All

This class invites students to analyze and assess a number of philosophical puzzles, paradoxes, and thought experiments including experience machines, the trolley problem, zombies, and the original position. You will read and discuss the original source and some of the critical literature.

This class invites students to analyze and assess a number of philosophical puzzles, paradoxes, and thought experiments including experience machines, the trolley problem, zombies, and the original position. You will read and discuss the original source and some of the critical literature.

What is the difference between belief and knowledge? What is it to have a mind? Is theism rational? Are our actions free? These are some of the questions this first course in philosophy asks. Our investigation will center on the 17th-19th c., a watershed period in Western Europe marked by major political, scientific, religious, and intellectual revolutions. This course has two

What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

What is the difference between belief and knowledge? What is truth? What is the good? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge, metaphysics, and meaning in

What is the difference between belief and knowledge? What is truth? What is the good? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge, metaphysics and meaning in

What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

What is the difference between belief and knowledge? What makes me the same person now and in the future? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in

What is the difference between belief and knowledge? What is truth? What is the good? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three

What is the difference between belief and knowledge? What is truth? What is the mind? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge,

What is the difference between belief and knowledge? What is truth? What is the mind? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy – knowledge,

What is the difference between belief and knowledge? What is truth? What is the good? Is there a purpose in life? These are some of the questions this first course in philosophy asks. It has two aims: To introduce you to the methods and procedures of philosophical argument and, second, to engage you in a critical dialogue with three central problems in philosophy - knowledge,

What is the difference between belief and knowledge? What is it to have a mind? What is really real? Are our actions free? These are some of the questions this first course in philosophy asks. Our investigation will center on the 17th-19th c., a watershed period in Western Europe marked by major political, scientific, religious, and intellectual revolutions. This course has two

There is a 3 lb. grayish-white, fatty organ inhabiting your skull. All of your thoughts, dreams, hopes, beliefs, and memories originate, in some way, in this organ. But how does this meat in your head think? How is your brain capable of having conscious experiences? How does your brain allow you to taste a strawberry or hear more cowbell? And, don’t look now, but the

There is a 3 lb. grayish-white, fatty organ inhabiting your skull. All of your thoughts, dreams, hopes, beliefs, and memories originate, in some way, in this organ. But how does this meat in your head think? How is your brain capable of having conscious experiences? How does your brain allow you to taste a strawberry or hear more cowbell? And, don’t look now, but the

Zoetropes, phenakistascopes, pepper’s ghosts, puppets, VR, film, projection, games, music, dance, and animation are just a few examples of ways to explore the elements of movement in time-based media. In this course, we delve into the formal elements of the illusion of motion and apply these concepts to the creation of kinetic works in a variety of formats. Emphasis will be

Zoetropes, phenakistascopes, pepper’s ghosts, puppets, VR, film, projection, games, music, dance, and animation are just a few examples of ways to explore the elements of movement in time-based media. In this course, we delve into the formal elements of the illusion of motion and apply these concepts to the creation of kinetic works in a variety of formats. Emphasis will be

Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters. In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations. We will arrive at a detailed understanding of Wittgenstein's philosophy, its themes, arguments and

Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters. In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations. We will arrive at a detailed understanding of Wittgenstein's philosophy, its themes, arguments and

Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters.  In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations.  We will arrive at a detailed understanding of

Ludwig Wittgenstein is one of the most influential and important of twentieth century philosophers and one of its most enigmatic characters.  In this course you will read two of Wittgenstein's central works, Tractatus Logico-Philosophicus and Philosophical Investigations.  We will arrive at a detailed understanding of Wittgenstein's philosophy, its themes, arguments

This course in aesthetics begins with the Ancient Greeks and then follows a predominantly Continental trajectory to contemporary philosophers of aesthetics.  While we will investigate thinkers writing on art, music, and drama, our eventual focus will be the philosophy of language and literature, beginning with Plato’s Phaedrus and including selections from Heidegger,