Visual Arts
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Reveries — ARC4124.01
Riso Printing: Photographs — PHO2209.01
Rubens + Rauschenberg: Racing and Revisioning Genealogies of Modern Art — AH4126.01
The seventeenth-century Flemish painter-diplomat Peter Paul Rubens is at the heart of a course that proposes the intrinsic baroqueness of diverse strains of high modernism. Our transdisciplinary project crosses entrenched nationalistic and chronological borders between modern and early modern art and artists including Bacon, Guston, Manet, Newman, Picasso, Bearden, and
Rubens and Rauschenberg: Racing and Re/visioning Genealogies of Modern Art — AH4123.01
Rules of Engagement: Art Curatorial Practices that Animate the Public Realm — VA4122.01
Sacred Spaces — ARC4160.01
Salts of Silver, Salts of Iron — PHO4123.01
Sankofa & memoria: Archiving - Finding your history in order to go forward — DAN4381.01
In this course, we will be uncovering, re-positioning, and affirming historical legacies and traditions that stand the risk of being lost forever, and explore how to use them to fight discrimination, racism and hate today. We will do so using Sankofa, a quest for knowledge through critical examination, patient investigation, and learning
Scene Painting — DRA2168.01
Science Fiction as Agent of Change — FV4223.01
Sculptural Equilibrium: Containers for Ikebana — CER4206.01
Sculptural Equilibrium: Contemporary Context of Ikebana — CER4206.01
Understanding the form of a container in relation to the whole
Sculptural Equilibrium: Contemporary Context of Ikebana — CER4206.01
Sculptural Equilibrium: Contemporary Context of Ikebana — CER4206.01
Understanding the form of a container is an integral part of the aesthetic reconfiguration of nature in Ikebana. The concept of activating an interior architectural space with collected cut plants and their arrangement stems from ancient Japanese animism. The container is considered a mysterious receptacle for the sustainability of
Sculptural Equilibrium: Contemporary Context of Ikebana — CER4206.01
Sculpture Studio/ advanced practice — SCU4217.01
This course asks each student to work in a self-directed way among a community of critical thinkers. Finding one’s voice, as a maker, requires research sources of influence and inspiration. Students are expected to undertake a significant amount of work outside of regular class meetings. At this point in your Visual Arts Education
Sculpture Studio/ advanced practice — SCU4217.01
This course asks each student to work in a self-directed way among a community of critical thinkers. Finding one’s voice, as a maker, requires research sources of influence and inspiration. Students are expected to undertake a significant amount of work outside of regular class meetings. At this point in your Visual Arts Education