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Showing 25 Results of 7796

Actor's Instrument — DRA2170.01, section 1

Instructor: Dina Janis
Days & Time:
Credits: 4
An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify that which constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body, voice,

Actor's Instrument — DRA2139.01

Instructor: Dina Janis
Days & Time:
Credits: 4
An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify that which constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body, voice,

Actor's Instrument — DRA2170.01

Instructor: Jennifer Rohn
Days & Time:
Credits: 4
An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify that which constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body, voice,

Actor's Instrument — DRA2170.02; section 2

Instructor: Jennifer Rohn
Days & Time:
Credits: 4
The craft of acting will be the main focus of this class. Through physical and vocal warm-up exercises, sensory exploration, improvisation, scene work, and extensive reading students will be asked to develop an awareness of their own unique instrument as actors and learn to trust their inner impulses where this is concerned. Extensive out of class preparation of specific

Actor's Instrument — DRA2139.01

Instructor: Jennifer Rohn
Days & Time:
Credits: 4
The craft of acting will be the main focus of this beginning class. Through physical and vocal warm-up exercises, sensory exploration, improvisation, scene work, and extensive reading students will be asked to develop an awareness of their own unique instrument as actors. Students will develop an understanding of the fundamentals of performance; using their body, voice, and

Actor's Instrument — DRA2139.02

Instructor: Kirk Jackson
Days & Time:
Credits: 4
An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify that which constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body, voice,

Actor's Instrument — DRA2139.01

Instructor: Mercedes Herrero
Days & Time:
Credits: 4
"An actor is a vessel to be filled so that she can then be poured into the audience's ear." Cicely Berry (Vocal Coach) As actors, our bodies and our imagination are our tools. We use voice, body, and spirit to breathe life into a story before an audience in order to transform them. For an audience to experience the full range and music of the text, we must be fine-tuned. In

Actors Instrument — DRA2170.01, section 1

Instructor: Dina Janis
Days & Time:
Credits: 4
In our work as actors, we honor the truth... using our imagination. How? Our art is the expression of genuine reaction and the following of impulses truthfully, while serving the telling of the story. Through a progressive series of exercises, improvisations, questions and answers, some light reading, writing, and engaging scene work, students will be introduced to the

Actors Instrument — DRA2170.01

Instructor: Jennifer Rohn
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify what constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body,

Actors Instrument — DRA2170.01

Instructor: Kirk Jackson
Days & Time:
Credits: 4
An actor honors and bears witness to humanity by embodying and  giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify that which constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body,

Actors Instrument — DRA2170.01

Instructor: Dina Janis
Days & Time: TU,FR 4:10pm-6:00pm
Credits: 4

The craft of acting will be the main focus of this class. Through physical and vocal warm-up exercises, sensory exploration, improvisation, scene work, and craft readings students will be asked to develop an awareness of their own unique instruments and artistic voices while learning to trust their inner impulses as they develop basic acting technique. Extensive out of class

Actors Instrument — DRA2170.01

Instructor: Jennifer Rohn
Days & Time: MO,TH 10:00am-11:50am
Credits: 4

An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify what constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body,

Actors Instrument — DRA2170.01, section 1

Instructor: Dina Janis
Days & Time: MO,TH 3:40pm-5:30pm
Credits: 4

The craft of acting will be the main focus of this class. Through physical and vocal warm-up exercises, sensory exploration, improvisation, scene work, and craft readings students will be asked to develop an awareness of their own unique instruments and artistic voices while learning to trust their inner impulses as they develop basic acting technique.  Extensive out of

Actors Instrument — DRA2139.01

Instructor: Kirk Jackson
Days & Time:
Credits: 4
An actor honors and bears witness to humanity by embodying and giving voice to the human element in the landscape of theatrical collaboration. Investigating the impulses and intuitions that make us unique as individuals can also identify that which constitutes our shared humanity. Through exploration of the fundamentals of performance, students address the actor’s body, voice,

Actors Instrument — DRA2170.02, section 2

Instructor: Dina Janis
Days & Time:
Credits: 4
In our work as actors, we honor the truth... using our imagination. How? Our art is the expression of genuine reaction and the following of impulses truthfully, while serving the telling of the story. Through a progressive series of exercises, improvisations, questions and answers, some light reading, writing, and engaging scene work, students will be introduced to the

Actor’s Instrument — DRA2139.01

Instructor: Dina Janis
Days & Time:
Credits: 4
The craft of acting will be the main focus of this class. Through physical and vocal warm-up exercises, sensory exploration, improvisation, scene work, and extensive reading students will be asked to develop an awareness of their own unique instrument as actors and learn to trust their inner impulses where this is concerned. Extensive out of class preparation of specific

Adaptation — DRA2249.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
A writer is a reader moved to imitation. Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best. When we write we may borrow the structure of a sonata, the plot from a story, the tang and tone of a novel, and characters from our own lives. Is everything we write adaptation? We will look at

Adaptation — DRA2249.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
Adaptation: A writer is a reader moved to imitation. Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best. When we write we may borrow the structure of a sonata, the plot from a story, the tang and tone of a novel, and characters from our own lives. Is everything we write adaptation? We

Adaptation — DRA2249.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best. When we write we may borrow the structure of a sonata, the plot from a story, the tang and tone of a novel, and characters from our own lives. Is everything we write adaptation? We will read 3-5 works of literature, watch movie and

Adaptation — DRA4153.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
Adaptation: A writer is a reader moved to imitation. Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best. When we write we may borrow the structure of a sonata, the plot from a story, the tang and tone of a novel, and characters from our own lives. Is everything we write adaptation? We

Adaptation — DRA2249.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
Adaptation: A writer is a reader moved to imitation. Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best. When we write we may borrow the structure of a sonata, the plot from a story, the tang and tone of a novel, and characters from our own lives. Is everything we write adaptation? We

Adaptation — DRA2249.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best. When we write we may borrow the structure of a sonata, the plot from a story, the tang and tone of a novel, and characters from our own lives. Is everything we write adaptation? We will read 3-5 works of literature, watch movie and

Adaptation — DRA2249.01

Instructor: Sherry Kramer
Days & Time:
Credits: 4
Adaptation: A writer is a reader moved to imitation. Appropriation, repurpose, pastiche, hybrid, sampling, remix, in conversation, mash up. Everyone knows that when you steal, steal from the best. When we write we may borrow the structure of a sonata, the plot from a story, the tang and tone of a novel, and characters from our own lives. Is everything we write adaptation? We