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Term
Time & Day Offered
Level
Credits
Course Duration

Planet Earth — ES2108.01

Instructor: Chelsea Corr
Credits: 4
In 1972, the crew aboard the Apollo 17 spacecraft captured what would become one of the most widely used photos of all time: an image of Earth as seen from 45,000 km above.  From this view, it was apparent that our home planet is a complex system consisting of a web of interconnected biological, chemical, and physical components. We will explore the physical aspects of

Plant Diversity and Ecology — BIO2240.01

Instructor: Kerry Woods
Credits: 4
Plants define the biological environment. All other organisms depend on plantsʹ capacity for photosynthesis. Plant structure and chemistry have shaped animal (including human) evolution, and we directly depend on plant products for food, medicine, structural materials, and many other things. Yet few people can name even the dominant plants in their environment, explain what

Plant Diversity and Ecology — BIO2240.01

Instructor: Kerry Woods
Credits: 4
Plants define the biological environment. All other organisms depend on plantsʹ capacity for photosynthesis. Plant structure and chemistry have shaped animal (including human) evolution, and we directly depend on plant products for food, medicine, structural materials, and many other things. Yet few people can name even the dominant plants in their environment, explain what

Plant Ecology and Floristics — BIO4112.01

Instructor: Kerry Woods
Credits: 4
An intensive quantitative and field-based study of local plants and plant communities.   Work will include intensive documentation of local natural areas with intensive field-work involving plant identification, community sampling, and environmental measurement/description.  In addition, there will be opportunity to learn and apply tools like dendrochronology

Plaster Working — SCU2127.01

Instructor: John Umphlett
Credits: 2
This seven week intensive class will be focused on understanding some basic methods for working with plaster. We will take a look at variety of gypsum products to understand their similarities and differences. Plaster has an amazing way of mimicking life. In this class, we will learn the states at which plaster transforms and use our hands to open our minds to the endless ways

Plastic Pollution and What Students Can Do About It — APA2176.01

Instructor: Judith Enck
Credits: 2
Plastic pollution is gaining international attention for the damage it is doing to human health, fish and wildlife, the climate, the ocean and communities. This class will explore the dimensions of the problem, the root causes of plastic pollution and the need for innovation. The class will be taught in the Center for the Advancement of Public Action and will have a major focus

Plastic Pollution and What You Can Do About It — APA2176.01

Instructor: Judith Enck
Credits: 4
Plastic pollution has emerged as a major environmental, health and economic issue with direct links to climate change. 9 million metric tons of plastic enter the ocean each year. In the next decade, there will be 1 lb of plastic in the ocean for every 3 lbs of fish.  Plastics are made from chemicals and a by-product of fracking. And we can't recycle our way out of this

Plastic Pollution: What Can We Do About It? — APA2164.01

Instructor: Judith Enck
Credits: 2
The cover on “National Geographic” had a powerful artist rendering of an ocean iceberg, with a giant plastic bag hidden below the surface of the water. The magazine cover headlined: “Planet or Plastic? 18 billion pounds of plastic ends up in the ocean each year. And that’s just “ the tip of the iceberg.” Take a look at that edition of National Geographic (June 2018). If the

Plastic Pollution: What Can We Do About It? — APA2164.01

Instructor: Judith Enck
Credits: 2
The cover on “National Geographic” had a powerful artist rendering of an ocean iceberg, with a giant plastic bag hidden below the surface of the water.  The magazine cover headlined: “Planet or Plastic?  18 billion pounds of plastic ends up in the ocean each year.  And that’s just “ the tip of the iceberg.”   Take a look at that edition of National

Plastics and Public Health — APA4254.02) (cancelled 11/12/2024

Instructor: Megan Wolff
Credits: 1
The world’s population has tripled since the 1950s, but production of plastics has increased over 70-fold in that time. The impact of plastic as litter is undeniable, both in the oceans and on land. But recent findings about the impacts of plastic on human health demonstrate that this is not just a litter problem, it is a health one. As we follow the path of microplastics we

Plastics and Public Health — APA4254.01

Instructor: David Bond
Credits: 1
The world’s population has tripled since the 1950s, but production of plastics has increased over 70-fold in the same period. As litter, plastic now blows on the landscape, swells in the ocean, and kills wildlife seemingly everywhere. But recent findings about the impacts of plastic on human health demonstrate that this is not just a litter problem, but a health one. Plastic,

Plastics, Microplastics and Human Health — APA2028.02

Instructor: Carly Rudzinski
Credits: 1
The world’s population has tripled since the 1950s, but production of plastics has increased over 70-fold in that time. The impact of plastic as litter is undeniable, both in the oceans and on land. But recent findings about the impacts of plastic on human health demonstrate that this is not just a litter problem, it is a health one. As we follow the path of microplastics we

Plate Lithography Workshop — PRI2117.01

Instructor: Michael Smoot
Credits: 2
This seven week workshop will cover the basic concepts and techniques for producing lithographic prints using aluminum plates, photo-lithographic plates, and pronto plates. Additionally, students will have the opportunity to explore more experimental techniques like photocopy lithography and aluminum foil lithography. Lithography is a printmaking process that allows for the

Platform: Projects in Drama — DRA4311.03

Instructor: Carly Rudzinski
Credits: 1
The purpose of this course is to create a platform for students to express themselves through theatrical performance. We are interested in projects that are inclusive and allow for, and celebrate diversity. All applicants must be interested in developing their project while investigating what it means to create a supportive, inclusive community that regularly engages

Platform: Projects in Drama — DRA4311.01

Instructor: Dina Janis
Credits: 4
The purpose of this course is to create a platform for students to express themselves through theatrical performance. We are interested in projects that are inclusive and allow for, and celebrate diversity. All applicants must be interested in developing their project while investigating what it means to create a supportive, inclusive community that regularly engages in group

Platform: Projects in Drama — DRA4311.02

Instructor: Dina Janis
Credits: 2
The purpose of this course is to create a platform for students to express themselves through theatrical performance. We are interested in projects that are inclusive and allow for, and celebrate diversity. All applicants must be interested in developing their project while investigating what it means to create a supportive, inclusive community that regularly engages in group

Platform: Projects in Drama — DRA4311.01

Instructor: Dina Janis
Credits: 4
The purpose of this course is to create a platform for students to express themselves through theatrical performance. We are interested in projects that are inclusive and allow for and celebrate diversity. All applicants must be interested in developing their project while investigating what it means to create a supportive, inclusive community that regularly engages in group

Platform: Projects in Drama — DRA4311.01

Instructor: Dina Janis
Credits: 4
The purpose of this course is to create a platform for students to express themselves through theatrical performance. We are interested in projects that are inclusive and allow for, and celebrate diversity. All applicants must be interested in developing their project while investigating what it means to create a supportive, inclusive community that regularly engages in group

Plato: Middle and Late Dialogues — PHI4257.01

Instructor: Catherine McKeen
Days & Time: TH 1:40pm-5:20pm
Credits: 4

Aristocles (known to us as "Plato") lived and wrote in Athens in the 5th c. BCE. More than 2400 years later, Alfred North Whitehead’s famous remark still resonates: “The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato…the wealth of general ideas scattered through them…have

Plato: Symposium — PHI2163.02

Instructor: Catherine McKeen
Days & Time: TU,FR 10:30am-12:20pm
Credits: 2

It is 416 BCE. A group of Athenian men are gathered together for a party, a celebration, a symposium. Among the company are the tragic playwright Agathon, Agathon’s lover Pausanias, the beautiful but doomed Phaedrus, the comic playwright Aristophanes, the doctor Eryximachus, and the (also perhaps doomed) philosopher Socrates. Diotima, a priestess from Mantinea, puts in a

PLAY! — APA2100.02

Instructor: Carly Rudzinski
Credits: 2
Students will research their favorite games and use its framework to create reimagined experiences inspired by the nature of the games. For example, a classic game of hide-and-seek could be upcycled into an academic treasure hunt or a clue-based quest. Can you imagine what school would be like if the campus turned into a giant version of your favorite video game or board game?

PLAY! — APA2100.01

Instructor: Carly Rudzinski
Credits: 2
Students will research their favorite games and use its framework to create reimagined experiences inspired by the nature of the games. For example, a classic game of hide-and-seek could be upcycled into an academic treasure hunt or a clue-based quest. Can you imagine what school would be like if the campus turned into a giant version of your favorite video game or board game?

Playing and reality: The work of D.W. Winnicott — PSY4117.01

Instructor: David Anderegg
Credits: 4
This seminar will delve deeply into the life and work of D. W. Winnicott, the British psychoanalyst famous for his work on playing, internal creative life, and the interplay between creative and psychotic elements in fantasy. We will read about the British psychoanalytic world in which Winnicott developed; his biography; some of his popular work, including transcripts of his

Plays About Plays — DRA4435.01

Instructor: Abe Koogler
Days & Time: WE 2:10pm-5:50pm
Credits: 4

In this advanced class, we will read and write plays about plays (or in which a play or performance is essential to the plot). Readings will likely include Hamlet, A Midsummer Night’s Dream, The Seagull, Jackie Sibblies Drury's We Are Proud to Present, Anne Washburn's 10 out of 12 and Mr. Burns, Alice

Plays From Plays From Plays — DRA2155.01; first seven weeks

Instructor: Kathleen Dimmick
Days & Time: TBA
Credits: 2
Where do plays come from? In this course we’ll look at the bloodline of plays: origination myths, tales, folklore, and, of course, other plays. We’ll read and discuss plays by Aeschylus, Euripides, Shakespeare, Buchner, Zola and their followers – Racine, Alfred Jarry, Sarah Kane, Neal Bell, Elizabeth Egloff, and others.