Cultural Studies and Languages

Course System Home All Areas of Study Cultural Studies and Languages

Select Filters and then click Apply to load new results

Term
Time & Day Offered
Level
Credits
Course Duration

Film Night — CSL2007.01

Instructor: Noëlle Rouxel-Cubberly
Days & Time: Sa 6:00PM-6:00AM
Credits: 1

In this one-credit film course, students will watch 5 out of the 10 international films screened in Kinoteca and Tishman on Saturday September 5, between 6pm and 6am. The films, all selected for their thought-provoking nature, cover a variety of cinematographic genres. The event is designed to enhance filmic appreciation in a collective experience. Assignments will

Film Titles — CSL2005.01

Instructor: Noëlle Rouxel-Cubberly
Credits: 2
Film openings both credit all the film "makers" and set the tone for what will follow. Unlike the cover of a book, they immerse the viewer in a multi-sensory experience designed to engage and prepare. Explored as palimpsests, these opening titles will be examined as examples of paratexts, as well as entry points into the films they introduce and the cultures they reflect.

First World Problems: Microcinema and popular media — CHI4325.01

Instructor: Ginger Lin
Credits: 4
“First world problems” has become a prolific meme-generating phrase. However, it can have a deeper meaning. How is Chinese and Taiwanese society dealing with their own “First world problems” while simultaneously dealing with those of their own unique histories? These are some of the questions we will explore through the lenses of Chinese language microcinema and other popular

Framed? Literature Heroines on Screen — FRE4809.01

Instructor: Noëlle Rouxel-Cubberly
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

French literature and film have always reciprocally inspired one another – as early as 1897, Lumière represented the main characters of Hugo’s Les Misérables. This course will offer students the opportunity to analyze literary representations of women and their film adaptations in terms of intermediality and intertextuality. Adaptations will include: La Princesse de Clèves

Framed? Literature Heroines on Screen — FRE4809.01

Instructor: Noëlle Rouxel-Cubberly
Credits: 4
French literature and film have always reciprocally inspired one another - as early as 1897, Lumière represented the main characters of Hugo’s Les Misérables. This course will offer students the opportunity to analyze literary representations of women and their film adaptations in terms of intermediality and intertextuality. Adaptations will include: La Princesse de Clèves (La

French by Dancing — DAN2436.01

Instructor: Kaolack Ndiaye
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This course is designed for anyone interested in interdisciplinary artistic practices with a focus on dance creation, and improving the French language. Through the study and practical exploration of works by African choreographers and dancers, students will engage in both the analysis and creation of movement, developing skills in composition, improvisation, and

French Comedy — FRE4811.01

Instructor: Stephen Shapiro
Days & Time: MO 3:40pm-5:30pm & WE 4:10pm-6:00pm
Credits: 4

This course will examine the comic in French theatre, literature, politics, and film in order to answer a deceptively simple question: What makes us laugh? In theoretical readings we will consider whether laughter is a universal, cross-cultural function. Additionally, we will look at special, sub-genres of the comic, such as satire and parody, in order to question the

French Comedy — FRE4122.01

Instructor: Stephen Shapiro
Credits: 4
This course will examine the comic in French theatre, literature, politics, and film in order to answer a deceptively simple question: What makes us laugh? In theoretical readings we will consider whether laughter is a universal, cross-cultural function. Additionally, we will look at special, sub-genres of the comic, such as satire and parody, in order to question the

French Comedy — FRE4122.01

Instructor: Stephen Shapiro
Credits: 4
This course will examine the comic in French theatre, literature, politics, and film in order to answer a deceptively simple question: What makes us laugh? In theoretical readings we will consider whether laughter is a universal, cross-cultural function. Additionally, we will look at special, sub-genres of the comic, such as satire and parody, in order to question the

French Salons — FRE4614.02

Instructor: Noëlle Rouxel-Cubberly
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

In this course, students will study and practice social conversation structures modeled in French-speaking contexts. From palabres to salons, from débats to theatrical dialogues, students will develop their understanding of various oral cultural practices, their subtexts and implicit codes, and the ways in which meaning is negotiated through tone, gesture, and context.

French Through Films — FRE4154.01

Instructor: Noëlle Rouxel-Cubberly
Credits: 4
In this course, French films are used as linguistic and cultural textbooks. While honing their language skills (listening, reading, speaking and writing), students will focus their critical skills on selected cultural topics (food, clothes, history, gestures, etc.). Students will create film trailers that reflect their understanding of the French linguistic and cultural

French Through Films: On connait la chanson and Vers la tendresse — FRE4153.02

Instructor: Noëlle Rouxel-Cubberly
Credits: 2
In this course, French films are used as linguistic and cultural textbooks. While honing their language skills (listening, reading, speaking and writing), students will focus their critical skills on selected cultural topics (food, clothes, history, gestures, etc.). Students will create film trailers that reflect their understanding of the French linguistic and cultural

French Through Films: Rue Cases-Nègres and Au revoir les enfants — FRE4152.01

Instructor: Noëlle Rouxel-Cubberly
Credits: 2
In this course, French films are used as linguistic and cultural textbooks. While honing their language skills (listening, reading, speaking and writing), students will focus their critical skills on selected cultural topics (food, clothes, history, gestures, etc.). Students will create film trailers that reflect their understanding of the French linguistic and cultural

From April Fifth to June Fourth: Craze, Hunger, and Everydayness in China's Reform Era — CHI4604.01

Instructor: Carly Rudzinski
Credits: 4
This course invites students to examine the Reform Era in the history of PRC, that is, the Eighties (1978-1989). With the opening up of China in the 1980s, students, college professors, and artists ushered in an unprecedented wave of creativity. Due to temporary political freedom and the society’s “hunger” for knowledge, this decade featured a profound vigor that gave rise to

From the Edo Period to the Meiji Period: Examining Equality and Equity in the Transformation of Japanese Society — JPN4303.01

Instructor: Ikuko Yoshida
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

In this low-intermediate course, students will examine Japan’s significant social transformations during the Edo and Meiji periods to understand the concepts of equality and equity as perceived by the Japanese people. During the Edo period (1603-1868), Japan maintained a policy of national isolation for approximately 250 years, which contributed to the

From the Edo to Meiji Period: Examining Equality and Equity through the Examinations of Japanese Society — JPN4302.01

Instructor: Ikuko Yoshida
Credits: 4
In this low-intermediate course students will learn and examine Japan’s drastic social changes during the Edo period and the Meiji period to investigate what equality and equity meant to Japanese people. During the Edo Period (1603-1868), Japan closed its doors to other countries for about two hundred fifty years, and this isolation helped Japan develop its own unique culture.

From the Edo to Meiji Period: Examining Equality and Equity through the Examinations of Japanese Society — JPN4302.01

Instructor: Ikuko Yoshida
Days & Time: TU,FR 8:30am-10:20am
Credits: 4

In this low-intermediate course, students will learn and examine Japan’s drastic social changes during the Edo period and the Meiji period to investigate what equality and equity meant to Japanese people.  During the Edo Period (1603-1868), Japan closed its doors to other countries for about two hundred fifty years, and this isolation helped Japan

From the Edo to the Meiji Period: Examining Equality and Equity through the Examinations of Japanese Society — JPN4302.01

Instructor: Ikuko Yoshida
Credits: 4
This is the third term Japanese course. In this course students will learn and examine Japan’s drastic social changes during the Edo period and the Meiji period to investigate what equality and equity meant to Japanese people. During the Edo Period (1603-1868), Japan closed its doors to other countries for about two hundred fifty years, and this isolation helped Japan develop

From “Modern Woman” to “Iron Girl” to “Left-over Woman” — CHI4404.01

Instructor: Carly Rudzinski
Credits: 4
This course invites students to explore how the Chinese female has been represented differently from the early 20th century to the present in various literature, films, and visual arts. Students will also investigate the changing historical, social, and cultural contexts that have caused the different representations and misrepresentations of individual and/or collective

Fundamentals of Buddhism and Meditation — DAN2411.01

Instructor: John Bullock
Credits: 2
In this class we will investigate the basic tenets of Buddhism and the practice of meditation. The class will focus on discussions of the reading and writing materials as well as in-class meditation experience. The goal of this course is to deepen our collective understanding of the intimate connection and complementarity of Buddhist ideas and meditation. The class discussions

Gender, Sexuality, and Social Change in Taiwan and China — CHI4515.01

Instructor: Ginger Lin
Days & Time: MO 1:40pm-3:30pm
Credits: 4

This course engages students with authentic texts, audio, and visual materials drawn from traditional and contemporary literature, film, and other art forms. Through these sources, students will critically explore issues of gender, gender inequality, and sexuality, including LGBTQ perspectives, in Chinese and Taiwanese cultural contexts.

Ghosts and Demons in Japan — JPN4403.01

Instructor: Carly Rudzinski
Credits: 4
This course explores the supernatural world and its inhabitants as imagined in Japanese literature and visual culture from ancient times to the present day. Our survey will take in a wide variety of fantastic phenomena, including spirit possession and exorcism in Japanese literature, the “hungry ghosts” of medieval Buddhist folklore, interwar Gothic tales of the bizarre,

Hands-On Taiwanese Cuisine and Mandarin Chinese — CHI2133.01

Instructor: Ginger Lin
Days & Time: M/Th 7:00PM-8:50PM
Credits: 4

This course offers students a hands-on experience with Taiwanese cuisine while learning practical Mandarin Chinese. Students will actively prepare and cook popular Taiwanese dishes, such as dumplings, scallion pancakes, egg rolls, and bubble milk tea, as well as other famous Taiwanese cuisine.

Some sessions will take place in a fully equipped kitchen for hands-on