All Courses

Three remarkably flexible and enduring forms, whose contemporary avatars range from Bill Irwin and Jinkx Monsoon to Dita Von Teese and the Muppets, vaudeville, burlesque and revue represented the three dominant American variety theater traditions of the early through mid-twentieth century. While a vaudeville bill included eclectic acts, ranging from

Quintessential to the Victorian cult of the girl-child, Alice Liddell and Wendy Darling have emerged as contemporary mythic icons of both traditional and subversive femininity. In this class, we will investigate how girl-children are entrapped and enchanted in the works of men, focusing on J.M. Barrie’s <

Viewpoints is a physical improvisational form used for training actors and creating movement for the stage. This class encourages students to explore the physical and vocal possibilities of time and space, with a specific focus on developing the capacity to be physically present, emotionally open, and free to follow creative impulses. Special emphasis will be placed on

Viewpoints Playground is a weekly training studio in physical theatre, designed as a space for sustained artistic practice, skill development, experimentation, and creative renewal. Open to students of all experience levels, the course serves as a laboratory for actors, movers, directors, and devisers interested in deepening their practice through embodied research

This course is for students who have prior experience with the instrument. Students are expected to practice daily for a minimum of 30 minutes per day. End of semester performance required.

This course is intended for students with prior experience with the instrument. Students and expected to practice daily (minimum 30 minutes). End of semester performance is required.

Lessons are tailored to the experience of each student.

This course is for students who have prior experience with the instrument. Students are expected to practice daily for a minimum of 30 minutes per day. End of semester performance required.