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Modern Guitar is a one on one private lesson. Occasionally if two students are about the same level the class will accommodate two students at a time.
It is expected that a firm grasp of all the concepts taught in Beginning and Intermediate Guitar are fully understood.
If you haven’t taken these classes you would have to audition to receive the instructors permission to demonstrate skills.
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory.
The course is for intermediate to advanced students.
Students are expected to practice daily (minimum of 45 minutes). End-of-semester performance is required.
For the experienced (3+years of playing) violinist/violist. Lessons in traditional styles of fiddling – Quebecois, New England, Southern Appalachian, Scandinavian, Cajun, Irish, and Scottish. This course is designed to heighten awareness of the variety of ways the violin is played regionally and socially in North America (and indeed around the world) and to give practical music skills for furthering personal music making. Students will be expected to perform at Music Workshop, or as part of a concert, in ensemble and/or solo.
Instrumental Study on Guitar. Continued studies from Beginning Guitar. Advanced study in fret-board harmony and theory, play in different tunings, increase chord vocabulary and repertoire.
Advanced studies in theory relating to performance.
Students must be enrolled in Bass with Bisio (MIN4417) simultaneously, no exceptions. This class is only for advanced students and by permission of instructor.
Beginning to advanced lessons in bass technique and appropriate theory.
Lessons on Tuesdays – Schedule TBA.
This discussion-animated, readings-based seminar provides art historical, cultural, and critical contexts for the Visual Arts Lecture Series (VALS). In addition to our ongoing interrogation of the public lecture as such, students present their own work (in any field) and analyze the technical and stylistic aspects of structuring an effective and engaging ‘talk.’ The course provides unique opportunities for interaction with visiting artists, curators, critics, and historians.
Individual 25-30 min. long lessons for students with prior experience who want to continue learning fundamental violin technique.
Daily practice (about 15-20 min.) is expected. End-of-semester performance is required.
Studio instruction in cello. There will be an emphasis on creating and working towards an end-of-term project for each student.
This course is for students who have prior experience with the instrument. Students are expected to practice daily for a minimum of 30 minutes per day. End of semester performance required.
Individual private lessons for advanced students, with focus on the classical repertoire. Students will meet with the instructor weekly on scheduled class days, at times to be arranged with the instructor. Two excused absences permitted, with every effort made for make-up lessons. Daily practice is expected, and participation in Tuesday evening music workshop and performance at the end-of-term recital are required.
Self-taught guitar playing often begins with the recognition of simple patterns, evolving into complexity. These patterns, while helping us gain familiarity, can eventually become a constrictive box, requiring new material to refresh the old. How do we make a song more effective through focusing on guitar, how can we make a song find its destination? This course develops each student’s guitar practice in tandem with songwriting, while challenging players to hear all notes, chords, rhythms, and breaks as viable.
Conducted through research focusing on the development of Japanese subcultures in the Post World War II period, this course poses various critical inquiries about the effects of the nuclear bombings of Hiroshima and Nagasaki on contemporary global consumer society, visual culture and the production of art.
This class will investigate various pedagogical approaches to food studies by examining curriculums, topics and discourses being taught at some academic institutions. More importantly, we will put focus on researching art collectives, contemporary civic engagement practices, and other non-institutional models developed by creative practitioners and activists, which engage with food as a conduit to undertake social, political and cultural identity issues and to enhance their community cohesion.
This course is intended for students with some playing and reading experience.
Students will expand upon a repertoire of scales and chords.
They will study and learn to play selected compositions.
Individual piano lessons for more advanced students.
A weekly 45 minute lessons time is arranged with the instructor.
What forces and individuals contribute to shaping an artist’s legacy? What happens to all of the objects, materials, and correspondence that artists create during their lifetime? What is a catalogue raisonné? This one-credit remote module will introduce students to legacy work and to the nascent field of artist-endowed foundations, inviting the consideration of philosophical and creative questions, while simultaneously offering practical knowledge applicable to future professional opportunities.