Spring 2026 Course Search

Composers throughout the ages have cut their teeth on the study of counterpoint – the intricate practice of writing melodies for several voices sounding at once. In this course, we’ll look mainly at 16th-century composers of counterpoint, and sing through pieces from Palestrina to Weelkes, while learning to compose in a variety of practices such as canons, the motet, and familiar style. We’ll gradually work our way from two-voice to four-voice counterpoint, and set texts in a variety of harmonic styles.

This course will feature presentations and conversations with Bennington alumni with the purpose of providing guidance to current students about how to leverage their own experience in designing their education to the next step in their growth: designing a career. The skills and capacities that undergird the Bennington approach to liberal arts are intended to also help students secure and thrive in rewarding professional careers.