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Sound Installation — Canceled
Sound Joined Rooms — MSR2244.01
Pioneering sound artist Maryanne Amacher created architectural sonic environments that were at once mystical, ethereal, and intensely physical. In her body of work, which she called, “Music for Sound Joined Rooms,” she would probe and test architecture with the equipment kept in just two suitcases. In this course, students with little or no previous knowledge of electronic
Sound Manifestos — MHI2106.01
Sound Manifestos —
Sound, Space, Time — MUS2151.01
Sounding Home: Music of Migration, Memory, and Exile — MHI2109.01
Sounding Home: Music, Migration and Diaspora — MET2240.01
Sounding Physics — MCO4113.02
Soundtracks for Media and Live Performance — MSR4261.01
Soup Thinking/Thinking Soup — APA2185.02
South Sudan Live: The Challenges and Opportunities in a Conflict Zone — APA2460.01
This hybrid class will examine the current situation in South Sudan. By interviewing in real time, farmers, journalists, students and artists onthe ground in South Sudan, we will hear the voices of people who are directly experiencing living in a conflict zone. We will also study the history, politics, economics and ecology of South Sudanb to inform our conversations.
Space is the Place: The Music and Life of Sun Ra — MPF2146.01
Space on Stage — DRA2142.01
Space Shaping Image Making — ARC2208.01
Can architecture be understood in the same terms as a photograph? A piece of writing? A painting? A film? Or does it require its own vocabulary, rules, precedents, and sensibilities?
Space Shaping Image Making II: Readings — ARC4119.01
“Not long ago, a near prerequisite for vanguard architecture was an engagement with theory; lately it has become an acquaintance with art” or so observed Hal Foster in his 2011 book ‘The Art Architecture Complex.’ While ideas about what constitutes cutting edge architecture may have transformed in the decade since, entanglements between art and architecture and
Space Shaping Image Making: Readings — ARC2207.01
“Not long ago, a near prerequisite for vanguard architecture was an engagement with theory; lately it has become an acquaintance with art” or so observed Hal Foster in his 2011 book ‘The Art Architecture Complex.’ While ideas about what constitutes cutting edge architecture may have transformed in the decade since, entanglements between art and architecture and