Cultural Studies and Languages

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Term
Time & Day Offered
Level
Credits
Course Duration

Latin American Art since Independence — SPA2111.01

Instructor: Jonathan Pitcher
Credits: 4
This course ranges from the republican art of nation-building in the 19th century to modernism, magical realism, and the postmodern. While there will be some discussion of standard tactics such as stylistic nuances and artists’ biographies, it is expected that we will rapidly develop sufficient ability to focus on movements, theory, and politics, thus treating the works as

Latin American Art Since Independence — SPA2111.01

Instructor: Jonathan Pitcher
Credits: 5
This course ranges from the republican art of nation-building in the 19th century to modernism, magical realism, and the postmodern. While there will be some discussion of standard tactics such as stylistic nuances and artists’ biographies, it is expected that we will rapidly develop sufficient ability to focus on movements, theory, and politics, thus treating the works as

Latin American Art Since Independence — SPA2111.01

Instructor: Jonathan Pitcher
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 5

Students with little or no Spanish will learn the language through an immersion in Latin American painting. While there will be some discussion of standard tactics such as stylistic nuances and artists’ biographies, it is expected that we will rapidly develop sufficient linguistic ability to focus on movements, ranging from the republican art of nation-building in the 19th

Latin American Art since Independence — SPA2111.01

Instructor: Jonathan Pitcher
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 5

Students with little or no Spanish will learn the language through an immersion in Latin American painting. While there will be some discussion of standard tactics such as stylistic nuances and artists’ biographies, it is expected that we will rapidly develop sufficient linguistic ability to focus on movements, ranging from the republican art of nation

Latin American Critical Theory — SPA4716.01

Instructor: Jonathan Pitcher
Credits: 4
Oddly, perhaps, theory itself, despite its own premises, its ethical veneer and visceral critical posture, has never quite overcome the traditional, global division of intellectual labor. It is applied, and alterity is nominally, similarly, embraced, thus paradoxically resulting in a cultural neo-imperialism that all the while overtly denies its own imperialist practices. The

Latin American Critical Theory (o, más allá de la alteridad) — SPA4716.01

Instructor: Jonathan Pitcher
Credits: 4
Oddly, perhaps, theory itself, despite its own premises, its ethical veneer and visceral critical posture, has never quite overcome the traditional, global division of intellectual labor. It is applied, and alterity is nominally, similarly, embraced, thus paradoxically resulting in a cultural neo-imperialism that all the while overtly denies its own imperialist practices. The

Le cinéma-monde d’Alice Diop — FRE4723.01) (day/time updated 5/2/2023

Instructor: Noëlle Rouxel-Cubberly
Credits: 4
Alice Diop has offered, for decades now, a deep and powerful cinematographic representation of France and the world. In this course, students will refine their linguistic, cultural, and critical skills while studying Alice Diop’s films, from “Les Sénégalaises et la Sénégauloise” (2007) until “Nous” (2020). Students will also closely examine the composition of her literary and

Life and Death: Buddhism in Modern Japanese films — JPN4604.01

Instructor: Ikuko Yoshida
Credits: 4
In this sixth term Japanese course, students will examine how Buddhism influenced Japanese thought on the after-life and analyze how Japanese views on the relationship between life and death are depicted in Japanese films. In the first seven weeks of the course, students will examine and discuss the history, beliefs, and deities of Buddhism and their influences on society. In

Life and Death: Buddhism in Modern Japanese films — JPN4604.01) (new day/time as of 12/19/2022

Instructor: Ikuko Yoshida
Credits: 4
In this course, students will examine how Buddhism influenced Japanese thought on the after-life and analyze how Japanese views on the relationship between life and death are depicted in recent Japanese films. In the first seven weeks of the course, students will examine and discuss the history, beliefs, and deities of Buddhism and their influences on society. In the second

Life and Death: Buddhism in Modern Japanese Films — JPN4604.01

Instructor: Ikuko Yoshida
Days & Time: MO,TH 1:40pm-3:30pm
Credits: 4

In this sixth-term Japanese course, students will examine how Buddhism influenced Japanese thought on the afterlife and analyze how Japanese views on the relationship between life and death are depicted in Japanese films.  In the first seven weeks of the course, students will examine and discuss the history, beliefs, and deities of Buddhism, as

Life and Death: Buddhism in Modern Japanese Films — JPN4401.01

Instructor: Ikuko Yoshida
Credits: 4
In this course, students will examine how Buddhism influenced Japanese thought on the after-life and analyze how Japanese views on the relationship between life and death are depicted in recent Japanese films. In the first seven weeks of the course, students will examine and discuss the history, beliefs, and deities of Buddhism and their influences on society. In the second

Life and Death: Buddhism in Modern Japanese films — JPN4604.01

Instructor: Ikuko Yoshida
Credits: 4
In this sixth term Japanese course, students will examine how Buddhism influenced Japanese thought on the after-life and analyze how Japanese views on the relationship between life and death are depicted in Japanese films. In the first seven weeks of the course, students will examine and discuss the history, beliefs, and deities of Buddhism and their influences on society. In

Life Stories — FRE4604.01

Instructor: Stephen Shapiro
Credits: 4
This course will focus on reading and analyzing a variety of autobiographical writing forms as well as perfecting your written French through creative autobiographical writing. Literary readings will offer both a critical perspective on a wide variety of autobiographical genres as well as models for inspiration and imitation in your own writing. We will also examine style and

Life Stories — FRE4604.01

Instructor: Stephen Shapiro
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

This course will focus on reading and analyzing a variety of autobiographical writing forms as well as perfecting your written French through creative autobiographical writing. Literary readings will offer both a critical perspective on a wide variety of autobiographical genres as well as models for

Life Stories — FRE4604.01

Instructor: Stephen Shapiro
Credits: 4
This course will focus on perfecting your written French through creative autobiographical writing. Literary readings will offer both a critical perspective on a wide variety of autobiographical genres as well as models for inspiration and imitation in your own writing. We will also examine style and register while striving to master some of the stylistic and grammatical

Life Stories — FRE4604.01

Instructor: Stephen Shapiro
Credits: 4
This course will focus on reading and analyzing a variety of autobiographical writing forms as well as perfecting your written French through creative autobiographical writing. Literary readings will offer both a critical perspective on a wide variety of autobiographical genres as well as models for inspiration and imitation in your own writing. We will also examine style and

Linguistic Field Methods — LIN4116.01

Instructor: Alexia Fawcett
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

This course is designed to equip students with the basic methodologies necessary to carry out linguistic fieldwork with speakers/users of un(der)documented languages. Students will be trained in the skills and tools of language documentation and description by working with a speaker of a language previously unknown to them. Learning and

Literature as Resistance: The works of Rosario Castellanos — SPA4304.01

Instructor: Rosario de Swanson
Credits: 4
Although Rosario Castellanos (1925-1974) is recognized as one of Mexico’s most important writers, she did not live to see the impact of her contributions to the feminist revolution of the latter half of the twentieth century, participate in the first Conferencia Mundial de la Mujer that took place in 1975 in Mexico City, or in the recent Encuentro Internacional de Mujeres que

L’Afrance: un livre/un film — FRE4607.01

Instructor: Noëlle Rouxel-Cubberly
Days & Time: MO,TH 10:00am-11:50am
Credits: 2

Vive l’Afrance! This film title (Gomis, 2001) summarizes the goal of this course: an exploration of the rich variety of shared and conflicting francophone identities. Constructed within or outside of France, the texts studied in this course will encompass West African, French, and/or Caribbean spaces. The discussion of notions such as « créolisation » will allow students to

L’Afrance: un livre/un film — FRE4607.02

Instructor: Noëlle Rouxel-Cubberly
Credits: 4
Vive l’Afrance! This film title (Gomis, 2001) summarizes the goal of this course: an exploration of the rich variety of shared and conflicting francophone identities. Constructed within or outside of France, the identities studied in this course will encompass West African, French, and/or Caribbean spaces. The discussion of notions such as « créolisation » and «

Modernizing the Nation: From the Edo Period to the Meiji Period — JPN4120.01

Instructor: Ikuko Yoshida
Credits: 4
During the Edo Period (1603-1868, Japan closed its doors to other countries for about two hundred fifty years, and this isolation helped Japan develop its own unique culture. It, however, ended in 1867 when Japanese culture was introduced to the Western world at an International Exposition in Paris. On the contrary to the Edo period, the next era, Meiji, brought rapid

Morning Teatime: Discovering Japanese Language and Culture Through Art and Pop Culture — JPN2115.01

Instructor: Ikuko Yoshida
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 5

Start your day with a cup of tea and a journey into Japan’s vibrant cultural world. This introductory-level Japanese course offers a relaxed, immersive introduction to the Japanese language and culture, paired with an exploration of the visual art, history, and traditions that shape contemporary Japan