Makers & Making / Performance in the 21st Century — DAN4129.01
Isn’t the meaning of a work always discovered, to some extent, by its creator during the process of making it?” (Roslyn Sulcas).
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Isn’t the meaning of a work always discovered, to some extent, by its creator during the process of making it?” (Roslyn Sulcas).
Isn’t the meaning of a work always discovered, to some extent, by its creator during the process of making it?” (Roslyn Sulcas).
Why does chronic hunger endure even in times of prosperity? How can famine devastate entire regions in extreme cases, while food deserts quietly persist in wealthy countries like the United States? And what does it mean to treat nourishment not as charity or commodity, but as a right of citizenship?
To be LGBTQIA and AAPI is to occupy two disparate, marginalized identities that seem to be be in constant flux. What might the literature of this intersection teach us about larger questions of community, belonging, and resistance? This 2000-level class attempts to locate a Queer Asian Pacific America through literature, from Chinese American lesbian poets of the 1980s to Fatimah Asghar's recent cross-genre coming-of-age novel; from David Henry Hwang’s reimagining of Madame Butterfly to queer Hawaiian reclamations of aloha; and beyond.
In this course we will explore spiraling in and out of the floor.