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Showing 25 Results of 7796

Feminist Philosophy — PHI4130.01

Fall 2015
Instructor: Karen Gover
Days & Time: TBA
Credits: 2
This course provides an introduction to the key concepts and debates that pertain to feminist philosophy, including the nature of sex, gender, and the body, essentialism, oppression, care ethics, and feminist theories of knowledge.  Students will learn what it is to approach these topics from a philosophical angle, while at the same time keeping an eye on the historical,
Society Culture and Thought

Feminist Theory and Electronic Music — MHI2209.01

Fall 2017
Instructor: Suzanne Thorpe
Days & Time:
Credits: 2
In the 1960s, a number of female-identified electronic music composers directly addressed the politics of the time through their choices in composition and technology, querying themes of embodiment, agency, power and materiality. This class will engage close listening and reading of works by Oliveros, Williams, Amacher, Radigue, Oram, Nova, and Spiegel, to discover how second
Music

Feminist Writing by Women of Color, 1970s-80s — LIT2543.01

Fall 2024
Instructor: Franny Choi
Days & Time:
Credits: 4
1970 was a watershed year for Black feminism, with the publication of several monumental books including The Black Woman: An Anthology, edited by Toni Cade Bambara. How did women writers of color contend with race, class, gender, and sexuality in the decades leading up to the coining of the term “intersectionality?” What works from this period were foundational for
Black Studies Literature

Femme Film — FV2207.01

Spring 2027
Instructor: Beatriz Santiago Muñoz
Days & Time: Tu 2:10PM-5:50PM, M/Th 7:00PM-8:50PM
Credits: 2

In his re-interpretation of psychoanalytic structures, Jacques Lacan described the feminine position not as a gender or an identity but as a form of “jouissance”, a word that is related to enjoyment, but in his use is more akin “getting off on”. This feminine jouissance is available to any subject regardless of gender. According to this proposition, the

Media Studies Film and Video

Fiction from Fact — LIT2389.02

Fall 2015
Instructor: Marguerite Feitlowitz
Days & Time: TBA
Credits: 2
In this writing intensive class, students will develop fictions from documented historical, scientific, urban, and pastoral events, including mysteries, texts, and rumors. Our readings will include stories by Andrea Barrett, Ricardo Piglia, Patrick Modiano, Natalia Ginzburg, among others. Some research will be involved. This course is offered in the second seven weeks of the
Literature

Fiction in a Flash: Reading and Writing the Short Story — LIT4285.01

Fall 2016
Instructor: Michael Dumanis
Days & Time:
Credits: 4
Take a quick scan on any table in a bookstore and you'll see that the short story collection is having a renaissance. These bite-sized literary gems have the ability to push boundaries, explore themes, and take abrupt twists that the long-form novel just can't navigate. The short story is the hummingbird, turning on a dime, and always surprising the reader in the direction it
Literature

Fiddle — MIN4327.01

Spring 2015
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling - Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Spring 2020
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (3+years of playing) violinist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills for
Music

Fiddle — MIN4327.01

Fall 2024
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical music
Music

Fiddle — MIN4327.01

Spring 2027
Instructor: John Kirk
Days & Time: F 1:00PM-1:50PM
Credits: 2

For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical

Ethnomusicology Instrumental Study Music History Musical Performance

Fiddle — MIN2227.01

Spring 2014
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling - Quebecois, New England, Southern Appalachian, Cajun, Irish & Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN2227.01

Fall 2017
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+ years of playing) violinist. Lessons in traditional styles of fiddling: Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Spring 2024
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling - Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical music
Music

Fiddle — MIN4327.01

Fall 2015
Instructor: John Kirk
Days & Time: TBA
Credits: 2
For the experienced (2+ years of playing) violinist. Lessons in traditional styles of fiddling: Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music
Music

Fiddle — MIN4327.01

Fall 2025
Instructor: John Kirk
Days & Time: F 1:00PM-1:50PM
Credits: 2

For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical

Ethnomusicology Instrumental Study

Fiddle — MIN2227.01

Spring 2019
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+ years of playing) violinist. Lessons in traditional styles of fiddling: Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Spring 2016
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Fall 2014
Instructor: john kirk
Days & Time: TBA
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling - Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Spring 2025
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (3+years of playing) violinist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical music
Music

Fiddle — MIN2227.01

Fall 2018
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+ years of playing) violinist. Lessons in traditional styles of fiddling: Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Fall 2026
Instructor: John Kirk
Days & Time: F 1:00PM-1:50PM
Credits: 2

For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical

Ethnomusicology Instrumental Study Music History Musical Performance

Fiddle — MIN4327.01

Spring 2026
Instructor: John Kirk
Days & Time: F 1:00PM-1:50PM
Credits: 2

For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical

Ethnomusicology Instrumental Study

Fiddle — MIN2227.01

Fall 2019
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Spring 2017
Instructor: John Kirk
Days & Time:
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling - Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music

Fiddle — MIN4327.01

Fall 2013
Instructor: John Kirk
Days & Time: TBA
Credits: 2
For the experienced (2+years of playing) violinist. Lessons in traditional styles of fiddling - Quebecois, New England, Southern Appalachian, Cajun, Irish, and Scottish. This tutorial is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world these days) and to give practical music skills
Music