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Showing 25 Results of 7813

Introduction to Dramaturgy — DRA4281.01

Spring 2026
Instructor: Maya Cantu
Days & Time: WE 8:30am-12:10pm
Credits: 4

The dramaturg serves as a powerful medium in the theatre. They bridge the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array

Drama

Introduction to Dramaturgy — DRA4281.01

Fall 2016
Instructor: Jean Randich
Days & Time:
Credits: 4
The dramaturg serves as a powerful medium in the theatre. She bridges the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array of
Drama

Introduction to Dramaturgy — DRA4281.01

Spring 2025
Instructor: Maya Cantu
Days & Time:
Credits: 4
The dramaturg serves as a powerful medium in the theatre. They bridge the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array of
Drama

Introduction to Dramaturgy — DRA4281.01

Fall 2020
Instructor: Maya Cantu
Days & Time:
Credits: 4
The dramaturg serves as a powerful medium in the theatre. She bridges the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array of
Drama Literature

Introduction to Dramaturgy — DRA4281.01

Fall 2017
Instructor: Maya Cantu
Days & Time:
Credits: 4
The dramaturg serves as a powerful medium in the theatre. She bridges the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array of
Drama

Introduction to Dramaturgy — DRA4281.01

Fall 2019
Instructor: Maya Cantu
Days & Time:
Credits: 4
The dramaturg serves as a powerful medium in the theatre. She bridges the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array of
Drama

Introduction to Dramaturgy — DRA4281.01

Spring 2023
Instructor: Maya Cantu
Days & Time:
Credits: 4
The dramaturg serves as a powerful medium in the theatre. They bridge the past and the present, the creative team and the audience, while providing critical generosity and historical and literary insight. In this course, we will learn about the history and practice of dramaturgy, while learning how the critical and research skills of the dramaturg can apply to a wide array of
Drama Literature

Introduction to Drawing and 2D images: Sketchbook/Journal/Woodcut — PRI2124.01) (cancelled

Fall 2020
Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to the study of visual language for artists. To start this exploration, we will start by binding a journal/sketchbook. We will then proceed to study the fundamentals of looking and creating images within a two dimensional picture space. We will start a rigorous drawing practice based on observation of, the world around us, our own decision making
Visual Arts

Introduction to Drawing and 2D images: Sketchbook/Journal/Woodcut — PRI2124.01

Fall 2020
Instructor: Carly Rudzinski
Days & Time:
Credits: 2
This course is an introduction to the study of visual language for artists. To start this exploration, we will start by drawing in a journal/sketchbook. We will then proceed to study the fundamentals of looking at, and creating images within a two dimensional picture space. If we are able to meet in person, we will also create wood block prints based on these practices. If we
Visual Arts

Introduction to Drawing, 2D images and Prints: Sketchbook/Journal/Drypoint — PRI2211.01

Spring 2021
Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to the study of visual language for artists. To begin this exploration, we will bind a journal/sketchbook. We will then proceed to study the fundamentals of looking and creating images within a two dimensional picture space. We will start a rigorous drawing practice based on observation of, the world around us, our own decision making processes
Visual Arts

Introduction to Editing in Premiere — FV2322.01

Spring 2018
Instructor: John Yost
Days & Time:
Credits: 2
This course is a 2-credit, seven-week introductory course focused on providing students with the skills to edit video and create basic animations in Adobe Premiere Pro CC 2017. The course will provide essential training for capturing, editing, audio mixing, and motion graphics, as well as review methods of best practice for organizing footage and exporting finished files. No
Visual Arts

Introduction to Editing in Premiere — FV2322.01

Fall 2017
Instructor: Katie Soule
Days & Time:
Credits: 2
This course is a 2-credit, seven-week introductory course focused on providing students with the skills to edit video and create basic animations in Adobe Premiere Pro CC 2017. The course will provide essential training for capturing, editing, audio mixing, and motion graphics, as well as review methods of best practice for organizing footage and exporting finished files. No
Visual Arts

Introduction to Feminist and Queer Thought — SCT4106.01

Spring 2019
Instructor: Ella Ben Hagai
Days & Time:
Credits: 2
This class provides an overview of foundational feminist and queer theory texts. We will focus on psychoanalytic, Marxist, and women of color feminist thought. We will also examine the influence of poststructuralism on feminism and the emergence of queer theory in the 1990s. We will juxtapose foundational texts in queer theory with queer of color critique. We will conclude with
Society Culture and Thought

Introduction to Fermentation Chemistry —

Fall 2019
Instructor: Amber Hancock
Days & Time:
Credits: 4
Many materials that we use regularly such as foods, alcoholic beverages, pharmaceuticals and fine chemicals can be produced via fermentations.  Cheese, yogurt, kombucha, kimchi, kefir, tempe, tofu, bread, pickles, beer, wine, and spirits are all examples of fermented products!  In this class we will discuss the structure and reactivity of the biomolecules that are

Introduction to Food Studies — APA2245.01

Fall 2019
Instructor: Tatiana Abatemarco
Days & Time:
Credits: 4
This course is an introduction to food studies, which takes a humanities and social science approach to understanding the food and agriculture and how it connects to society and the environment. Students will examine a variety of food studies topics including agricultural movements, food sovereignty, food justice, food ethics, and aesthetics. The course will also engage in a
CAPA

Introduction to Forensic Psychology — PSY2103.01

Spring 2019
Instructor: David Anderegg
Days & Time:
Credits: 4
Forensic psychology is cool on TV, but what is the reality of the field? This course offers an introduction to the field of forensic psychology with an emphasis on the methods used by people in forensic mental health as well as the types of people one encounters in forensic settings. Topics will include: forensic assessment, prediction of criminal behavior, anti-social and
Society Culture and Thought

Introduction to Game Programming — CS2221.02

Fall 2020
Instructor: justinvasselli@bennington.edu
Days & Time:
Credits: 4
This course, suitable for beginning programmers, will introduce game design and Unity3D, a free game development platform that is widely used in the industry today. It also will serve as an introduction to object-oriented programming with C#. We will talk about input, camera controls, game physics, sound effects and artificial intelligence. Students will
Science and Mathematics

Introduction to Game Programming — CS2121.01

Fall 2015
Instructor: Justin Vasselli
Days & Time: TBA
Credits: 4
Once thought to be the pastime of pimple-faced boys and testosterone-pumped young men, today video games are enjoyed by people of all ages, regardless of gender. The rising popularity of smartphones and ubiquity of the internet have greatly broadened the reach of the medium, and have simultaneously made it easier for smaller and smaller teams to publish their games.
Science Mathematics and Computing

Introduction to Game Programming — CS2123.01

Spring 2016
Instructor: Justin Vasselli
Days & Time:
Credits: 4
Game Programming is back for a second term! If you've always been curious about programming, or you've been distracted by that idea for a game bouncing around in your head, this class is for you! This course, suitable for beginning programmers, will introduce game design and Unity3D, a free game development platform that is widely used in the industry today. It also will serve
Science Mathematics and Computing

Introduction to Game Theory — MAT2242.01

Spring 2016
Instructor: Katie Montovan
Days & Time:
Credits: 4
We typically think of games (like football, scrabble, and bridge) as entertaining competitions where each player or team tries to outsmart, outrun, or generally be better than their opponent. In this course, we will broaden this definition of a game to be any interaction between individuals where there are well-defined rewards that depend on what the opponent decides to do. In
Science Mathematics and Computing

Introduction to Game Theory — MAT2242.01

Spring 2014
Instructor: Kathryn Montovan
Days & Time:
Credits: 4
We typically think of games (like football, scrabble, and bridge) as entertaining competitions where each player or team tries to outsmart, outrun, or generally be better than their opponent. In this course, we will broaden this definition of a game to be any interaction between individuals where there are well-defined rewards that depend on what the opponent decides to do. In
Science Mathematics and Computing

Introduction to Git and Github — CS4387.01) (cancelled 5/10/2024

Spring 2025
Instructor: Meltem Ballan
Days & Time:
Credits: 4
This course, "Introduction to Git and GitHub," serves as an extension to the two-part Python class taught in Fall 2024.This course aims to equip learners with essential skills in version control, Git, and GitHub, enabling them to effectively manage and collaborate on coding projects. It's designed for beginners with no prior experience required, offering a comprehensive

Introduction to Harmony — MTH2128.01

Fall 2023
Instructor: Nicholas Brooke
Days & Time:
Credits: 4
A nuts-and-bolts overview of tonal harmony, from scales and chords to voice leading. At first we'll focus on the harmonic practices of Classical and Baroque music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose (and perform) pieces in a variety of harmonic styles. Ear
Music

Introduction to Harmony — MTH2128.01

Fall 2019
Instructor: Nicholas Brooke
Days & Time:
Credits: 4
A nuts-and-bolts overview of tonal harmony, from scales and chords to voice leading. At first we'll focus on the harmonic practices of Classical and Baroque music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose (and perform) pieces in a variety of harmonic styles.
Music

Introduction to Harmony — MTH2128.01

Fall 2015
Instructor: Nick Brooke
Days & Time: TBA
Credits: 4
A nuts‐and‐bolts overview of tonal harmony, from scales and chords to voice leading. At first we’ll focus on the harmonic practices of Classical and Baroque music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose and perform pieces in a variety of harmonic styles. Ear
Music