All Courses

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Term
Time & Day Offered
Level
Credits
Course Duration

Introduction to Video — FV2303.02, section 2

Instructor: Ilana Harris-Babou
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01, section 1

Instructor: Fern Silva
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2101.01

Instructor: jonathan schwartz
Days & Time: TBA
Credits: 4
This course teaches techniques fundamental to the craft of moving image creation, including cinematography, lighting, sound recording, and editing. It also provides a conceptual framework for video as an art medium. Students will build individual technical skills while developing an aesthetic vocabulary based on medium-specific audiovisual qualities. Throughout the term we will

Introduction to Video — FV2303.01, section 1|FV2303.01, section 1

Instructor: Kate Purdie|Kate Purdie
Credits:
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.02

Instructor: Kate Purdie
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Throughout the term we will screen a broad range of film and video works of genres both familiar and perhaps alien. We will address ideas and techniques spanning storytelling and non-narrative approaches, fiction and nonfiction, abstraction and representation.

Introduction to Video — FV2303.02, section 2

Instructor: Chelsea Knight
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.02, section 2

Instructor: Laura Sofía Pérez
Credits: 4
This course covers fundamental techniques to create moving image works, including cinematography, lighting, sound recording, and editing. It also provides a conceptual framework for video as an art medium. Students will build individual technical skills while developing an aesthetic vocabulary based on medium-specific audiovisual qualities. Throughout the term we will screen a

Introduction to Video — FV2303.01, section 1

Instructor: Carly Rudzinski
Credits: 4
This production course draws on the energy, intensity and criticality of avant-garde film and contemporary video art practices to introduce students to the fundamentals of working in video and the language of film form. Emphasis on technical instruction, formal experimentation, and critical vocabulary is balanced in order to give students a footing from which to find their own

Introduction to Video — FV2303.02, section 2

Instructor: Carly Rudzinski
Credits: 4
This production course draws on the energy, intensity and criticality of avant-garde film and contemporary video art practices to introduce students to the fundamentals of working in video and the language of film form. Emphasis on technical instruction, formal experimentation, and critical vocabulary is balanced in order to give students a footing from which to find their own

Introduction to Video — FV2303.02, section 2

Instructor: Kate Purdie
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01

Instructor: Karthik Pandian
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01

Instructor: Karthik Pandian
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01, section 1

Instructor: Jen Liu
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01

Instructor: Sara Magenheimer
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01

Instructor: Jen Liu
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01

Instructor: Ephraim Asili
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01

Instructor: Karthik Pandian
Days & Time: TBA
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.01

Instructor: Jen Liu
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film.  This course will  draw on the energy of avant-garde film and contemporary video art practices while providing a fundamental base of concepts in time-based media,  introduced through screenings, discussions and texts by a diverse range of artists,

Introduction to Video — FV2303.01, section 1

Instructor: Mariam Ghani
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video — FV2303.02, section 2

Instructor: Chelsea Knight
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Drawing on the energy, intensity and criticality of avant-garde film and contemporary video art practices, students will complete a series of projects exploring dimensions of cinematography, mise-en-scène, editing and sound design before producing a final self

Introduction to Video (Production Tech Intensive) — FV2311.02

Instructor: Mariam Ghani
Credits: 4
This production course introduces students to the fundamentals of working in video and the language of film form. Because of the unique circumstances this term, this iteration of Introduction to Video will be open to a larger number of students, who will then be broken up into smaller "production crews." Each crew will be required to attend a technical intensive, during which

Introduction to Video Art — FV2306.01

Instructor: Fern Silva
Credits: 4
This course introduces video as a medium for artistic expression and social inquiry. Students gain an understanding of the video image-making process and develop proficiency with video equipment, including portable and studio production and editing systems. Strategies for the use of video as an art-making tool are explored and works by video artists are viewed and discussed. We

Introduction to Video: Eye and Ear Control — FV2310.01

Instructor: Jonathan Schwartz
Credits: 4
This production course introduces students to the fundamentals of working in moving image and sound. As this course highlights possibilities and experiences in time-based media, there will be intentional emphasis on sound and image pairings- including their separations and unifications.  For instance, there will be at least one project where imageless films (or sound only

Introduction to Viola — MIN2214.01

Instructor: Ariel Rudiakov
Days & Time: TBA
Credits: 1

This course is designed for students with no prior string instrument experience. Admission is on a first come, first served basis. Classes will be one on one, individual lessons.

Daily practice  of 10 to 15 minutes is expected, in order for students to become familiar and comfortable with the basic mechanics of playing viola.

Experience with reading

Introduction to Viola — MIN2214.01

Instructor: Ariel Rudiakov
Credits: 1
The course is designed for students with no prior string instrument experience. Admission is on a first come, first served basis. Classes will be one-on-one, individual lessons. Daily practice of 10 to 15 minutes is expected, in order for students to become familiar and comfortable with the basic mechanics of playing viola. Experience with reading music, playing piano or any