Spring 2021

Course System Home Course Listing Spring 2021

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Showing 25 Results of 253

Machine Learning — CS4256.01

Instructor: Justin Vasselli
Days & Time:
Credits: 4
In the course of our daily lives we interact with many systems that have been trained to perform their jobs not based on meticulously designed domain-specific algorithms, but instead based on large amounts of data.  This is the foundation of Machine Learning. Today, everything from auto-complete to spam-filtering is done using machine learning techniques.  This course

Mad Props: Theatrical Property Design and Production — DRA2312.01

Instructor: Michael Giannitti
Days & Time:
Credits: 2
An exercise in planning, communication, creativity and resourcefulness, property design applies to film, television, and theatrical production. This course will look at theatrical props and set dressing from a property designer’s perspective. Starting with a script, we will uncover the questions you didn’t know needed answering in order to comprehensively produce or curate

Make Kitchen Communal Practicum — APA4302.01

Instructor: Yoko Inoue
Days & Time:
Credits: 4
Building strong community support infrastructure is essential in the age of global pandemics, as it has been during past emergencies and natural disasters. Civic engaged actions and intentional social practices which are embedded in the locale have become more crucial when government agencies’ responses to the emergencies are slow or delayed. Can we revitalize or create new

Making Arrangements — MCO4112.01

Instructor: Bruce Williamson
Days & Time:
Credits: 4
In this course we will discover the basic principles of arranging for various ensembles playing in multiple genres (using horns, strings, background vocals, etc. along with a rhythm section). We will look at a wide range of notable artists working in many jazz subgenres and related styles. Students will submit work using music notation and/or digital recording platforms

Managing Ethnic Conflicts — POL4101.01

Instructor: Rotimi Suberu
Days & Time:
Credits: 4
How should states and the international community respond to protracted and violent conflicts involving ethnic, linguistic, religious and other identity groups? This is/was one of the central challenges of politics and governance in places as diverse as Afghanistan, Bosnia-Herzegovina, Fiji, Iraq, India, Indonesia, Israel/Palestine, Lebanon, Northern Ireland, Nigeria, Rwanda

Mandolin — MIN2229.01

Instructor: John Kirk
Days & Time:
Credits: 2
Beginning, intermediate and advanced group or individual lessons on the mandolin will be offered. Student will learn classical technique on the mandolin and start to develop a repertoire of classical and traditional folk pieces. Simple song sheets with chords, tablature, and standard notation, chord theory, and scale work will all be used to further skills. Students will be

Modern Guitar — MIN4224.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
Individual training is available in jazz, modern and classical guitar technique and repertoire, song accompaniment (finger style), improvisation, and arranging and composing for the guitar. Course material is tailored to the interests and level of the individual student.

Movement Practice: Activating the Animal Body — DAN4335.01) (cancelled

Instructor: Dana Reitz
Days & Time:
Credits: 2
This class cultivates a movement ritual to engage the mind in accessing the strong, animal body. Each class actively engages three avenues for dancing: 1) Movement Patterns – by employing precise, sensorial exercises that lead through developmental movement patterns to observe habits, test new pathways, and re-organize coordination. These are based on Bartenieff fundamentals,

Movement Practice: Foraging from Within: From Meditation to Movement — DAN4293.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
In this class we will experience the discipline of practicing simplicity. Together we will cultivate a morning ritual that leads from meditation practice into movement. Commitment, discipline and active participation are essential in this course. Students are expected to do additional reading and practice outside of class. 1st 7 weeks: remote; 2nd 7 weeks: hybrid w

Movement Practice: Intermediate-Advanced Dance Technique — DAN4148.01

Instructor: Mina Nishimura
Days & Time:
Credits: 2
This intermediate-advanced level movement practice is designed for students with prior experience in dance technique. In this class, we will hone in on the importance of balancing controlled and spontaneous action as well as internal and external movement through using a series of improvisational, compositional, writing and drawing practices. We will be learning longer and more

Movement Practice: Introduction to Dance Improvisation — DAN2684.01

Instructor: Levi Gonzalez
Days & Time:
Credits: 2
The practice of dance improvisation exists in multiple historical and cultural contexts. In this class, we will focus on improvisational practices that stem from the lineage of Judson Dance Theater and postmodern American (US) dance, with an understanding that this is one specific approach among many. The primary focus of the course will be participating in movement practices

Music Composition Project — MCO4802.01

Instructor: Allen Shawn
Days & Time:
Credits: 4
This is a course intended for composers with strong notational skills who have previously taken courses in composition and are interested in spending time on a substantial composition for a specific ensemble. This term we will concentrate on works for Piano Trio (ie: Piano, Violin and Cello). In preparation for this we will study a number of works from all periods for this

Music Theory I - Applied Fundamentals — MTH2274.01

Instructor: John Kirk
Days & Time:
Credits: 4
An introduction to music theory course. Music theory fundamentals will be taught utilizing voice (singing) and an instrument in hand. Knowledge of the piano keyboard will be learned and utilized. Curriculum will span the harmonic series, circle of 5ths, scales and chords to ear training, harmonic and rhythmic dictation, and beginning composition. Course will include singing,

Neuroscience — BIO4437.01

Instructor: Blake Jones
Days & Time:
Credits: 4
This rigorous course will introduce students to the most complex physiological system. Students will learn how the central and peripheral nervous systems integrate external and internal signals to produce physiological, behavioral, and emotional responses in humans and other animals. We will discover the molecular and cellular mechanisms that allow neurons and other specialized

Ornithology — BIO2208.01

Instructor: Blake Jones
Days & Time:
Credits: 4
Discover birds like you’ve never seen or heard them before. This class takes an integrative approach to ornithology, as we will explore avian species from the perspective of  human culture, evolution, natural history, development, ecology, conservation, physiology, genetics, behavior, functional morphology, and even quantum mechanics. This course will explore topics

Paris on Screen Tradition and Modernity — FRE4498.01

Instructor: Stephen Shapiro
Days & Time:
Credits: 4
In this intermediate-low level course, we will study the representation of the city of Paris on film in order to examine modernityʹs challenges to tradition. In particular, we will focus on the question of how urban communities and city dwellers react to increasing disconnectedness, anonymity, and solitude. Films may include Tanguy, La Haine, Chacun cherche son chat, Paris,

Peacebuilding — APA2212.03

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
This Module will serve as an introduction to the work of Peacebuilding around the world, both in theory and practice. Vahidin Omanovic, Director of Center for Peacebuilding in Bosnia, will be joining us to reflect on his work and introduce us to key topics in peacebuilding. They include peacebuilding in a local community, obstacles for peace, identity, 

Performance Project: Adaptable Score — DAN4679.01) (cancelled

Instructor: Dana Reitz
Days & Time:
Credits: 2
With new movement material crafted around the movement tendencies of each of the participants, we will delve into multiple variations of the phrases made. Throughout the term, we will be exploring movement qualities, inherent technical challenges, spatial use, and timing. We will investigate the interrelationship of movement and environment, and will use costume as an essential

Pessimism, Despair, and Hope — PHI4245.01

Instructor: Paul Voice
Days & Time:
Credits: 4
The pessimist Arthur Schopenhauer writes, “In the first place, no man is happy but strives his whole life long after a supposed happiness which he seldom attains, and even if he does it is only to be disappointed with it.” What is the right attitude to the human condition? This advanced level course examines this question through the writings of philosophers who directly

Photography Foundations, Analog + Digital — PHO2136.01

Instructor: Jonathan Kline
Days & Time:
Credits: 4
What does it mean to study photography at Bennington? This course explores a wide range of approaches to the medium and introduces students to the various photographic genres with an emphasis on contemporary practice. The class will be covering black and white analog materials and processes in the first seven weeks and switching over to digital capture and inkjet printing in

Piano — MIN4333.01

Instructor: Joan Forsyth
Days & Time:
Credits: 2
Individual private lessons for advanced students. Audition required. Weekly meetings times on scheduled class days arranged with the instructor. Participation in music workshop and end-of-term recital required.

Piano — MIN4333.02

Instructor: Yoshiko Sato
Days & Time:
Credits: 2
Individual private lessons for advanced students. Audition required. Weekly meetings times on scheduled class days arranged with the instructor. Participation in music workshop and end-of-term recital required.

Piano Lab I — MIN2232.01

Instructor: Joan Forsyth
Days & Time:
Credits: 2
The goals of this course are to gain ease and dexterity at the keyboard, developing a confident piano technique and the skill of reading musical notation. Students will learn a basic repertoire of scales and chords. They will use the chords in improvisation and harmonization of melodies. In addition they will explore a repertoire that utilizes the musical components covered in

Piano Lab I — MIN2232.02

Instructor: Joan Forsyth
Days & Time:
Credits: 2
The goals of this course are to gain ease and dexterity at the keyboard, developing a confident piano technique and the skill of reading musical notation. Students will learn a basic repertoire of scales and chords. They will use the chords in improvisation and harmonization of melodies. In addition they will explore a repertoire that utilizes the musical components covered in

Piano Lab I — MIN2232.03

Instructor: Joan Forsyth
Days & Time:
Credits: 2
The goals of this course are to gain ease and dexterity at the keyboard, developing a confident piano technique and the skill of reading musical notation. Students will learn a basic repertoire of scales and chords. They will use the chords in improvisation and harmonization of melodies. In addition they will explore a repertoire that utilizes the musical components covered in