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Showing 25 Results of 7318

Intermediate Guitar — MIN4025.01, section 1

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory, play in different tunings, increase chord vocabulary and repertoire.

Intermediate Guitar —

Instructor: Hui Cox
Days & Time:
Credits: 2
 (MIN4025.01) Hui Cox Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory.   Categories: All courses , Instrumental Study , Remotely Accessible Tags:

Intermediate Guitar — MIN4025.01

Instructor: John Kirk
Days & Time:
Credits: 2
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory, play in different tunings, increase chord vocabulary and repertoire.

Intermediate Guitar — cancelled

Instructor: Hui Cox
Days & Time:
Credits: 2
Instrumental Study on Guitar.  Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory. Auditions will take place Wednesday, May 9 in Jennings 335-C or via Skype. To schedule, please email hcox@bennington.edu.

Intermediate Musicianship — MTH2277.01

Instructor: Andrew Greenwald
Days & Time:
Credits: 2
This course will focus on improving our ability to hear, replicate, and document music. We will concentrate on honing melodic and rhythmic transcription, while also developing ways of identifying and notating modern instrumental and electronic techniques. The students will help guide the direction of the course by choosing particular musical examples and topics for

Intermediate Musicianship — MTH2277.01

Instructor: Andrew Greenwald
Days & Time:
Credits: 4
This course will focus on improving our ability to hear, replicate, and document music. We will concentrate on honing melodic and rhythmic transcription, while also developing ways of identifying and notating modern instrumental and electronic techniques. The students will help guide the direction of the course by choosing particular musical examples and topics for

Intermediate Painting: Beyond the Easel — PAI4218.01

Instructor: J Blackwell
Days & Time:
Credits: 4
In the summer of 1943, Peggy Guggenheim commissioned Jackson Pollock to create a monumental painting. Marcel Duchamp suggested that Pollock use a canvas instead of painting directly on a wall, ensuring the work could be moved. Pollock later wrote of the project, "I’ve had to tear out the partition between the front and middle room [of my apartment] to get the damned thing up. I

Intermediate Painting: Facture — PAI4106.01

Instructor: J Blackwell
Days & Time:
Credits: 4
“Facture refers to the manner in which a painting, drawing, or object is made. It is the combination of brushstrokes, marks, material, and the texture of the surface. Facture is critical to the success of any object. Much of the fascination that accrues to all manual media comes from what can be observed at close range. That distance reveals the foundation, the touch, the

Intermediate Painting: Facture — PAI4106.01

Instructor: J Blackwell
Days & Time:
Credits: 4
fac·ture - ˈfakCHər/ = noun the quality of the execution of a painting; an artist's characteristic handling of the paint. Behind the impulse to put paint on canvas is a search for meaning. As an artwork comes into being, its meaning(s) evolve concurrently. Concentrating on the establishment of a rigorous artistic practice, this course will focus on the relationship

Intermediate Painting: Facture — PAI4106.01

Instructor: J Blackwell
Days & Time:
Credits: 4
“Facture refers to the manner in which a painting, drawing, or object is made. It is the combination of brushstrokes, marks, material, and the texture of the surface. Facture is critical to the success of any object. Much of the fascination that accrues to all manual media comes from what can be observed at close range. That distance reveals the foundation, the touch, the

Intermediate Painting: Facture — PAI4207.01

Instructor: joshua blackwell
Days & Time: TBA
Credits: 4
Behind the impulse to put paint on canvas is a search for meaning. As an artwork comes into being, so too does its meaning evolve concurrently. This course will focus on the relationship between facture and meaning in painting. Sharpening practical and critical skills, assignments will investigate the processes and methods of painting from practical and theoretical perspectives

Intermediate Painting: Facture — PAI4106.01) (cancelled 10/7/2024

Instructor: J Blackwell
Days & Time:
Credits: 4
“Facture refers to the manner in which a painting, drawing, or object is made. It is the combination of brushstrokes, marks, material, and the texture of the surface. Facture is critical to the success of any object. Much of the fascination that accrues to all manual media comes from what can be observed at close range. That distance reveals the foundation, the touch, the

Intermediate Painting: Facture — PAI4106.01

Instructor: Josh Blackwell
Days & Time:
Credits: 4
Behind the impulse to put paint on canvas is a search for meaning. As an artwork comes into being, its meaning(s) evolve concurrently. Concentrating on the establishment of a rigorous artistic practice, this course will focus on the relationship between facture and meaning in painting. Sharpening practical and critical skills, assignments will investigate the processes and