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Showing 25 Results of 7813

History of Theater I — DRA2156.01

Fall 2023
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers an introduction to the history and development of world theater and drama. We will experience the dynamic pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. We will study theater history from antiquity through the nineteenth century, reading representative plays ranging from Greek
Drama

History of Theater I — DRA2156.01

Fall 2026
Instructor: Maya Cantu
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

This course offers an introduction to the history and development of world theater and drama. We will experience the dynamic pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. We will study theater history from antiquity through the nineteenth century, reading

Drama

History of Theater I — DRA2156.02

Fall 2020
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers an introduction to the history and development of world theater and drama. We will experience the dynamic pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. We will study theater history from antiquity through the nineteenth century, reading representative plays ranging from Greek
Drama

History of Theater I — DRA2153.01

Fall 2014
Instructor: kathleen dimmick
Days & Time: TBA
Credits: 4
This course examines the history and aesthetics of the theater, including the development of staging, production, and acting methods and styles. In the fall of 2014 we will read representative plays from Ancient Greece through seventeenth-century Restoration England. Along with the plays, we'll look at critical and theoretical essays that elucidate the historical context and
Drama

History of Theater I — DRA2156.01

Fall 2016
Instructor: Jean Randich
Days & Time:
Credits: 4
This course offers an introduction to the history and development of world theater and drama. We will experience the dynamic pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. In the fall of 2016, we will study theater history from antiquity through the nineteenth century, reading representative
Drama

History of Theater II — DRA2282.01

Spring 2024
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism and
Drama

History of Theater II — DRA2282.01

Fall 2019
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism and
Drama

History of Theater II — DRA2282.01

Spring 2022
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism and
Drama

History of Theater II — DRA2282.01

Spring 2025
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism and
Drama

History of Theater II — DRA2282.01

Spring 2027
Instructor: Maya Cantu
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism

Drama

History of Theater II — DRA2282.01

Spring 2023
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism and
Drama

History of Theater II — Canceled

Fall 2021
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism and
Drama

History of Theater II — DRA2282.01

Spring 2026
Instructor: Maya Cantu
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism

Drama

History of Theater II — DRA2282.01

Fall 2017
Instructor: Maya Cantu
Days & Time:
Credits: 4
This course offers a continuing introduction to the history and development of world theater and drama. We will experience the vibrant pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. Starting in the nineteenth century, we will read representative plays ranging from the advent of stage Realism and
Drama

History of Theater II: Modern Drama — DRA2154.01

Fall 2015
Instructor: Kathleen Dimmick
Days & Time: TBA
Credits: 4
This course examines the history and aesthetics of the theater, including the development of staging, production, and acting methods and styles. In the fall of 2015 we will read representative plays from the modern canon, beginning with the experiments in Naturalism in the nineteenth century through twentieth century modernism to the contemporary drama of today. Along with the
Drama Literature

History of Theater II: Modern Drama — DRA2154.01

Fall 2013
Instructor: Kathleen Dimmick
Days & Time: TBA
Credits: 4
This course examines the history and aesthetics of the theater, including the development of staging, production, and acting methods and styles. In the fall of 2013 we will read representative plays from the modern canon, beginning with the experiments in Naturalism in the nineteenth century through twentieth century modernism to the contemporary drama of today. Along with the
Drama

History, Race, and Survivor — HIS2217.01

Fall 2025
Instructor: Alexander Jin
Days & Time: WE 4:10pm-6:00pm & TH 3:40pm-5:30pm
Credits: 4

In 2006, the long-running reality television show Survivor decided to do something novel for its thirteenth season: they split contestants into tribes based on race. Controversy immediately followed. Advertisers pulled out and elected officials lobbied CBS not to air the season. But CBS stuck to their guns and released

Black Studies History

Hold Still, Keep Going — PHO4211.01

Spring 2014
Instructor: Elizabeth White; Warren Cockerham
Days & Time:
Credits: 4
This advanced studio/seminar course examines the intersection between still and moving photography and provides a rigorous environment for cross-disciplinary dialogue. Students will pursue self-directed photo and/or video projects while developing a common critical vocabulary and communicative tools. Regular group discussion will challenge, complicate, clarify and deepen
Visual Arts

Home and Other Figments: Immigration, Exile, and Uprootedness — PSY2238.01

Spring 2015
Instructor: Sean Akerman
Days & Time:
Credits: 4
The unique experience of uprootedness provides an opportunity to ask questions about home, identity, and the transmission of the past. In this course, we will look closely at the experience of exile as one that we can all relate to, in addition to the many meanings that the word "home" carries. We will also examine several populations around the world that have been displaced
Social Science

Honors Seminar "The Invention of the Nineteenth Century": Readings in Balzac — LIT4329.01

Fall 2015
Instructor: Marguerite Feitlowitz
Days & Time: TBA
Credits: 4
Oscar Wilde liked to say that Honoré de Balzac (1799-1850) invented the 19th century. The Human Comedy (La Comédie Humaine) comprises approximately 3,000 characters in a total of 92 novels, sketches, stories, and philosophical tales. For the first time in the history of the novel, characters recur—a star of one book may reappear as a minor figure in the intricate social
Literature

Honors Seminar on Twain — LIT4527.01

Spring 2014
Instructor: Rebecca Godwin
Days & Time:
Credits: 4
According to Sam Clemens himself, “The man who does not read good books has no advantage over the man who can’t read them.” In this course, we’ll read several “good books”—along with stories, essays, and letters—penned by one of the most prolific and complex of American writers. One of the funniest, too, so expect to have a good time, in the midst of a rigorous reading and
Literature

Honors Seminar: Theory and Practice of Dramaturgy — CANCELLED

Fall 2015
Instructor: Kathleen Dimmick
Days & Time: TBA
Credits: 4
In this course weʹll look at the history and practice of dramaturgy and introduce some tools and methods of that practice, including text analysis, editing, and adaptation. Along with assignments on individual texts, students will observe rehearsals in DRA4376 Directing II and prepare rehearsal notes. The studentʹs major work for the term will be the preparation of a Protocol,
Drama Literature

Honors Seminar: George Orwell — LIT4135.01

Fall 2013
Instructor: Brooke Allen
Days & Time: TBA
Credits: 4
Perhaps more than any other writer of his century, George Orwell (1903-1950) combined a penetrating political intelligence with significant literary gifts. In this class we will read most of Orwell's novels ('Burmese Days,' 'Keep the Aspidistra Flying,' 'Coming Up for Air,' 'Animal Farm,' '1984') and major non-fiction works ('Down and Out in Paris and London,' 'The Road to
Literature

Honors Seminar: Korean American Feminist Poetry — LIT4159.01

Fall 2018
Instructor: Anna Maria Hong
Days & Time:
Credits: 4
Poetry by Korean American female and feminist writers has burgeoned in the 21st century with a new generation of poets contributing to life of American letters. Reading poets such as Theresa Hak Kyung Cha, Myung Mi Kim, Monica Youn, Don Mee Choi, Arlene Kim, EJ Koh, Marci Calabretta Cancio-Bello, Hannah Sanghee Park, and Franny Choi, we will discuss how each writer negotiates
Literature