Bass with Bisio — MIN4417.01
Private instruction covering techniques and theory appropriate to the student’s level and goals.
Corequisite: Must participate in Music Workshop (Tuesday, 6:30 – 8:00 pm).
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Bass with Bisio — MIN4417.01
Beginning to advanced lessons in bass technique and appropriate theory.
Bass with Bisio — MIN4417.01
Applied bass performance techniques/study and corresponding theory.
Auditions will take place on Wednesday, May 9 in Jennings 335-D. To schedule, please email mbisio@bennington.edu.
Bass with Bisio — MIN4417.01
Private instruction covering techniques and theory appropriate to the student’s level and goals.
Bass with Bisio — MIN4417.01
Private instruction covering techniques and theory appropriate to the student’s level and goals.
Corequisite: Must participate in Music Workshop (Tuesday, 6:30 – 8:00 pm).
Bass with Bisio — MIN4417.01
Private instruction covering techniques and theory appropriate to the student's level and goals.
Corequisites: Must participate in Music Workshop (Tuesday, 6:30 - 8:00 pm).
Bass with Bisio — MIN4417.01
Private instruction covering technique and theory appropriate to the student’s level and goals. Corequisites: Must participate in Music Workshop Auditions will take place on Tuesday, May 16 in Jennings 335D. Please email mbisio@bennington.edu in advance to schedule an audition.
Bass with Bisio — MIN4417.01
Private instruction covering techniques and theory appropriate to the student’s level and goals.
Bass with Bisio — MIN4417.01
Beginning to advanced lessons in bass technique and appropriate theory.
Corequisite: Must participate in Music Workshop (Tuesday, 6:30-8pm).
Bass with Bisio — MIN4417.01
Beginning to advanced lessons in bass technique and appropriate theory.
Lessons on Tuesdays – Schedule TBA.
Bass with Bisio — MIN4417.01
Beginning to advanced lessons in bass technique and appropriate theory.
Bass with Bisio — MIN4417.01
Beginning to advanced lessons in bass technique and appropriate theory.
Bass with Bisio — MIN4417.01
Individual lessons covering fundamental thru advanced techniques related to the bass; including musicianship, theory and practice
Course Expectations:
1) Although lessons are individual students must demonstrate competence in their assigned material.
2) Be willing, interested and active in the pursuit individual musical and technical goals. Evaluating student work will be
Bass with Bisio — MIN4417.01
Private instruction covering techniques and theory appropriate to the student’s level and goals.
Corequisite: Must participate in Music Workshop (Tuesday, 6:30 – 8:00 pm).
Bass with Bisio — MIN4417.01
Private instruction covering technique and theory appropriate to the student's level and goals.
Corequisites: Must participate in Music Workshop (T 6:30pm - 8:00 pm).
Bass with Bisio — MIN4417.01
Beginning to advanced lessons in bass technique and appropriate theory.
Corequisite: Must participate in Music Workshop (Tuesday, 6:30-8pm).
Basso Continuo You — MTH4292.01
The practice of putting chords over a bass line and a melody on top – sound familiar? – exploded in the Early Baroque and we haven’t been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We’ll
Basso Continuo You - Lab — MTH4402.01
Intimacy is one of the strange benefits of remote learning when the distance education occurs in small groups. The unexpected attention to detail that results in online learning, is a great boon to advancing the study of music theory.
It has long been known that the most effective way to work towards an understanding of tonal harmony, its theory and history, is to physically
Basso Continuo You—Remote — MTH4292.01
The practice of putting chords over a bass line and a melody on top – sound familiar? – exploded in the Early Baroque and we haven’t been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We’ll
Basso Continuo and You — MTH4292.01
The practice of putting chords over a bass line and a melody on top – sound familiar? – exploded in the Early Baroque and we haven’t been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We’ll
Basso Continuo and You — MTH2110.01
The practice of putting chords over a bass line and a melody on top - sound familiar? - exploded in the Early Baroque and we haven't been the same since. Listening changed. Ensembles changed. And a new era of functional harmony began. Learn about figured bass, chordal voicing and interpretation, the Spanish rhythmic ostinati which fueled popular dances from the New World. We'll