Literature

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Time & Day Offered
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Credits
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Bennington Review: A Practicum in Literary Editing and Publishing -- Prose — LIT4529.01

Instructor: Manuel Gonzales
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s national, award-winning print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary

Bennington Review: A Practicum in Literary Editing and Publishing -- Prose — LIT4529.01

Instructor: Manuel Gonzales
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s recently relaunched national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital

Bennington Review: A Practicum in Literary Editing and Publishing – Poetry — LIT4330.01

Instructor: Michael Dumanis
Days & Time: TH 3:40pm-5:30pm
Credits: 2

This two-credit course involves working on selecting and editing the content of Bennington’s recently relaunched national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital

Bennington Review: A Practicum in Literary Editing and Publishing – Poetry — LIT4330.01) (time updated as of 10/10/2023

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary culture, and of the

Bennington Review: A Practicum in Literary Editing and Publishing--Prose — LIT4529.01

Instructor: Benjamin Anastas
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s recently relaunched national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary

Bennington Review: A Practicum in Literary Editing and Publishing-Poetry — LIT4330.02, section 2

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s recently relaunched national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary

Bennington Review: A Practicum in Literary Editing and Publishing-Poetry — LIT4330.01

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s recently relaunched national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary

Bennington Review: A Practicum in Literary Editing and Publishing-Prose — LIT4330.01, section 1

Instructor: Benjamin Anastas
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s recently relaunched national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary

Bennington Review: A Practicum in Literary Editing and Publishing-Prose — LIT4330.02, section 2

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on the editing, promotion, and production of Bennington’s newly relaunched national print literary magazine, Bennington Review. Students will serve as Editorial and Publicity Assistants for the magazine, studying and practicing all aspects of magazine editing, as well as helping with the journal’s day-to-day operations. The course will

Bennington Review: A Practicum in Literary Editing and Publishing: Poetry — LIT4330.01

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary culture, and of the

Bennington Review: A Practicum in Literary Editing and Publishing–Poetry — LIT4330.01, section 1

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on the editing, promotion, and production of Bennington’s newly relaunched national print literary magazine, Bennington Review. Students will serve as Editorial and Publicity Assistants for the magazine, studying and practicing all aspects of magazine editing, as well as helping with the journal’s day-to-day operations. The course will

Bennington Review: A Practicum in Literary Editing and Publishing–Prose — LIT4529.01

Instructor: Benjamin Anastas
Credits: 2
This two-credit course involves working on selecting and editing the content of Bennington’s recently relaunched national print literary magazine, Bennington Review. Students will serve as Editorial Assistants for the magazine, studying and practicing all aspects of magazine editing. The course will also engage students in discussions of contemporary print and digital literary

Bennington Review: A Practicum in Literary Editing and Publishing—Poetry — LIT4330.02; section 2

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on the editing, promotion, and production of Bennington’s newly relaunched national print literary magazine, Bennington Review. Students will serve as Editorial and Publicity Assistants for the magazine, studying and practicing all aspects of magazine editing, as well as helping with the journal’s day-to-day operations. The

Bennington Review: A Practicum in Literary Editing and Publishing—Poetry — LIT4330.02

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on the editing, promotion, and production of Bennington’s newly relaunched national print literary magazine, Bennington Review. Students will serve as Editorial and Publicity Assistants for the magazine, studying and practicing all aspects of magazine editing, as well as helping with the journal’s day-to-day operations. The course will

Bennington Review: A Practicum in Literary Editing and Publishing—Prose — LIT4330.01

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on the editing, promotion, and production of Bennington’s newly relaunched national print literary magazine, Bennington Review. Students will serve as Editorial and Publicity Assistants for the magazine, studying and practicing all aspects of magazine editing, as well as helping with the journal’s day-to-day operations. The course will

Bennington Review: A Practicum in Literary Editing and Publishing—Prose — LIT4330.01; section 1

Instructor: Michael Dumanis
Credits: 2
This two-credit course involves working on the editing, promotion, and production of Bennington’s newly relaunched national print literary magazine, Bennington Review. Students will serve as Editorial and Publicity Assistants for the magazine, studying and practicing all aspects of magazine editing, as well as helping with the journal’s day-to-day operations. The

Bertolt Brecht — LIT2341.01

Instructor: Maya Cantu
Credits: 4
This course will explore Brecht’s development of epic theater dramaturgy, at the intersection of his synthetic genius and collective inspirations. Students will learn about Brecht’s development of such techniques as Verfremdungseffekt (distancing effect), historification, gestus, and separation of the elements, while exploring his radical adaptations of

Billy Shakes with Laughter — LIT2544.01

Instructor: Carly Rudzinski
Credits: 4
Fortunately for all of us, the dumb title of this class is the only piece of writing I’m bringing to the course. Instead, once we’re in class together, we’ll leave the heavy lifting of writing and storytelling and merrymaking to Billy. The class will dive deep into reading and discussions of six Shakespeare comedies, The Tempest, Twelfth Night, Midsummer Night’s Dream, Much Ado

Black Mountain/Beat Poetry — LIT2525.01

Instructor: Carly Rudzinski
Credits: 4
The Beats were a mid-20th century group of writers who rebelled against the oppressive societal and cultural norms of 1950s America. These writers celebrated the freedom of the open road, dropping out of school, spoken-word poetry set to jazz, and drug culture. At roughly same time, another community of antiestablishment writers and artists sprung-up at Black Mountain College,

Black Nature Writing — LIT2278.01

Instructor: Phillip B. Williams
Credits: 4
In this class you will investigate the many faces that nature bears in the poetry of writers of African-descent. You will read poems from the Antebellum period through the contemporary period, poems that defy the myth that Black poets solely write about an urban experience in predictable ways. For Black poets, nature serves as a catalyst for contemplating freedom, complicating

Black Nature Writing — LIT2278.01

Instructor: Phillip B. Williams
Credits: 4
In this class you will investigate the many faces that nature bears in the poetry of writers of African-descent. You will read poems from the Antebellum period through the contemporary period, poems that defy the myth that Black poets solely write about an urban experience in predictable ways. For Black poets, nature serves as a catalyst for contemplating freedom, complicating

Black Playwrights of the Civil Rights Era — LIT2343.01

Instructor: Maya Cantu
Credits: 4
In 1959, the resounding success of Lorraine Hansberry’s A Raisin in the Sun transformed the “Great White Way,” kicking open Broadway’s doors to the generations of African American playwrights that followed. Yet, as Hansberry herself acknowledged, she was only part of a larger wave of Black playwrights who, responding to the progress and protests of the Civil Rights Movement,