The Power and Ethics of Photography
Course Description
Summary
This course delves into the influence and impact of photography by examining the works of iconic and contemporary photographers. Students will explore how photography has shaped visual culture and society, gaining a deeper understanding of its power as an artistic and documentary medium. Ethical considerations are central to the course, as students will analyze the responsibilities that photographers hold when capturing and representing their work. Through a combination of lectures, reading and writing assignments, and in-class critiques, students will build both technical knowledge and critical thinking skills. The course encourages active participation in discussions that challenge conventional ideas about photography and its role in modern storytelling. In addition, guest speakers, including renowned photographers and academic researchers, will offer valuable insights into the evolving field of photography, sharing their professional experiences and perspectives. By the end of the course, students will have a broadened understanding of photography’s impact, principles, and ethical implications. This course includes in-class lectures, assigned readings, writing assignments, and in-class critiques and discussions.
Learning Outcomes
- Analyze and critically assess the historical, cultural, and artistic significance of photography, in
both iconic and contemporary works. - Recognize and navigate the ethical considerations and responsibilities associated with the use of
photography, identifying stereotypes, respecting human rights, and seeking more truthful
representation. - Engage in the professional aspects of photography, including collaboration with peers, interaction with industry professionals, and presentation of work in critiques or public settings.
- Identify and analyze the works of key photographers, both historical and contemporary, and
explain their impact on social change. - Demonstrate an understanding of the ethical principles of photography, particularly in terms of
representation, truth, and consent. - Participate in class critiques and discussions and practice critiquing a work of photography.