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When you first learn how to paint, the focus is typically on gaining facility with the application and manipulation of paint to articulate the subject. In this intermediate course, we shift our attention to the often overlooked step that precedes painting: preparing the surface.
This course is intended for students with some playing and reading experience.
Students will expand upon a repertoire of scales and chords.
They will study and learn to play selected compositions.
This course is intended for students with some playing and reading experience.
Students will expand upon a repertoire of scales and chords.
They will study and learn to play selected compositions.
This course is intended for students with some playing and reading experience, who have passed Piano Lab I or its equivalent. The goals of this course are to gain ease and dexterity at the keyboard, further developing a confident piano technique, musical expression, and the skill of reading musical notation. Students will expand upon a repertoire of scales and chords. They
This course is intended for students with some playing and reading experience.
Students will expand upon a repertoire of scales and chords.
They will study and learn to play selected compositions.
This intermediate movement class progresses from foundational skeletal mobility sequences toward more expansive and complex movement forms. The warm-up focuses on joint articulation and range of motion, examining how these relate to alignment, readiness, and efficiency in movement. These principles then extend into traveling sequences and longer compositional phrases.
Intermediate Video builds on the concepts and technical skills introduced in Intro to Video, and has a different theme each term. This semester of Intermediate Video will be focused on the following thematic, conceptual and formal questions. Documentary as a form or genre has expanded over the past century to encompass a wide range of
Since the early 20th century cameras have been on the move, not always stuck to a fixed point of view but rambling, sometimes overhead or moving as fast as a train. Cameras take on the movement cues from the culture—peering over the shoulder, through keyholes, onto phone screens in moments of cultural paranoia,or drone-ing about like the all-seeing eye of warfare. In
