Search by keyword, and use the left hand toolbar to filter your results further
Select Filters and then click Apply to load new results
Select Filters and then click Apply to load new results
This course explores how photographers translate artistic concepts into the materiality of bookmaking, giving students insight into the basic steps of creating a photobook. The course will experiment with different book designs, paper qualities, digital printing, binding techniques, sequencing exercises, intervened photography, photo-collage, and layering.
This is an environmental policy course with a focus on public action. The class will explore the dimensions of the production, use and disposal of plastics, including climate change impacts, alternatives to single-use plastic packaging, and the need for innovation. There will also be a focus on environmental justice.
These technical applications, can lead you to a concept due to the design/practicality of said application.
This course introduces students to the basic language of 3D animation and modeling. Students will be expected to become familiar with the basic principles of the MAYA program. A series of modeled objects placed in locations will be created. The emphasis will be on becoming proficient with modelling forms, texturing using Arnold Renderer, basic animation and utilizing lights and cameras.
This class will investigate meaningful pedagogical approaches to Food Studies. Building on the various “Social Kitchen” activities previously pursued at Bennington College through classes, FWT initiatives, internships, work study, extracurricular activities and independent research undertaken by Bennington College students, we will reexamine the “Social Kitchen” space and its function as a pivotal hub for cultural expression, collaboration, social cohesion, and collective wellness.
Conducted through research that focuses on the development of Japanese subcultures in the Post World War II period, this course poses various critical inquiries about the effects of nuclear bombings of Hiroshima and Nagasaki on contemporary global consumer society, visual culture and the production of art. We will also bring into focus the trauma revisited up on Japanese citizens and creators by the recent nuclear disaster of Fukushima.
Conducted through research that focuses on the development of Japanese subcultures in the Post World War II period, this course poses various critical inquiries about the effects of nuclear bombings of Hiroshima and Nagasaki on contemporary global consumer society, visual culture and the production of art. We will also bring into focus the trauma revisited up on Japanese citizens and creators by the recent nuclear disaster of Fukushima.
This course provides an overview of the broader ethical and social landscape around diversity and representation in publishing. Major inquiries will include: