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Showing 25 Results of 7813

Introduction to Harmony — MTH2128.01

Instructor: Nick Brooke
Days & Time:
Credits: 4
A nuts‐and‐bolts overview of tonal harmony, from scales and chords to voice leading and common progressions. At first we’ll focus on the harmonic practices of Classical music, later broadening our focus to a variety of pop, jazz, and contemporary music. Emphasis will be placed on creative work, and students will be asked to compose and perform pieces in a variety of harmonic

Introduction to Intaglio — PRI2109.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to Intaglio printing.  This will include drypoint, various etching techniques, and basic color intaglio.  Students will learn about Intaglio through demonstrations of techniques, hands-on experience, and critiques.  Further study will occur through a series of projects outside of class.  Students should find the parameters of

Introduction to Intaglio: Alchemy Surprise — PRI2125.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to Intaglio printmaking. Using both Plexiglas and copper, we will explore various techniques including drypoint and acid etching with materials such as rosin resists and sugar lifts. We will explore both incidental and deliberate mark making, and the surprise of seeing our images reversed in print. Ultimately, our endeavors will begin a dialog

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist's Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time: TU 2:10pm-5:50pm
Credits: 4

This course is an introduction to the magic of copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time:
Credits: 4
This course is an introduction to copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a contemporary

Introduction to Intaglio: The Alchemist’s Print — PRI2111.01

Instructor: Thorsten Dennerline
Days & Time: TU 2:10pm-5:50pm
Credits: 4

This course is an introduction to the magic of copper plate Intaglio. We will explore various techniques to prepare our plates including hand working and acid etching with materials such as rosin resists and sugar lifts. By the end of term, we will be printing in color. Ultimately, the overall goal of our endeavors will be to begin a dialog about artistic production in a

Introduction to International Law — APA2020.03

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
This is an introductory course to international public law and its relevance in today’s complex and interconnected world. International law can be considered as the law governing the relations between States, but it also includes relations with international organizations, corporations, and civil society organizations. It is also the foundation for International Human Rights

Introduction to International Law — APA2020.03

Instructor: Andrea Galindo
Days & Time:
Credits: 1
This is an introductory course to international public law and its relevance in today’s complex and interconnected world. International law can be considered as the law governing the relations between States, but it also includes relations with international organizations, corporations, and civil society organizations. It is also the foundation for International Human Rights

Introduction to Japanese Film — JPN4802.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 4
This course introduces students to the history of Japanese cinema from the 1920s to the present. We will take a closer look at many of the most important and influential directors in Japanese cinema, including (but not limited to) the three greatest directors: Mizoguchi Kenji, Ozu Yasujirō, and Kurosawa Akira. These directors are unified in using the medium to investigate

Introduction to Javascript — DA2111.02

Instructor: Jackson Moore
Days & Time:
Credits: 2
This course is an introduction to programming in the web browser. A basic knowledge of html and css is helpful but not necessary. We will get to know the rudiments of scripting languages, and learn how to use them to implement dynamic sites and web applications. We'll focus on three types of problem solving strategies used constantly by programmers: how to break down structure,

Introduction to Jazz Harmony — MTH2276.01

Instructor: jacob sacks
Days & Time: TBA
Credits: 4
This course will approach the subject of harmony from a jazz perspective. Participants will learn about chord structures and inversions, scales and modes used in improvisation, plus common (and uncommon) chord progressions. Participants will also learn how to identify chord symbols used in lead sheets and how to make practical use of one’s knowledge of key signatures when

Introduction to Jazz Theory and Improvisation — MTH2272.01

Instructor: Bruce Williamson
Days & Time:
Credits: 4
This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions and scales used in jazz improvisation. Students will learn how to translate the chord symbols found in lead sheets (music with only chord symbols and melody), how to interpret chord alterations, and how to identify key centers. This course will help students learn the

Introduction to Jazz Theory and Improvisation — MTH2272.01

Instructor: Bruce Williamson
Days & Time:
Credits: 4
This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions and scales used in jazz improvisation. Students will learn how to translate the chord symbols found in lead sheets (music with only chord symbols and melody), how to interpret chord alterations, and how to identify key centers. This course will help students learn the

Introduction to Jazz Theory and Improvisation — MTH2272.01

Instructor: Bruce Williamson
Days & Time:
Credits: 4
This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions and scales used in jazz improvisation. Students will learn how to translate the chord symbols found in “lead sheets” (music with only chord symbols and melody), how to interpret chord alterations, and how to identify key centers. This course will help students learn the

Introduction to Jazz Theory and Improvisation — MTH2272.01

Instructor: Bruce Williamson
Days & Time:
Credits: 4
This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions and scales used in jazz improvisation. Students will learn how to translate the chord symbols found in lead sheets (music with only chord symbols and melody), how to interpret chord alterations, and how to identify key centers. This course will help students learn the

Introduction to Local Sustainable Agriculture — APA2189.01

Instructor: Kelie Bowman
Days & Time: TH 1:40pm-5:20pm
Credits: 2

This course explores the broad field of sustainable agriculture. This class consists of a series of field trips, meeting with a cross-section of local producers ranging from organic vegetable farms, mushroom cultivation, livestock, flower farms. Through these field trips, readings, and in class discussion, students will explore pathways to creating sustainable

Introduction to Macroeconomics — PEC2206.01

Instructor: Eileen Scully
Days & Time:
Credits: 4
Introduction to Macroeconomics is an attempt to understand phenomena such as unemployment, inflation, interest rate and money, the business cycle, economic growth, and roots of the recent financial crisis; and how governments, through fiscal and monetary policy, have addressed these issues. In this course we study the issues and ideas of macroeconomics in a variety of

Introduction to Maps and Geographic Information Systems — ES2110.01

Instructor: Tim Schroeder
Days & Time:
Credits: 2
This is an introductory course on the theory and practice of analyzing and displaying geo-spatial information. The methods that students will learn have wide-ranging applications in the natural and social sciences. Students will learn how to utilize mapping and spatial database software to analyze data and plot information on maps. Students will be expected to develop their own