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We will spend the term immersed in in-depth reading and analysis of the plot, structure, and language, and cultural context of six Shakespeare tragedies: Titus Andronicus, Julius Caesar, Romeo and Juliet, Hamlet, King Lear, and Othello. We will focus on the themes of power, corruption, betrayal, revenge, despair, and madness, among others. We will also spend considerable time discussing representations of gender, race, and old age in Shakespeare.
“When I combine imagery and text, I'm really just trying to surprise myself,” writes poet Diane Khoi Nguyen. In fact, there are many pathways to surprise when we start to experiment with multimedia. Certainly the result must have been surprising when the late John Giorno, in 1968, developed the phone-based, poetry performance project, Dial-a-Poem.
It is a commonly felt experience, in our current age of climate crisis, misinformation, pandemics, declining birth rates, late-stage capitalism, and the apparent twilight of democracy, etc., that we are living through (or at, or near) the end of the world. Where do we look for precedents for this feeling? To what extent does this dark life imitate art, or vice versa? Where does ‘dystopia’ end and realism begin?