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Resisting the Stitch — DRA2126.01
Resisting the Stitch — DRA2126.01
Resisting The Stitch — DRA4027.01
This class is an exploration in fabric modification through the use of dyes and various stitched resist techniques often referred to as shibori. Students will learn to work with acid, direct, cold process, union, and natural dyes. Concurrently students will learn a variety of resist techniques such as kanoko, mokume, orinui, makinui, karamatsu, boshi, arashi, itajime, adire
Resisting the Stitch — DRA2126.01
Resonance -relating to sound, movement, space and time - — DAN4378.01
A class, a laboratory that explores the relationship between movement and sound, starting with the phenomenology of sound and acoustics, and considering the translation from sound to movement.
Incorporates listening techniques and sensory perception and encourages participants, through improvisation, to draw from movement, sound, space and
Resonant Bodies: Advanced Movement, Voice, Text — DAN4035.01
An advanced studio-laboratory where nuanced movement, voice, and writing operate as one unstable system. The body is approached as a resonant instrument, with voice and text emerging as somatic extensions of the moving body.
Through rigorous physical
Responding to Site / Site Specific Dance — DAN4331.01
Restorative Justice In Bennington — APA4123.01
Restorative Practices and Sexual Misconduct on Campus — APA4114.02
Restoring Juvenile Justice: Improved Outcomes for Emerging Adult Offenders in Vermont — APA4121.01
Rethinking Agriculture — POP2278.02
Rethinking Capitalism: Climate, Poverty, Jobs and Public Action — APA2454.02
Reveries — ARC4124.01
Reveries — ARC4124.01
ReVisions Rebellions, Revolution: Latin American Women Writers — LIT2516.01
Revolution and Politics in Iran — APA2144.01
Revolutionary Foundations: Order and Dissent in American Political Thought — POL2207.01
Rhetoric: The Art and Craft of Persuasion — PHI2144.01
Rhetoric: The Art and Craft of Persuasion — PHI2144.01
Rhythmic Fundamentals — MFN2117.01
Rhythmic Fundamentals — MFN2117.01
Richard Wright and James Baldwin — LIT2193.01
Everybody’s Protest Novel
“As writers we were about as unlike as any two writers could possible be,” James Baldwin wrote of his early mentor and later rival Richard Wright. “We were linked together, really, because both of us were black.” But while