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Thesis Practice: Artist's Book — DAN5420B.01
Thesis Practice: Digital Practices — DAN5428B.01
In this class, students will start working on their artists' book documenting their ongoing MFA thesis research, process and practice, and we will discuss how this relates to potential ideas for Research As Action presentations. To make this possible, we will use software such as Adobe CC Indesign and Photoshop. Slide presentations, software demos, group and individual
Thesis Practice: Research Methodologies, Practicing Research — DAN5425B.01
Students work to develop vocabularies, resources and methodologies to support varied approaches to thesis practices to include research into practice, performance as research, practice into research, practice-based research, bibliography as method, citational fieldings and research as action. The course guides students through
Thesis Workshop — DAN5416B.02, section 2
In this intensive workshop format class, students will complete their artist’s book documenting and embodying their MFA thesis research, processes and practices. To make this possible, we will use software such as Adobe Indesign, Photoshop and online Blurb publishing.
Each graduate student in the program completes a final thesis as the culmination of their work
Thesis Workshop — DAN5416B.01, section 1
In this intensive workshop format class, students will complete their artist’s book documenting and embodying their MFA thesis research, processes and practices. To make this possible, we will use software such as Adobe Indesign, Photoshop and online Blurb publishing.
Each graduate student in the program completes a final thesis as the culmination of their work
Thing Library Project — VA4211.01
Thinking Lab — PSY2115.02
Thinking Like A Greek — PHI2122.01
Thinking Like A Greek — PHI2122.01
Thinking Like A Greek — PHI2122.01
Thinking Like a Social Scientist — PSY2108.01
THINKING, MAKING, DOING: Artist as Alchemist — DAN2502B.01
THINKING, MAKING, DOING: Methodologies of Improvisation — DAN2503B.02
Third Cinema — FV2316.01
This course is a seminar focusing on films that were made by filmmakers and collectives which saw themselves as inaugurating a new kind of filmmaking modeled neither on the commercial American filmmaking, nor on the European “Auteur” Cinema, instead crafting a third position, a cinema that was implicated in anti-capitalist and anti-imperialist struggles of the time. These