Makers & Making / Performance in the 21st Century — DAN4129.01
Isn’t the meaning of a work always discovered, to some extent, by its creator during the process of making it?” (Roslyn Sulcas).
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Isn’t the meaning of a work always discovered, to some extent, by its creator during the process of making it?” (Roslyn Sulcas).
Isn’t the meaning of a work always discovered, to some extent, by its creator during the process of making it?” (Roslyn Sulcas).
Accessibility describes the practice of freeing a space or an event so it might be visited by more people in more ways than one could ever presume at the outset. In this course, we will explore the litany of practices that allow more people (and in particular, disabled, mad, and chronically ill people) into all spheres of public life with a particular focus on performance events.
In this course we will explore spiraling in and out of the floor.
In nature’s flowing forms, i.e. in water, air, and anything and everything that moves, there are currents that are discernible, energizing, and wondrous. When experiencing movement, making movement, performing movement, and observing movement, we can find the flow, work with it, draw it, and watch it evolve. How do we recognize and make fluid forms? How do we find the structural current? How do we experience time? And how does the surrounding environment influence it all?