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Showing 25 Results of 7245

Japanese Aesthetics Through the Tale of Genji — JPN4209.01

Instructor: ikuko yoshida
Days & Time: TBA
Credits: 4
In this high-intermediate Japanese course, students will examine Japanese aesthetics, the Japanese perspectives on nature, and social behaviors by reading excerpts and poems from the modern translation of the Tale of Genji. This Japanese literature masterpiece was written by Lady Murasaki, a court lady, during the Heian period (794-1185). This novel not only depicts the sense

Japanese Aesthetics: Jomon Pottery to Superflat — JPN4216.01

Instructor: Ikuko Yoshida
Days & Time: TBA
Credits: 4
In this intermediate course, students will learn various art in Japan from potteries in the Jomon Period (About 14,000 BC - 300 BC) to Takashi Murakamis so-called superflat, a postmodern art movement, in Heisei Period (1989 -). As they learn Japanese art, they will analyze elements of Japanese aesthetics that were shared in various art forms during each period. Students will

Japanese Art and Society: From Jomon Pottery to Superflat — JPN4714.01

Instructor: Ikuko Yoshida
Days & Time: TU,FR 10:30am-12:20pm
Credits: 4

In this intermediate course, students will learn about various art forms in Japan from pottery in the Jomon Era (about 14,000 BC – 300BC) to Takashi Murakami’s so-called “superflat,” a postmodern art movement, in the Heisei Era (1989 -2019).  As they learn about Japanese art, they will analyze elements of Japanese aesthetics that were shared in various

Japanese Art and Society: From Jomon Pottery to Superflat — JPN4714.01

Instructor: Ikuko Yoshida
Days & Time:
Credits: 4
This is the seventh term Japanese course. In this intermediate course, students will learn various art forms in Japan from pottery in the Jomon Era (about 14,000 BC – 300BC) to Takashi Murakami’s so-called “superflat,” a postmodern art movement, in the Heisei Era (1989 -2019). As they learn about Japanese art, they will analyze elements of Japanese aesthetics that were shared

Japanese Communication Styles through the Lens of Popular Film — JPN4214.01

Instructor: Satomi LaFave
Days & Time:
Credits: 4
What are considered virtues in Japan are quite different from what are considered virtues in the US; moreover, traits that are virtues in Japan are sometimes considered faults or even immoral qualities in the U.S. From an American point of view, it can thus be difficult to imagine how exactly Japanese people’s minds work. In this intermediate Japanese course, we will study

Japanese Language and Culture Through Art and Pop Culture — JPN2114.01

Instructor: Ikuko Yoshida
Days & Time: MO,WE,TH 8:30am-9:50am
Credits: 5

In this introductory-level Japanese course, students will explore Japan’s artistic treasures and diverse art forms to examine Japanese visual culture, history, and society while developing and practicing basic listening, speaking, reading, and writing skills in Japanese. This course offers a fun and dynamic way to begin your journey to study the Japanese language and culture

Javanese Gamelan — MPF2201.01

Instructor: Nick Brooke
Days & Time:
Credits: 2
A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama (rhythm), pathet (tonality),

Javanese Gamelan — MPF2201.01) (day/time updated 11/11/2024

Instructor: Nicholas Brooke
Days & Time:
Credits: 2
A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama (rhythm), pathet (tonality),

Javanese Gamelan — MPF2201.01

Instructor: Nick Brooke
Days & Time: TBA
Credits: 2
A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama (rhythm), pathet (tonality),

Javanese Gamelan — MPF2201.01

Instructor: Nicholas Brooke
Days & Time:
Credits: 2
A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama (rhythm), pathet (tonality),

Javanese Gamelan — MPF2201.01

Instructor: Nicholas Brooke
Days & Time:
Credits: 2
A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama (rhythm), pathet (tonality),

Javanese Gamelan — MPF2201.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama (rhythm), pathet

Javanese Gamelan — MPF2201.01

Instructor: Nicholas Brooke
Days & Time:
Credits: 2
A practicum in playing and hearing the gamelan, the Central Javanese percussion orchestra. Students will learn about court and local traditions of Indonesia while playing classic works of karawitan (loosely translated as “weaving”), the multilayered repertoire of Central Java. Weekly rehearsals will focus on navigating the intricate levels of irama (rhythm), pathet (tonality),

Javascript and the Dynamic Web — DA2107.02

Instructor: Jackson Moore
Days & Time: TBA
Credits: 2
Web designers and developers use html for content, css for presentation, and javascript for behavior. In this course we will learn how to add dynamic interactive elements to websites using javascript. We will cover the basic ingredients of scripting languages, including data types and structures, variables, functions, and control flow. We will also learn about unique aspects of

Javascript and the User Interface — DA2109.02

Instructor: Jackson Moore
Days & Time:
Credits: 2
In this course we will create a series of user interfaces using javascript, the powerful programming language supported in every web browser and an increasing number of other environments.  In the process we will get to know the tools and vocabulary of programming, and practice the kinds of problem solving that it entails.  In addition to basic javascript syntax, we

Jazz and Modern Music Theory — MTH4121.01

Instructor: Jen Allen
Days & Time:
Credits: 4
This course will review both diatonic and modal harmony as it applies to chord structures, chord progressions, scales used in jazz improvisation, how to interpret chord alterations, and how to identify key centers. We will learn how to translate the chord symbols found in “lead sheets” (music with only chord symbols and melody) and develop the necessary skills to create

Jazz Ensemble — MPF4250.02, section 2

Instructor: Jennifer Allen
Days & Time:
Credits: 2
This ensemble will perform a wide range of Jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, Latin, and rock elements have all fueled this music called jazz. Students will also learn how major Jazz artists such as Ellington, Monk, Mingus, Wayne Shorter,

Jazz Ensemble — MPF4250.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 2
This ensemble will perform a wide range of Jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, Latin, and rock elements have all fueled this music called jazz. Students will also learn how major Jazz artists such as Ellington, Monk,

Jazz Ensemble — MPF4250.01

Instructor: Bruce Williamson
Days & Time:
Credits: 2
This ensemble will perform a wide range of Jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, latin, and rock elements have all fueled this music called jazz. Students will also learn how major Jazz artists such as Ellington, Monk, Mingus, Wayne Shorter,

Jazz Ensemble — MPF4250.02

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
This ensemble will perform a wide range of Jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, Latin, and rock elements have all fueled this music called jazz. Students will also learn how major Jazz artists such as Ellington, Monk, Mingus, Wayne Shorter,

Jazz Ensemble — MPF4250.01

Instructor: Bruce Williamson
Days & Time:
Credits: 2
This ensemble will perform a wide range of Jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, Latin, and rock elements have all fueled this music called jazz. Students will also learn how major Jazz artists such as Ellington, Monk, Mingus, Wayne Shorter,

Jazz Ensemble — MPF4250.01

Instructor: Jen Allen
Days & Time:
Credits: 2
This ensemble will perform a wide range of jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, Latin, and modern music elements have all fueled this music called jazz. Students will also learn how major jazz artists such as Ellington, Monk, Mingus, Wayne

Jazz Ensemble — MPF4250.01

Instructor: Carly Rudzinski
Days & Time:
Credits: 1
This ensemble will perform a wide range of Jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, Latin, and rock elements have all fueled this music called jazz. Students will also learn how major Jazz artists such as Ellington, Monk, Mingus, Wayne Shorter,

Jazz Ensemble — MPF4250.01

Instructor: Bruce Williamson
Days & Time:
Credits: 2
This ensemble will perform a wide range of Jazz music (a genre that is constantly evolving), with an emphasis on both ensemble playing and improvisation skills. By playing together, students will learn how blues, swing, latin, and rock elements have all fueled this music called jazz. Students will also learn how major Jazz artists such as Ellington, Monk, Mingus, Wayne Shorter,