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Showing 25 Results of 7813

History of Animation — MA2137.01

Instructor: Sue Rees
Days & Time:
Credits: 2
A brief history of animated images from the 1500s to the present day including early devices to create sequential images, through to the invention of the rotoscope, avantgarde animations, independent artists and studios. The class will be split into watching documentaries and animations along with discussions, and weekly responses. The intention of the class is

History of Christianity: From the Hebrews to Henry VIII — HIS2227.01

Instructor: Carol Pal
Days & Time:
Credits: 4
The aim of this course is to explore the development of Christianity as a set of interlocking complex systems with an equally complex history. Christianity has been around for 2,000 years, and there is no denying that we live under its enormously powerful influence. Millions have fought and died over it. But even those who identify themselves as Christians often seem to be

History of Christianity: From the Hebrews to Henry VIII — HIS2227.01

Instructor: Carol Pal
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

The aim of this course is to explore the development of Christianity as a set of interlocking complex systems with an equally complex history.  Christianity has been around for 2,000 years, and there is no denying that we live under its enormously powerful influence.  Millions have fought and died over it.  But even those who identify themselves as

History of Christianity: From the Hebrews to Henry VIII — HIS2227.01

Instructor: Carol Pal
Days & Time:
Credits: 4
The aim of this course is to explore the development of Christianity as a set of interlocking complex systems with an equally complex history.  Christianity has been around for 2,000 years, and there is no denying that we live under its enormously powerful influence.  Millions have fought and died over it.  But even those who identify themselves as

History of Directing: Traditions and Experiments — DRA2252.01

Instructor: Jean Randich
Days & Time:
Credits: 4
We will work semi-chronologically from the late 19th to the early 21st century, examining how the “director” emerged as a seminal force in the experimental theater. Parallel movements in film will be considered, but our focus remains on live performance. We will read historic manifestos, critical responses, and examine videos and visual research. We may read contemporary case

History of Directing: Traditions and Experiments — DRA2252.01

Instructor: Jean Randich
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

We will work semi-chronologically from the late 19th to the early 21st century, examining how the “director” emerged as a seminal force in the experimental theater. Parallel movements in film will be considered, but our focus remains on live performance. We will read historic manifestos, critical responses, and examine videos and visual research. We may read contemporary

History of Jazz on Drum Set — MHI4105.01

Instructor: Susie Ibarra
Days & Time:
Credits: 2
This ensemble will study the history of jazz on the drum set. The class will examine and learn to play jazz styles and its influences from the 1900s to present day music, including American New Orleans second line, African and Cuban claves in jazz, blues, swing, bebop, hard bop, modern, free, electric and current trends of crossover styles.

History of Medicine: From Hippocrates to Harvey — HIS2183.01

Instructor: Carol Pal
Days & Time:
Credits: 4
How did pre-modern culture understand the human body? How did it work? Where did it fit in the Great Chain of Being, and what differentiated men from women? Medicine has always been a hybrid of thinking, seeing, knowing, and doing. But what defined medicine in the past? Was it a science, an art, or a random assortment of practices?  Between the age of Hippocrates and the

History of Medicine: From Hippocrates to Harvey — HIS2312.01

Instructor: Carol Pal
Days & Time:
Credits: 4
How did premodern culture understand the human body? How did it work? Where did it fit in the Great Chain of Being, and what differentiated men from women? Medicine has always been a hybrid of thinking, seeing, knowing, and doing. But what defined medicine in the past? Was it a science, an art, or merely a collection of practices? Between the age of Hippocrates and the age of

History of Medicine: From Hippocrates to Harvey — HIS2183.01

Instructor: Carol Pal
Days & Time:
Credits: 4
How did pre-modern culture understand the human body? How did it work? Where did it fit in the Great Chain of Being, and what differentiated men from women? Medicine has always been a hybrid of thinking, seeing, knowing, and doing. But what defined medicine in the past? Was it a science, an art, or a random assortment of practices? Between the age of Hippocrates and the age of

History of Music at Bennington College 1932-present — MHI2321.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
Music was a central part of Bennington College from its beginnings. Not only was Bennington’s hands-on approach to teaching innovative and unapologetically progressive, so was its hiring policy: performing musicians were to be full-time faculty and the study of an instrument was considered an academic pursuit.  In this course we will study the history of Music teaching at

History of Photography/19th Century — PHO2142.01

Instructor: Jonathan Kline
Days & Time:
Credits: 2
This course examines the invention and evolution of  photography in the 19th century.  We will be discussing the diverse applications that photography was directed towards- art, commerce, documentation, and the sciences.  The various social, cultural, and political environments that enabled photography to flourish will be explored through assigned readings,

History of Photography/20th Century — PHO2154.01

Instructor: Jonathan Kline
Days & Time:
Credits: 2
This class explores the various ways photography was intertwined with the artistic, political, and scientific developments of the 20th century on a global level. Students will do weekly research connecting to online sites hosted by major institutions such as the Metropolitan Museum of Art, The Victoria Albert Museum, The Getty and others. Class discussions, identification

History of Photography/20th Century — PHO2154.01

Instructor: Jonathan Kline
Days & Time:
Credits: 2
This class explores the various ways photography was intertwined with the artistic, political, and scientific developments of the 20th century on a global level. Students will do weekly research connecting to online sites hosted by major institutions such as the Metropolitan Museum of Art, The Victoria & Albert Museum, The Getty and others. Class discussions, identification

History of Science: From Aristotle to Newton — HIS2254.01

Instructor: Carol Pal
Days & Time:
Credits: 4
History tells us that humans have always wondered about the natural world. For thousands of years, our ancestors gazed in wonder at the heavens, experimented with plants and medicines, and tried to comprehend their own mortality. But when did “science” actually begin to be its own field, separate from philosophy, astrology, or faith? Beginning with human origins and prehistoric

History of Science: From Aristotle to Newton — HIS2254.01

Instructor: Carol Pal
Days & Time: TU,FR 2:10pm-4:00pm
Credits: 4

History tells us that humans have always wondered about the natural world. For thousands of years, our ancestors gazed in wonder at the heavens, experimented with plants and medicines, and tried to comprehend their own mortality.  But when did “science” actually begin to be its own field, separate from philosophy, astrology, or faith? Beginning with human

History of Science: From Aristotle to Newton — HIS2254.01

Instructor: Carol Pal
Days & Time:
Credits: 4
History tells us that humans have always wondered about the natural world. For thousands of years, our ancestors gazed in wonder at the heavens, experimented with plants and medicines, and tried to comprehend their own mortality. But when did “science” actually begin to be its own field, separate from philosophy, astrology, or faith? Beginning with human origins and prehistoric

History of Science: from Hippocrates to Newton — HIS2254.01

Instructor: Carol Pal
Days & Time:
Credits: 4
History tells us that humans have always wondered about the natural world. For thousands of years, our ancestors gazed in wonder at the heavens, experimented with plants and medicines, and tried to comprehend their own mortality. But when did "science" actually begin to be its own field, separate from philosophy, astrology, or faith? Beginning with human origins and prehistoric

History of the Book — HIS4109.01

Instructor: Carol Pal
Days & Time:
Credits: 4
The aim of this course is to think about books. Not just books as objects, but books as the signifiers of a wealth of relationships – between reading and writing, between people and ideas, between people and people, between technologies and desires. For centuries, our ideas have been shaped by the rhythms and hierarchies inherent in the nature of print. But the nature of the

History of the Book — HIS4109.01

Instructor: Carol Pal
Days & Time:
Credits: 4
The aim of this course is to think about books. Not just books as objects, but books as the signifiers of a wealth of relationships – between reading and writing, between people and ideas, between people and people, between technologies and desires. For centuries, our ideas have been shaped by the rhythms and hierarchies inherent in the nature of print. But the nature of the

History of the Book — HIS4109.01

Instructor: Carol Pal
Days & Time:
Credits: 4
The aim of this course is to think about books.  Not just books as objects, but books as the signifiers of a wealth of relationships – between reading and writing, between people and ideas, between people and people, between technologies and desires.  For centuries, our ideas have been shaped by the rhythms and hierarchies inherent in the nature of print.  But

History of the Book — HIS4109.01

Instructor: Carol Pal
Days & Time:
Credits: 4
The aim of this course is to think about books. Not just books as objects, but books as the signifiers of a wealth of relationships – between reading and writing, between people and ideas, between people and people, between technologies and desires. For centuries, our ideas have been shaped by the rhythms and hierarchies inherent in the nature of print. But the nature of the

History of the Book — HIS4109.01

Instructor: Carol Pal
Days & Time: WE 2:10pm-5:50pm
Credits: 4

The aim of this course is to think about books. Not just books as objects, but books as the signifiers of a wealth of relationships – between reading and writing, between people and ideas, between people and people, between technologies and desires. For centuries, our ideas have been shaped by the rhythms and hierarchies inherent in the nature of print.  But

History of Theater I — DRA2156.01

Instructor: Maya Cantu
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

This course offers an introduction to the history and development of world theater and drama. We will experience the dynamic pageant of theater history through an exploration of its conventions and aesthetics, as well as its social and cultural functions. We will study theater history from antiquity through the nineteenth century, reading