.

Saxophone — MIN4237.01

Instructor: Bruce Williamson
Credits: 2
Study of saxophone technique and standard repertoire (jazz or classical), with an emphasis on tone production, dexterity, reading skills, and improvisation. This course is for intermediate-advanced students only. Corequisite: Must participate in Music Workshop (T 6:30pm-8:00pm)

Scanning Electron Microscopy Research Methods — ES4107.01

Instructor: Tim Schroeder
Days & Time: TU 2:10pm-4:00pm
Credits: 2

Scanning electron microscopes are a fundamental tool in the physical and life sciences. When equipped with an X-Ray spectrometer, a SEM can provide rapid physical and chemical data of specimens on extremely small scales. This class with cover the theory and practical applications of SEM imaging and analysis for advanced science students who have their own