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How do we recognize and make fluid forms in dance? How do we find the structural current? How do we experience time? How do we compose with care and thought using something that keeps moving? How on earth do we do this?
This is a multi-modal course that examines how the body serves as a repository for knowledge. It is open to any student who wishes to explore the complex ways in which histories form around discourses of the body, culture, aesthetic philosophy, and power. Specifically, we will examine the theoretical proposals embedded in the history of modern and postmodern dance, and place this work within a larger social, cultural and political context. We will activate our understanding of these histories through embodied movement practices.
Isn’t the meaning of a work always discovered, to some extent, by its creator during the process of making it?” (Roslyn Sulcas).